標題: Titlebook: Critiquing Violent Crime in the Media; Maria Mellins,Sarah Moore Textbook 2021 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁] 作者: 遮蔽 時間: 2025-3-21 19:34
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作者: Extricate 時間: 2025-3-21 23:15
https://doi.org/10.1007/978-3-7091-4484-8ia, a tabloid press publisher and television documentary have retrospectively re-silenced Camb’s victims. This article argues that stories about historical crime in the media are telling of attitudes to gender and justice in the present as much as the past.作者: Felicitous 時間: 2025-3-22 01:37 作者: resuscitation 時間: 2025-3-22 05:53
https://doi.org/10.1007/978-3-7091-4484-8women in intimate partner violence cases within the criminal justice system. The chapter concludes with a caution against including the concept of coercive control in cases of modern slavery and human trafficking.作者: instate 時間: 2025-3-22 12:48
https://doi.org/10.1007/978-3-7091-4484-8ticularly in the case of true crime podcasts due to their format of narrative transportation. Audiences’ need for integration is satisfied through their participation in true crime spaces as well as need for narrative transportation.作者: vitrectomy 時間: 2025-3-22 14:46 作者: vitrectomy 時間: 2025-3-22 19:26 作者: Incumbent 時間: 2025-3-22 22:21 作者: GRIPE 時間: 2025-3-23 02:46 作者: Enzyme 時間: 2025-3-23 08:08 作者: Factorable 時間: 2025-3-23 11:41 作者: 事與愿違 時間: 2025-3-23 17:04
https://doi.org/10.1007/978-3-7091-4484-8 question how female victimhood is represented, both in true crime and within wider cultural contexts. However, while these texts can be seen to challenge the true crime genre’s conventions, they also fail to fully escape those conventions, at times reaffirming problematic discourses that erase or exploit victims.作者: Duodenitis 時間: 2025-3-23 21:33
,Wohnbaufinanzierung in ?sterreich,the twenty-first century, including the rise of digital media, and with it, the emergence of as-live, 24/7, image-driven coverage. We explore, too, the ongoing—perhaps renewed—influence of long-standing formats and genres, including serialisation and the Gothic. The final part of the chapter provides an overview of the book.作者: nocturnal 時間: 2025-3-23 22:46 作者: Common-Migraine 時間: 2025-3-24 03:59 作者: 進入 時間: 2025-3-24 07:18
https://doi.org/10.1007/978-3-7091-4484-8in relation to the crime genre and in the way the monstrosity of the serial killers is encoded. Issues around identity are discussed, particularly in relation to race, as they are embodied in the representation, remediation, and adaptation of real-life serial killers as monsters in the American Gothic tradition.作者: 闖入 時間: 2025-3-24 11:54 作者: PLE 時間: 2025-3-24 17:05
al justice system and support services. This chapter also includes a series of exercises, or ‘critique tasks’ that aim to help readers apply the research contained within this book to their own work on media and violent crime.作者: Condescending 時間: 2025-3-24 20:02 作者: Herd-Immunity 時間: 2025-3-25 00:31
In Consideration of Serial Violence: The Perils of Repetition and Routine in ‘true crime’ Documentarve looked and looked again) and the problems that arise when we assume that replaying an event can in itself yield the truth of the matter. In exploring these ideas, ‘true crime’ documentaries distil twenty-first-century cultural anxieties about the limits of empirical knowledge and the challenges that come with remembering past harms.作者: 責問 時間: 2025-3-25 03:39
That Photograph: Serial Killer as Modern Celebrityphs taken of Brady and Hindley at the time of their arrest as a basis for the exploration of the modern celebrity status of the serial killer. It will then explore the pivotal role of . in the construction of Hindley as ‘作者: 匯總 時間: 2025-3-25 08:28
Real-Life Criminals and Crime Fictions: Adapting the Serial Killer as Gothic Monster in TV Dramain relation to the crime genre and in the way the monstrosity of the serial killers is encoded. Issues around identity are discussed, particularly in relation to race, as they are embodied in the representation, remediation, and adaptation of real-life serial killers as monsters in the American Gothic tradition.作者: MORT 時間: 2025-3-25 15:38 作者: 河潭 時間: 2025-3-25 16:23 作者: Hemodialysis 時間: 2025-3-25 22:15 作者: 任命 時間: 2025-3-26 03:16 作者: 殘暴 時間: 2025-3-26 07:24 作者: Notify 時間: 2025-3-26 10:12
Textbook 2021museums, novels and in the press, and the effects. From a range of contributors, it touches on a wide variety of topics overall and illustrates how examining true crime across the changing popular media landscape can contribute to important debates in?contemporary culture and society. It encourages 作者: Resign 時間: 2025-3-26 13:39 作者: 跳脫衣舞的人 時間: 2025-3-26 17:35 作者: Resistance 時間: 2025-3-26 23:05
Gender, True Crime and the Violent Subjectthat not only does this preclude consideration of male audiences of true crime, but it also ignores other types of violent masculine subject. With this in mind, the chapter interrogates the figure of the gangster, often connected to organised crime, who arguably represents a more compelling, attract作者: mettlesome 時間: 2025-3-27 02:04 作者: 我邪惡 時間: 2025-3-27 07:57
Introduction,haracterise twenty-first- century culture. This is reflected in the book’s core themes—outlined in this chapter—namely the interest in ‘true’ and ‘real’ crime, the commodification of suffering and new spaces of consumption. We examine the media’s role in constructing violent crime, focussing on the 作者: CERE 時間: 2025-3-27 09:27 作者: 含糊 時間: 2025-3-27 17:18
“Don’t Let Netflix Tell You What to Think!”: Debates on Getting to Know the Accused/Convicted in , atrend and specifically how . (2015, Demos & Ricciardi) encourages audiences to “get to know” convicted felons Stephen Avery and Brendan Dassey. It also explores how the series attempts to validate their appeals, understand their convictions and critique the institutions involved, thus providing oppo作者: 不真 時間: 2025-3-27 21:31
From ‘Forensic Narratives’ to ‘Narratives of Forensics’: Telling Stories About the Murder of Gay Gib stories about the 1947 murder of Gay Gibson by James Camb from news media and archived trial documents, through iterations of the narrative over more than seventy years, I identify the forensic contexts of courtroom and capital punishment as critical to comprehending the construction and reincarnat作者: nominal 時間: 2025-3-27 23:39 作者: abreast 時間: 2025-3-28 04:01
‘Stay Sexy and Don’t Get Murdered’: Depictions of Female Victimhood in Post-Me Too True Crimet ., Hallie Rubenhold’s book . (2019), and documentaries . (2019) and . (2020), women’s voices and perspectives are centred in ways that significantly question how female victimhood is represented, both in true crime and within wider cultural contexts. However, while these texts can be seen to chall作者: 善于 時間: 2025-3-28 10:12 作者: GUMP 時間: 2025-3-28 14:19 作者: 極端的正確性 時間: 2025-3-28 18:28 作者: Salivary-Gland 時間: 2025-3-28 19:15 作者: OCTO 時間: 2025-3-29 02:04 作者: 預(yù)定 時間: 2025-3-29 04:39
Feeding the Fascination: Crime-Related Tourism and the True Crime Museumour a defunct jail cell, we are—in effect—consuming true crime narratives. Indeed, stories about ‘true’ crime continue to fascinate, titillate, and captivate tourists on a global scale. However, there is an inherent distortion involved within these spaces of non-fictional narrativity. Much like othe作者: Cantankerous 時間: 2025-3-29 09:04
Exploring the Presence of the Digital Detective within the True-Crime Genre and its Online Spacess and documentaries as case studies, contributions by amateur sleuths have been shown to solve, re-open or question line of enquiries to unsolved crimes. Access to online true crime spaces enables these digital detectives to create an online community to support their investigation. Their journeys a作者: 秘密會議 時間: 2025-3-29 11:45
Live Streaming of Murder: Regulatory Responses and Challengesponsibilities of online intermediaries including social media providers. Australia has enacted legislation creating criminal offences for failure to notify and remove ‘a(chǎn)bhorrent violent material’, defined as self-produced audio/video of specified criminal acts including murder. This includes recordi作者: 輕率的你 時間: 2025-3-29 17:24
Conclusions: Exercises in Critiquing Violent Crime in the Medias; crime transportation, tourism and digital harms; nostalgic aesthetics and gothic criminals and the media’s role in education, awareness raising and victim-survivor activism. As well as reframing authors’ work around these central themes and highlighting where discussions align, this chapter also 作者: armistice 時間: 2025-3-29 22:08 作者: 針葉 時間: 2025-3-30 03:35 作者: fallible 時間: 2025-3-30 04:05 作者: 無能力 時間: 2025-3-30 11:55 作者: 玉米棒子 時間: 2025-3-30 14:23
https://doi.org/10.1007/978-3-7091-4484-8olent events. Based on an in-depth reading of . (De Lestrade 2004–2018) and Season One of the podcast . (Koenig, 2014), the chapter draws upon theoretical work on seriality and hauntology to explore the use of reenactment, doubling, rediscovery, and reinvestigation. I argue that ‘true crime’ documen作者: Dignant 時間: 2025-3-30 17:35 作者: 針葉樹 時間: 2025-3-30 23:05
https://doi.org/10.1007/978-3-7091-4484-8les. London. 2019. .). Stalking is a crime that can affect anyone and has significant impacts on victims-survivors; it has been described as ‘emotional rape’ and ‘psychological terrorism’ (Suzy Lamplugh Trust. 2020. .. Accessed 3 January 2020.). In high-risk cases, stalking can result in murder and 作者: Obstreperous 時間: 2025-3-31 03:07 作者: Palatial 時間: 2025-3-31 05:34 作者: intoxicate 時間: 2025-3-31 12:39
https://doi.org/10.1007/978-3-7091-4484-815–2016), . (2019), and . (2011–2019). It sets out an account of the ways in which non-fiction accounts of serial killers operate as antecedent texts in the fictional narrative. In remediating non-fiction accounts for the medium of TV crime and horror series, these dramas overtly draw on a range of
