標(biāo)題: Titlebook: Csound; A Sound and Music Co Victor Lazzarini,Steven Yi,Iain McCurdy Textbook 2016 Springer International Publishing Switzerland 2016 Compu [打印本頁(yè)] 作者: antibody 時(shí)間: 2025-3-21 17:41
書(shū)目名稱Csound影響因子(影響力)
書(shū)目名稱Csound影響因子(影響力)學(xué)科排名
書(shū)目名稱Csound網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Csound網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Csound被引頻次
書(shū)目名稱Csound被引頻次學(xué)科排名
書(shū)目名稱Csound年度引用
書(shū)目名稱Csound年度引用學(xué)科排名
書(shū)目名稱Csound讀者反饋
書(shū)目名稱Csound讀者反饋學(xué)科排名
作者: antiandrogen 時(shí)間: 2025-3-21 21:37 作者: Odyssey 時(shí)間: 2025-3-22 04:12
Public Privacy: Women, the City and the Car,ant parts, we will explore how it is integrated into the software. We will show how MIDI input is designed to fit straight into the instrument-instance model of operation. The dedicated opcodes for input and output will be introduced. The chapter will also examine the different backend options that are currently supported by the system.作者: 空中 時(shí)間: 2025-3-22 08:32
Public Privacy: Women, the City and the Car,s can interact with external software, as well as with distributed processes in separate machines. The chapter explores these ideas, introducing key concepts and providing some examples of applications.作者: foppish 時(shí)間: 2025-3-22 10:35
https://doi.org/10.1007/978-3-319-45370-5Computer Music; Digital Signal Processing; Electronic Music Composition; Music Programming Language; Sou作者: RECUR 時(shí)間: 2025-3-22 14:02 作者: RECUR 時(shí)間: 2025-3-22 17:46
Key System Conceptses; processing blocks; function table generation; real-time and offline audio; the API. These ideas will be presented as a foundation for the detailed exploration of Csound programming in the subsequent chapters.作者: 披肩 時(shí)間: 2025-3-22 23:57
The Numeric Scorentegration with the system, the text explores the basic statement types that compose it, and how they are organised. The score processor and its functionality are explored, followed by a look at loops and playback control. The chapter concludes with a discussion of score generation by external programs and scripting languages.作者: conifer 時(shí)間: 2025-3-23 04:47 作者: 謊言 時(shí)間: 2025-3-23 05:41
Open Sound Control and Networkings can interact with external software, as well as with distributed processes in separate machines. The chapter explores these ideas, introducing key concepts and providing some examples of applications.作者: EXPEL 時(shí)間: 2025-3-23 09:53
Victor Lazzarini,Steven Yi,Iain McCurdyCsound has been adopted by many educational institutions worldwide as part of their undergraduate and graduate teaching programs, and it‘s also used by practitioners worldwide.Presents the Csound syst作者: MAZE 時(shí)間: 2025-3-23 15:33 作者: 亂砍 時(shí)間: 2025-3-23 18:51 作者: nuclear-tests 時(shí)間: 2025-3-23 22:21
Public Privacy: Women, the City and the Car,es; processing blocks; function table generation; real-time and offline audio; the API. These ideas will be presented as a foundation for the detailed exploration of Csound programming in the subsequent chapters.作者: 尊嚴(yán) 時(shí)間: 2025-3-24 05:08
Public Privacy: Women, the City and the Car, including how statements are executed and parameters passed. The principle of variables and their associated data types will be introduced with a discussion of update rates. The building block of instruments, ., are explored, with a discussion of traditional and function-like syntax. Selected key o作者: meditation 時(shí)間: 2025-3-24 10:04
Public Privacy: Women, the City and the Car,nitialisation and performance times, and the various syntactical constructs that are used for that. This will be followed by a look at loops, and their applications. The chapter continues with an examination of instrument scheduling at i-time and k-rate. Recursive instruments are explored. MIDI sche作者: 否認(rèn) 時(shí)間: 2025-3-24 13:19
Public Privacy: Women, the City and the Car,ether through the use of variables. We also detail the order of execution of code inside instruments, and how instances of the same or different instruments are sequenced inside a k-cycle. We introduce the notion of patch-cords and busses, as metaphors for the various types of connections that we ca作者: 艦旗 時(shí)間: 2025-3-24 17:17
Public Privacy: Women, the City and the Car, (UDO) mechanism. After looking at its syntax in detail, we will explore the various aspects of the UDO operation. We will examine the idea of local control rate and how it can be useful in signal processing applications. A very powerful programming device, ., will be introduced to the UDO context, 作者: 忘川河 時(shí)間: 2025-3-24 22:21
Public Privacy: Women, the City and the Car,ntegration with the system, the text explores the basic statement types that compose it, and how they are organised. The score processor and its functionality are explored, followed by a look at loops and playback control. The chapter concludes with a discussion of score generation by external progr作者: dermatomyositis 時(shí)間: 2025-3-24 23:27 作者: 爭(zhēng)論 時(shí)間: 2025-3-25 07:13
Public Privacy: Women, the City and the Car,s can interact with external software, as well as with distributed processes in separate machines. The chapter explores these ideas, introducing key concepts and providing some examples of applications.作者: diskitis 時(shí)間: 2025-3-25 09:16 作者: 貧窮地活 時(shí)間: 2025-3-25 12:47
History: Music Gives Voice to the Ineffable,ariety of effects, from echoes and reverberation to pitch shifting, timbral modification and sound localisation. The chapter is divided into four sections dealing with the basic methods of fixed and variable delays, filtering and spatial audio. Code examples are provided implementing many of the tec作者: 敬禮 時(shí)間: 2025-3-25 15:55 作者: parsimony 時(shí)間: 2025-3-25 23:52 作者: SEEK 時(shí)間: 2025-3-26 02:54 作者: 一罵死割除 時(shí)間: 2025-3-26 06:59 作者: 平躺 時(shí)間: 2025-3-26 11:03 作者: synovium 時(shí)間: 2025-3-26 12:40 作者: excrete 時(shí)間: 2025-3-26 19:36
Music Programming Systems the history of Csound and its evolution leading to the current version. Concepts such as unit generators, instruments, compilers, function tables and numeric scores are introduced as part of this survey of music programming systems.作者: 轉(zhuǎn)向 時(shí)間: 2025-3-26 20:56 作者: 遺傳 時(shí)間: 2025-3-27 01:48 作者: 仔細(xì)閱讀 時(shí)間: 2025-3-27 08:29
Time-Domain Processingions dealing with the basic methods of fixed and variable delays, filtering and spatial audio. Code examples are provided implementing many of the techniques from first principles, to provide the reader with an insight into the details of their operation.作者: Detonate 時(shí)間: 2025-3-27 12:39 作者: duplicate 時(shí)間: 2025-3-27 14:03 作者: reserve 時(shí)間: 2025-3-27 20:09 作者: 前面 時(shí)間: 2025-3-28 00:07 作者: 糾纏,纏繞 時(shí)間: 2025-3-28 03:56
Public Privacy: Women, the City and the Car, the history of Csound and its evolution leading to the current version. Concepts such as unit generators, instruments, compilers, function tables and numeric scores are introduced as part of this survey of music programming systems.作者: 滑動(dòng) 時(shí)間: 2025-3-28 06:38
Public Privacy: Women, the City and the Car,uments are sequenced inside a k-cycle. We introduce the notion of patch-cords and busses, as metaphors for the various types of connections that we can make in Csound program code. To conclude the chapter, the most important mechanisms for passing data between separate instances of instruments are examined in detail.作者: linguistics 時(shí)間: 2025-3-28 12:18
Public Privacy: Women, the City and the Car,ontrol rate and how it can be useful in signal processing applications. A very powerful programming device, ., will be introduced to the UDO context, with a discussion of its general use cases. To complete this chapter, we will look at the concept of subinstruments, which provide another means of composing Csound code.作者: 散步 時(shí)間: 2025-3-28 18:27
History: Music Gives Voice to the Ineffable,ions dealing with the basic methods of fixed and variable delays, filtering and spatial audio. Code examples are provided implementing many of the techniques from first principles, to provide the reader with an insight into the details of their operation.作者: figment 時(shí)間: 2025-3-28 22:17 作者: Kernel 時(shí)間: 2025-3-29 00:06
Granular Synthesisrecorded sound. Several classic types of granular synthesis are known from the literature, originally requiring separate granular synthesis engines for each type. We show how to implement all granular synthesis types with a single generator (the partikkel opcode), and a parametric automation to do morphing between them.作者: 萬(wàn)花筒 時(shí)間: 2025-3-29 06:04
Textbook 2016ins the system, including the basic modes of operation and its programming language; it explores the many ways users can interact with the system, including the latest features; and it describes key applications such as instrument design, signal processing, and creative electronic music composition.作者: 令人苦惱 時(shí)間: 2025-3-29 09:04
Tears, Chills and Broken Bones,ective of the various related techniques that make up this family, with ready-to-use UDOs for each one of them. Finally, we introduce the principle of additive synthesis, with examples that will link up to the exploration of spectral techniques in later chapters.作者: Compatriot 時(shí)間: 2025-3-29 12:22 作者: 要求比…更好 時(shí)間: 2025-3-29 16:14 作者: Incise 時(shí)間: 2025-3-29 22:53
Control of Flow and Schedulingduling is introduced, and the supports for event duration control are outlined, together with an overview of the tied-note mechanism. The text is completed with a discussion of instrument reinitialisation.作者: 松馳 時(shí)間: 2025-3-30 01:56 作者: 旅行路線 時(shí)間: 2025-3-30 05:39
Textbook 2016.The Csound system has been adopted by many educational institutions as part of their undergraduate and graduate teaching programs, and it is used by practitioners worldwide. This book is suitable for students, lecturers, composers, sound designers, programmers, and researchers in the areas of music, sound, and audio signal processing..作者: gain631 時(shí)間: 2025-3-30 08:26
