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標(biāo)題: Titlebook: Cross-Cultural Visions in African American Literature; West Meets East Yoshinobu Hakutani Book 2011 Yoshinobu Hakutani 2011 America.Amerika [打印本頁(yè)]

作者: 斷頭臺(tái)    時(shí)間: 2025-3-21 18:03
書(shū)目名稱Cross-Cultural Visions in African American Literature影響因子(影響力)




書(shū)目名稱Cross-Cultural Visions in African American Literature影響因子(影響力)學(xué)科排名




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書(shū)目名稱Cross-Cultural Visions in African American Literature被引頻次




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書(shū)目名稱Cross-Cultural Visions in African American Literature讀者反饋




書(shū)目名稱Cross-Cultural Visions in African American Literature讀者反饋學(xué)科排名





作者: BLANK    時(shí)間: 2025-3-21 22:00

作者: innovation    時(shí)間: 2025-3-22 02:01
Problemstellung und Handlungsbedarf,ican novels, features the complexity of the protagonist’s mind thoroughly foregrounded with a cross-cultural heritage. ., then, represents the confluence and hybridity of Western and Eastern thoughts.
作者: seruting    時(shí)間: 2025-3-22 06:18
Problemstellung und Handlungsbedarf, by way of such formal strategies as pastiche, parody, doubling, and signifying, not only revises the Western idea of writing and reading but also critiques “the notions of closure” that are both obvious in Western metaphysics and “implicit in the key texts of the Afro-American canon” (226–27).
作者: 鄙視讀作    時(shí)間: 2025-3-22 12:37
Problemstellung und Handlungsbedarf,ure of which his work is a part. In the two novels, which each represent years of literary effort on his part, Johnson is often using the tools of postmodernism to construct the novels. The postmodern approach, rather than simply taking a given stance on intertextuality and the relation of previous
作者: 小母馬    時(shí)間: 2025-3-22 15:21
Cross-Cultural Visions in African American LiteratureWest Meets East
作者: 小母馬    時(shí)間: 2025-3-22 19:08
Cross-Cultural Visions in African American Literature978-0-230-11912-3
作者: Slit-Lamp    時(shí)間: 2025-3-23 00:12
Wordsworthian Nature Poetry, Ashanti Culture, and Richard Wright’s c notion of the totality of nature and humanity reflects the tenements of Zen philosophy. noted from Gautama Buddha’s statement “Seek within, you are the Buddha,” as well as in the structural elements of haiku. Richard Wright explained this philosophy in regards to his experiences with the Ashanti c
作者: Heart-Rate    時(shí)間: 2025-3-23 03:00
Jean Toomer Revisited in James Emanuel’s Postmodernist Jazz Haikuf a dying, musical artistic form and, therefore, of its African American creators (Toomer 14). Jazz music is that oxymoronic Death-Life inspiriting force, and James A. Emanuel is its “electromyographic,” regenerative poetic voice. He weds the Japanese, seventeen-syllable haiku form to an already mus
作者: 食草    時(shí)間: 2025-3-23 05:31
The Western and Eastern Thoughts of Ralph Ellison’s ican novels, features the complexity of the protagonist’s mind thoroughly foregrounded with a cross-cultural heritage. ., then, represents the confluence and hybridity of Western and Eastern thoughts.
作者: LAVE    時(shí)間: 2025-3-23 09:49

作者: 殺菌劑    時(shí)間: 2025-3-23 16:23
“All Narratives Are Lies, Man, an Illusion”: Buddhism and Postmodernism Versus Racism in Charles Johure of which his work is a part. In the two novels, which each represent years of literary effort on his part, Johnson is often using the tools of postmodernism to construct the novels. The postmodern approach, rather than simply taking a given stance on intertextuality and the relation of previous
作者: FECT    時(shí)間: 2025-3-23 22:03
Book 2011ng of haiku. Here, esteemed contributors investigate the impact of Eastern philosophy and religion on African American writers such as?Richard Wright, Ralph Ellison, and Toni Morrison, offering a fresh field of literary inquiry.
作者: 減至最低    時(shí)間: 2025-3-23 23:11
Problemstellung und Handlungsbedarf,ith the . cycle, Lugosi was cast as a Eurasian mad scientist, Victor Poten, in 15 episodes of . (Wong 59). He also played Igor in . (1939), the werewolf who bites Lon Chaney’s character in . (1941), and Frankenstein’s monster in . (1943).
作者: 熔巖    時(shí)間: 2025-3-24 04:47

作者: 調(diào)情    時(shí)間: 2025-3-24 08:50

作者: 發(fā)微光    時(shí)間: 2025-3-24 14:36

作者: 技術(shù)    時(shí)間: 2025-3-24 18:32

作者: motor-unit    時(shí)間: 2025-3-24 21:41

作者: Glucose    時(shí)間: 2025-3-25 02:55

作者: 草本植物    時(shí)間: 2025-3-25 06:06
Richard Wright’s Haiku, Zen, and the African “Primal Outlook upon Life”interested in poetry, especially the haiku. In the 1950s he enjoyed gardening in his Normandy farm, an activity that supplied many themes for his haiku.. Of his other experiences in this period, Wright’s travels to the newly independent Ghana in West Africa are also reflected in his haiku. The Afric
作者: 衣服    時(shí)間: 2025-3-25 08:55
Richard Wright’s Haiku, Japanese Poetics, and Classical Chinese Poetryh haiku through his introduction to Sinclair Beiles, a young South African writer in Paris. Wright wrote more than four thousand haiku, of which 817 were collected in ., published posthumously in 1998. This collection is doubtlessly a significant addition to the Wright Studies.
作者: Prologue    時(shí)間: 2025-3-25 13:07

作者: VICT    時(shí)間: 2025-3-25 19:32

作者: 生銹    時(shí)間: 2025-3-25 20:32

作者: 去世    時(shí)間: 2025-3-26 02:37
The Western and Eastern Thoughts of Ralph Ellison’s judice, Richard Wright’s . had succeeded in awakening the conscience of the nation in a way that its predecessors had failed to do. Toni Morrison’s celebrated novel . (1987) is perhaps one of the most poignant recreations of the legacy of slavery. For the expression of an African American woman’s lo
作者: inconceivable    時(shí)間: 2025-3-26 07:55
West, East, Africa: Richard Wright’s , and Classic Movie Monsterstors with Eastern physical features. The era’s most well-known monster actors include Bela Lugosi (1882–1956) and Boris Karloff (1887–1969).. An Eastern European immigrant from Hungary who spoke accented English, Lugosi portrayed the classic Dracula character in the 1927 Broadway show ., the 1931 mo
作者: 瑪瑙    時(shí)間: 2025-3-26 12:16
Ishmael Reed’s , through Confucianismd thematically, a postmodern deconstruction of modern epistemology and politics and that it offers and experiments with artistic forms and epistemological paradigms alternative to the modern categorization of African American art and African Americans as the other. For most critics, the formal impli
作者: Respond    時(shí)間: 2025-3-26 13:31

作者: humectant    時(shí)間: 2025-3-26 17:34
“All Narratives Are Lies, Man, an Illusion”: Buddhism and Postmodernism Versus Racism in Charles Johs of more traditional adventures set at sea in some unusual ways. The narrator and main character, Rutherford Calhoun, a black ex-slave from southern Illinois, talks and thinks in a manner that seems very unlike any reader’s expectations for such a character. Further, the story is set very specifica
作者: HUSH    時(shí)間: 2025-3-26 21:32
Wissenschaftliche Einordnung der Arbeit,h haiku through his introduction to Sinclair Beiles, a young South African writer in Paris. Wright wrote more than four thousand haiku, of which 817 were collected in ., published posthumously in 1998. This collection is doubtlessly a significant addition to the Wright Studies.
作者: 直言不諱    時(shí)間: 2025-3-27 02:31

作者: 節(jié)約    時(shí)間: 2025-3-27 08:46
Richard Wright’s Haiku, Japanese Poetics, and Classical Chinese Poetryh haiku through his introduction to Sinclair Beiles, a young South African writer in Paris. Wright wrote more than four thousand haiku, of which 817 were collected in ., published posthumously in 1998. This collection is doubtlessly a significant addition to the Wright Studies.
作者: 蕁麻    時(shí)間: 2025-3-27 13:20

作者: Pedagogy    時(shí)間: 2025-3-27 17:17

作者: Meditate    時(shí)間: 2025-3-27 18:01

作者: 纖細(xì)    時(shí)間: 2025-3-27 23:00
https://doi.org/10.1057/9780230119123America; Amerikanische Literatur; Cooper; poetics; poetry; postmodernism; Wordsworth
作者: Euphonious    時(shí)間: 2025-3-28 05:09
978-1-349-29524-1Yoshinobu Hakutani 2011
作者: Ingratiate    時(shí)間: 2025-3-28 07:20

作者: 獨(dú)白    時(shí)間: 2025-3-28 10:56
Wissenschaftliche Einordnung der Arbeit,interested in poetry, especially the haiku. In the 1950s he enjoyed gardening in his Normandy farm, an activity that supplied many themes for his haiku.. Of his other experiences in this period, Wright’s travels to the newly independent Ghana in West Africa are also reflected in his haiku. The Afric
作者: EXPEL    時(shí)間: 2025-3-28 15:46
Wissenschaftliche Einordnung der Arbeit,h haiku through his introduction to Sinclair Beiles, a young South African writer in Paris. Wright wrote more than four thousand haiku, of which 817 were collected in ., published posthumously in 1998. This collection is doubtlessly a significant addition to the Wright Studies.
作者: 無(wú)彈性    時(shí)間: 2025-3-28 18:48

作者: Allowance    時(shí)間: 2025-3-28 23:51

作者: Infant    時(shí)間: 2025-3-29 03:47

作者: 指派    時(shí)間: 2025-3-29 07:13

作者: Oratory    時(shí)間: 2025-3-29 11:32
Problemstellung und Handlungsbedarf,tors with Eastern physical features. The era’s most well-known monster actors include Bela Lugosi (1882–1956) and Boris Karloff (1887–1969).. An Eastern European immigrant from Hungary who spoke accented English, Lugosi portrayed the classic Dracula character in the 1927 Broadway show ., the 1931 mo
作者: AORTA    時(shí)間: 2025-3-29 19:05





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