標(biāo)題: Titlebook: Cultural Economics; Ruth Towse,Abdul Khakee Conference proceedings 1992 Springer-Verlag Berlin Heidelberg 1992 Cultural policiy.Import.Int [打印本頁] 作者: 味覺沒有 時間: 2025-3-21 16:03
書目名稱Cultural Economics影響因子(影響力)
書目名稱Cultural Economics影響因子(影響力)學(xué)科排名
書目名稱Cultural Economics網(wǎng)絡(luò)公開度
書目名稱Cultural Economics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Cultural Economics被引頻次
書目名稱Cultural Economics被引頻次學(xué)科排名
書目名稱Cultural Economics年度引用
書目名稱Cultural Economics年度引用學(xué)科排名
書目名稱Cultural Economics讀者反饋
書目名稱Cultural Economics讀者反饋學(xué)科排名
作者: Lasting 時間: 2025-3-21 21:29 作者: 前兆 時間: 2025-3-22 01:44
Public Choice and Public Funding of the Artsverall issue. The proper direction of this debate should be towards examining the propriety of government funding to support the arts. In the end it must be remembered, that whatever the government finances, it also ultimately controls. Those who wish to have no fleas, should not sleep with dogs.作者: 男生戴手銬 時間: 2025-3-22 04:42
Trends in Art Policy: The Dutch Casen this article we investigate if there is any correspondence between what ministers say and the actual art-expenditures of the state. We shall concentrate on changes in the pattern of art expenditures in the period 1966–1987 and have a look at the Nineties.作者: 積極詞匯 時間: 2025-3-22 11:43
Some Unanswered Questions in the Economics of Art commodity, an asset or an investment good? Is art a public good, the national patrimony? This is the question of why rational consumers appear to acquire more art when prices rise, even though it has been demonstrated that capital gains on art, in the long run, lag behind returns on alternative investments.作者: BACLE 時間: 2025-3-22 13:25
Who Is the Other Woman? An Introductionrs which use the tools of economic analysis to investigate cultural matters; mainly, but not exclusively. Papers by non-economists have been included which deal with issues of interest to economists. Whatever justification is used as a basis for making it, though, any selection is personal and to some extent arbitrary.作者: BACLE 時間: 2025-3-22 18:32 作者: bizarre 時間: 2025-3-22 23:43 作者: cocoon 時間: 2025-3-23 01:47
Matrix and Voice in A. S. Byatt’s es cautious investors. In this sector, rumours play a bigger part than anywhere else. The acts of some key people are considered as signals that give direction to the market and they are then amplified by many “relay-participants”.作者: Ventricle 時間: 2025-3-23 09:04
Matrix and Voice in A. S. Byatt’s international prices does exist in the Netherlands. Many people are under impression that in Holland admission prices for the performing arts are significantly lower than elsewhere. But is a visit to the theatre in Holland really so much cheaper than in its neighbouring countries?作者: 流利圓滑 時間: 2025-3-23 10:55
her‘s antithesis. However,the economic aspects of culture have increasinglybecome amatter of everyday reality for persons working in thecultural field. The economy of culture has always been inthe focus of political interest. Political decisionsconcerning such priority areas as the development ofreg作者: mydriatic 時間: 2025-3-23 13:53
Who Is the Other Woman? An Introduction Then we encounter further difficulties. Values differ from individual to individual, from group to group, from political party to political party. To seek a consensus of values is as elusive as . in Lewis Carroll’s famous poem. You may recall that the leader of that ill-fated expedition — the Bellman —作者: 表示問 時間: 2025-3-23 18:29
Who Is the Other Woman? An Introductionverall issue. The proper direction of this debate should be towards examining the propriety of government funding to support the arts. In the end it must be remembered, that whatever the government finances, it also ultimately controls. Those who wish to have no fleas, should not sleep with dogs.作者: Virtues 時間: 2025-3-23 22:54
Matrix and Voice in A. S. Byatt’s n this article we investigate if there is any correspondence between what ministers say and the actual art-expenditures of the state. We shall concentrate on changes in the pattern of art expenditures in the period 1966–1987 and have a look at the Nineties.作者: Ccu106 時間: 2025-3-24 05:27
Matrix and Voice in A. S. Byatt’s commodity, an asset or an investment good? Is art a public good, the national patrimony? This is the question of why rational consumers appear to acquire more art when prices rise, even though it has been demonstrated that capital gains on art, in the long run, lag behind returns on alternative investments.作者: absorbed 時間: 2025-3-24 10:25 作者: lipoatrophy 時間: 2025-3-24 12:31 作者: Bureaucracy 時間: 2025-3-24 18:49
The Wexford Opera Festival: A Case for Public Funding?charge, of the National Symphony Orchestra. Thus there is substantial public funding of the Festival, albeit, much lower as a proportion of total income, than that for similar festivals throughout Europe.作者: senile-dementia 時間: 2025-3-24 22:54 作者: CHARM 時間: 2025-3-25 00:43 作者: nutrients 時間: 2025-3-25 04:37
Conference proceedings 1992ics incultural economics. It contains original papers byeconomists workingin the field from 15 different countriesand covers a host of boththeoretical and practical issues,covering the performing arts, arts marketsand museums. Itrepresents an up-to-date statement of the application ofeconomic ideas to cultural questions.作者: 記成螞蟻 時間: 2025-3-25 11:12
Introductionn attempt to view cultural economics as a field of applied economics. In the past, the proceedings of International Conferences of the Association for Cultural Economics have been published ., all the papers being included whatever their merit or orientation. Here a selection has been mainly of pape作者: 圓桶 時間: 2025-3-25 13:01 作者: 閃光東本 時間: 2025-3-25 16:07 作者: 為現(xiàn)場 時間: 2025-3-25 21:45
The Rationale for Public Funding of a National Museumpublic funding of museums, attention is invariably fixed on other aspects of government funding. Public concern is frequently voiced over a range of issues such as the level of public funding to museums, the funding of particular institutions, the acquisitions policies of publicly-funded museums and作者: 從容 時間: 2025-3-26 01:53 作者: 證實 時間: 2025-3-26 05:51
The Wexford Opera Festival: A Case for Public Funding?ometres south of Dublin. During that period three rarely-performed operas are staged on five occasions each. About one-quarter of the income of the Festival comes directly from the state via the Arts Council and there is also a significant indirect subsidy via the provision of the services, free of 作者: interrogate 時間: 2025-3-26 10:04 作者: 清澈 時間: 2025-3-26 14:52
Some Unanswered Questions in the Economics of Art unsatisfactory. First is the existential question of why is there art instead of no art. Second is the question of what is art. Is it a decoration, a commodity, an asset or an investment good? Is art a public good, the national patrimony? This is the question of why rational consumers appear to acq作者: 面包屑 時間: 2025-3-26 20:49 作者: 周年紀(jì)念日 時間: 2025-3-26 22:27
The Classification of Prices: An International Comparative Inquiry into the Admission Prices for Culssion prices for cultural events. Apart from one random international comparison of a limited number of theatres, there is no systematically classified data available about admission prices for cultural events in different countries. On the other hand, it seems that a certain picture of comparative 作者: Obstreperous 時間: 2025-3-27 04:42
Museum Visitor Surveys: An Overview, 1930–1990in fact, have a long tradition of watching visitors. Earlier observers were content with counting noseprints on the glass, checking wear on the carpet, or simply watching the visitors. Since 1930, however, museum professionals have conducted formal surveys of their audience.作者: 種植,培養(yǎng) 時間: 2025-3-27 05:22 作者: 保全 時間: 2025-3-27 10:23 作者: 討厭 時間: 2025-3-27 14:49
Assessing and Financing Cultural Investmentsl protection, the promotion of high technology and industrial competitiveness, energy saving and energy supply diversification, infrastructures of Community interest. Table 1 gives an idea of the level of EIB activity and the sectors covered in recent years.作者: 有惡意 時間: 2025-3-27 19:08
https://doi.org/10.1007/978-3-642-77328-0Cultural policiy; Import; Internationaler Handel; Kulturpolitik; Kultur?konomie; cultural economics; insti作者: DECRY 時間: 2025-3-28 01:20
978-3-642-77330-3Springer-Verlag Berlin Heidelberg 1992作者: 褻瀆 時間: 2025-3-28 02:40
Indigenous Economic Development,in fact, have a long tradition of watching visitors. Earlier observers were content with counting noseprints on the glass, checking wear on the carpet, or simply watching the visitors. Since 1930, however, museum professionals have conducted formal surveys of their audience.作者: 險代理人 時間: 2025-3-28 08:18 作者: grieve 時間: 2025-3-28 10:30 作者: infatuation 時間: 2025-3-28 14:37
Vicente Pinilla,María-Isabel AyudaPrivate and public expenditures for the arts have been growing at an accelerating pace over the past 40 years in all developed societies. What is the nature of the phenomenon? Is the “culture boom” just a current fad or is it here to stay? In this paper I want to argue that it is here to stay.作者: Aggressive 時間: 2025-3-28 20:26 作者: 無節(jié)奏 時間: 2025-3-29 02:37
Problems of Planning Cultural Programs under Endogenous TastesThis paper highlights some of the difficulties involved in plannung cultural output. It begins with the economist’s usual premise that the purpose of a plan is to produce an optimal outcome.作者: 極為憤怒 時間: 2025-3-29 05:51
Auction of Works of ArtIn his paper “How Auctions Work for Wine and Art” (1989), Orley Ashenfelter shows how auctioneers provide genuine expertise in predicting prices of art at auction. Using material from British and American auctions of impressionist paintings, he is able to show a high correlation of price estimates and prices actually obtained.作者: Wernickes-area 時間: 2025-3-29 09:46 作者: FUSC 時間: 2025-3-29 12:10 作者: insecticide 時間: 2025-3-29 18:51
Museum Visitor Surveys: An Overview, 1930–1990in fact, have a long tradition of watching visitors. Earlier observers were content with counting noseprints on the glass, checking wear on the carpet, or simply watching the visitors. Since 1930, however, museum professionals have conducted formal surveys of their audience.作者: 社團 時間: 2025-3-29 23:37
Who Is the Other Woman? An Introductionn attempt to view cultural economics as a field of applied economics. In the past, the proceedings of International Conferences of the Association for Cultural Economics have been published ., all the papers being included whatever their merit or orientation. Here a selection has been mainly of pape作者: 禍害隱伏 時間: 2025-3-30 03:10 作者: 爭議的蘋果 時間: 2025-3-30 04:29 作者: 驚呼 時間: 2025-3-30 11:42 作者: 樹木心 時間: 2025-3-30 15:15
Who Is the Other Woman? An Introduction which is an integral part of the Treaty, states that the aim of the Bank is to contribute, on a nonprofit making basis, to investments fostering the economic growth and the balanced development of the Community. More precisely, the Bank’s objectives are stated as the reduction of regional imbalance
