標(biāo)題: Titlebook: Cultural Dance in Australia; Essays on performanc Jeanette Mollenhauer Book 2022 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁(yè)] 作者: Scuttle 時(shí)間: 2025-3-21 17:45
書(shū)目名稱Cultural Dance in Australia影響因子(影響力)
書(shū)目名稱Cultural Dance in Australia影響因子(影響力)學(xué)科排名
書(shū)目名稱Cultural Dance in Australia網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Cultural Dance in Australia網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Cultural Dance in Australia被引頻次
書(shū)目名稱Cultural Dance in Australia被引頻次學(xué)科排名
書(shū)目名稱Cultural Dance in Australia年度引用
書(shū)目名稱Cultural Dance in Australia年度引用學(xué)科排名
書(shū)目名稱Cultural Dance in Australia讀者反饋
書(shū)目名稱Cultural Dance in Australia讀者反饋學(xué)科排名
作者: 蝕刻術(shù) 時(shí)間: 2025-3-21 21:45 作者: 全等 時(shí)間: 2025-3-22 01:29 作者: indoctrinate 時(shí)間: 2025-3-22 07:23 作者: Conserve 時(shí)間: 2025-3-22 11:06
Interpersonal Networks in the ‘Ruling Triad’ fluidity and externally driven malleability, and diaspora spaces represent the nexus of the past (memories), the present (a new geographical location) and the future (networks and identities). The complementary paradigm of transnationalism represents the simultaneous belonging to former and current作者: 柔軟 時(shí)間: 2025-3-22 14:53
Interpersonal Networks in the ‘Ruling Triad’ dance in Australia, including Orientalism, modernity and individualism, that have forged this division. The chapter expounds the history and implications of multiculturalism as formulated in Australian politics before presenting a brief history of dance both globally and in Australia. A description作者: 柔軟 時(shí)間: 2025-3-22 20:25 作者: Blemish 時(shí)間: 2025-3-22 23:52
are described, including the ways in which public performances reveal the imbrication of multiple aspects of cultural identity. Audiences can both influence and be influenced by cultural dance performances and this granulated relationship is examined. The performing arts provide opportunities for in作者: expound 時(shí)間: 2025-3-23 05:09 作者: CARE 時(shí)間: 2025-3-23 09:12 作者: Nucleate 時(shí)間: 2025-3-23 10:26 作者: Defense 時(shí)間: 2025-3-23 14:12
briefly but the focus is on Margaret Walker and her professional folk character ensemble, Dance Concert. Walker successfully engaged in cross-cultural discourse with both professional overseas teachers and amateur pedagogues and ensembles within Australia. Walker‘s extensive program of community da作者: 分發(fā) 時(shí)間: 2025-3-23 21:42
ralia. This chapter identifies and explains examples of this notion in both amateur and scholarly Australian writings, ranging through historical newspaper articles before addressing issues of concern within formal dance texts and websites. A subtle bias against non-Western dance is exemplified thro作者: 群居動(dòng)物 時(shí)間: 2025-3-24 02:04 作者: 惹人反感 時(shí)間: 2025-3-24 02:40 作者: meditation 時(shí)間: 2025-3-24 06:32 作者: indubitable 時(shí)間: 2025-3-24 11:17
http://image.papertrans.cn/d/image/240771.jpg作者: 冒煙 時(shí)間: 2025-3-24 16:08 作者: Cleave 時(shí)間: 2025-3-24 22:33
The West/Rest Pirouette: Division in the Dance Canon, dance in Australia, including Orientalism, modernity and individualism, that have forged this division. The chapter expounds the history and implications of multiculturalism as formulated in Australian politics before presenting a brief history of dance both globally and in Australia. A description作者: staging 時(shí)間: 2025-3-24 23:48
Motifs of Migration: Reproducing Dance in a New Environment,pragmatic adaptations that may be overlaid on previous customs to ensure perpetuation of cultural genres, including minute changes to choreographies, gender roles and costumes. Influences from the dominant settler society may also affect post-migration praxes. Practical spheres of transnationalism i作者: 和平主義者 時(shí)間: 2025-3-25 04:36
In the Spotlight: Public Performances of Cultural Dance in Australia,are described, including the ways in which public performances reveal the imbrication of multiple aspects of cultural identity. Audiences can both influence and be influenced by cultural dance performances and this granulated relationship is examined. The performing arts provide opportunities for in作者: 在前面 時(shí)間: 2025-3-25 07:29 作者: indicate 時(shí)間: 2025-3-25 12:19 作者: 分期付款 時(shí)間: 2025-3-25 19:51
The Ivory Tower and Its Fixed Pointe of Reference,Three hallmarks of that structure, evolution, hierarchy and universalism are promulgated through both academic and vernacular channels to create a two-tiered system of performance evaluation. Education about the history and development of those hallmarks would produce a dance landscape that is more 作者: 偶然 時(shí)間: 2025-3-25 21:03
Borders, Boundaries and Difference, briefly but the focus is on Margaret Walker and her professional folk character ensemble, Dance Concert. Walker successfully engaged in cross-cultural discourse with both professional overseas teachers and amateur pedagogues and ensembles within Australia. Walker‘s extensive program of community da作者: 內(nèi)疚 時(shí)間: 2025-3-26 02:40 作者: charisma 時(shí)間: 2025-3-26 06:17 作者: sclera 時(shí)間: 2025-3-26 10:44
Steps Towards the Future,ntral goal but this concept should be broadened from its current focus on the people who dance to include a wider range of genres being performed and studied in Australia. The multi-faceted nature of decolonisation is promoted, along with suggestions for change that focus on acknowledging skewed dan作者: Conduit 時(shí)間: 2025-3-26 13:03
Book 2022onal dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative position作者: 天真 時(shí)間: 2025-3-26 18:28 作者: Iatrogenic 時(shí)間: 2025-3-26 22:26 作者: Debark 時(shí)間: 2025-3-27 02:10 作者: ostrish 時(shí)間: 2025-3-27 05:40 作者: 頌揚(yáng)國(guó)家 時(shí)間: 2025-3-27 12:11 作者: FLIT 時(shí)間: 2025-3-27 15:45 作者: 沒(méi)有準(zhǔn)備 時(shí)間: 2025-3-27 18:26
The White Pages: Dance in Australian Textual Records,ugh linguistic devices such as the conflation of ‘dance’ and ‘ballet’. Indeed, a confluence of outdated ideas and a monocular aesthetic framework are evident in Australian texts that have been produced over the past 100 years.?作者: Fibroid 時(shí)間: 2025-3-27 23:27 作者: 污穢 時(shí)間: 2025-3-28 04:09 作者: 非秘密 時(shí)間: 2025-3-28 07:14
-tiered system of performance evaluation. Education about the history and development of those hallmarks would produce a dance landscape that is more equitable and that represents the diversity of the Australian population.作者: Scleroderma 時(shí)間: 2025-3-28 13:31
luding the need for oral accounts to complement and illuminate material and performative items. The urgency of such an endeavour is underscored, with a reminder of the perils resulting from archival absence.作者: pulmonary-edema 時(shí)間: 2025-3-28 16:53
studied in Australia. The multi-faceted nature of decolonisation is promoted, along with suggestions for change that focus on acknowledging skewed dance historiographies. Recognition of the breadth of Australian dance scholarship by including works produced outside of dance faculties is encouraged.作者: Derogate 時(shí)間: 2025-3-28 21:11
and the Dissolution of Cultural Boundaries in Australian Irish Dancing,a form that is comprehensible to audiences who have been conditioned to expect the characteristics of Western genres. Then, a brief history of Irish dance in Australia reveals that Riverdance dismantled cultural boundaries. Irish dance represents a unique case study among cultural dance genres.作者: expansive 時(shí)間: 2025-3-29 01:19
The Ivory Tower and Its Fixed Pointe of Reference,-tiered system of performance evaluation. Education about the history and development of those hallmarks would produce a dance landscape that is more equitable and that represents the diversity of the Australian population.作者: Anecdote 時(shí)間: 2025-3-29 04:06
The Need for an Archive of Cultural Dance,luding the need for oral accounts to complement and illuminate material and performative items. The urgency of such an endeavour is underscored, with a reminder of the perils resulting from archival absence.作者: 無(wú)能力 時(shí)間: 2025-3-29 08:42
Steps Towards the Future,studied in Australia. The multi-faceted nature of decolonisation is promoted, along with suggestions for change that focus on acknowledging skewed dance historiographies. Recognition of the breadth of Australian dance scholarship by including works produced outside of dance faculties is encouraged.作者: 痛苦一下 時(shí)間: 2025-3-29 11:29
Interpersonal Networks in the ‘Ruling Triad’ locations. Dance is understood as a culturally specific system of expressive human movement and for diasporic communities, permits embodiment of migration and resettlement. The dance genres described in this book have been ascribed many terms, but ‘cultural dance’ is used here.
