標(biāo)題: Titlebook: Critical Essays on Twin Peaks: The Return; Antonio Sanna Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licens [打印本頁(yè)] 作者: lexicographer 時(shí)間: 2025-3-21 16:14
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作者: glamor 時(shí)間: 2025-3-21 20:39
Is It Happening Again? , and ‘,’ of Historyming that the show’s third season poses a distinct challenge to existing models of conceiving of history as a series of representable events or as a space which can be eventually (re)occupied. In this sense, . becomes an epistemic problem staged over the course of more than two decades of American h作者: 壓碎 時(shí)間: 2025-3-22 03:28
Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and thuclear testing. While the relationship between aliens and nuclear sites is of interest to conspiracy theorists, and folklorists have long discussed the relationship between spiritual transcendence and extraterrestrial visitations, Frost and Lynch explore some of these connections in new ways—suggest作者: Demulcent 時(shí)間: 2025-3-22 04:47
Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in , and Its Fan Communchnology plays an ambiguous and often fruitless role in solving the season’s mysteries and resolving its conflicts. The chapter also considers analog technology in the two original seasons of . and that technology’s associations with nostalgia and comfort, and it analyzes David Lynch’s flight from s作者: 故意釣到白楊 時(shí)間: 2025-3-22 09:49 作者: 作繭自縛 時(shí)間: 2025-3-22 15:59
‘Is It About the Bunny? No, It’s Not About the Bunny!’: David Lynch’s Fandom and Trolling of Peak TVes run made possible. Where fans could originally work together to find ‘closure’ beneath the layers of television shows, this new . ‘trolls’ that desire, instead offering repeated scenes of anti-climactic mundanity. McAvoy argues that David Lynch’s trolling leverages disappointment and boredom into作者: 作繭自縛 時(shí)間: 2025-3-22 20:23
‘Between Two Mysteries’: Intermediacy in d becoming. This short journey through certain aspects of . examines the particular way Lynch merges observable material reality with abstraction and immaterial activity. The term/concept of intermediacy frames the primary dramatic action and theme of .. After outlining the apparent circumstances an作者: 激怒某人 時(shí)間: 2025-3-22 23:42 作者: 隱藏 時(shí)間: 2025-3-23 04:11
‘Here’s to the Pie That Saved Your Life, Dougie’: The Weird Realism of man agency and relationships as they are by the quasi-agency of the non-human object world. From its mystical artifacts to the objectification of its characters, Coogan argues that Lynch’s world is one which rejects the correlationism of phenomenological thought and embraces a perspective which draw作者: FACT 時(shí)間: 2025-3-23 06:49
Movement in the Box: The Production of Surreal Social Space and the Alienated Bodynd cultural space that has become ever more surreal as inhabitants’ lives are increasingly mediated through the screen (the box). The chapter explores Lynch’s mapping of modern America as a confusing space, with residents who have become, like the creature that manifests in the box, dehumanized figu作者: 新鮮 時(shí)間: 2025-3-23 11:22 作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-23 17:05
Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of on Jacques Lacan’s psychoanalytical theory of the Three Orders to draw attention to the crucial role of triplicity in all narrative threads of the season. As well as looking at how tricplicity is a natural development of the themes of singularity and dualism expressed in the preceding two seasons o作者: AORTA 時(shí)間: 2025-3-23 21:09 作者: 太空 時(shí)間: 2025-3-23 23:18
Kafka’s Crime Film: , and the Brotherhood of Lynch and Kafkach and Kafka, this chapter examines the myriad ways in which . engages with Kafkaesque imagery and plot, including Audrey Horne’s return, the unconventional investigation of the Blue Rose Task Force, the body trap of Dougie Jones, and Cooper’s doomed attempt to resurrect Laura Palmer. It also examin作者: 淺灘 時(shí)間: 2025-3-24 02:23 作者: 以煙熏消毒 時(shí)間: 2025-3-24 09:24
Is It the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portentive changes. Lynch and his collaborators use music and sound to emphasize shifts between scenes, locations, and scenarios, and the chapter explores how the season uses different techniques from earlier seasons, such as the incorporation of the Roadhouse bands, to emphasize tonal shifts between worl作者: 悠然 時(shí)間: 2025-3-24 13:47
Book 2019 of the critical importance of the program, requires both an interdisciplinary perspective and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture..作者: hemophilia 時(shí)間: 2025-3-24 18:43
and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture..978-3-030-04798-6作者: anesthesia 時(shí)間: 2025-3-24 21:40 作者: 王得到 時(shí)間: 2025-3-25 01:57
Is It Happening Again? , and ‘,’ of Historyistory rising in the years between Seasons Two and Three, both diegetic and off-screen. By treating the impossibility of history through this concept of the ‘return,’ the chapter brings together the insights of psychoanalytically oriented literature on . with the literature focused on televisual narrative and postmodernity.作者: 符合你規(guī)定 時(shí)間: 2025-3-25 05:14 作者: Resign 時(shí)間: 2025-3-25 08:35 作者: 指令 時(shí)間: 2025-3-25 13:50
Movement in the Box: The Production of Surreal Social Space and the Alienated Bodyres, isolated, and alienated from each other and from themselves, trapped behind a screen and within a society where life and art blur. The box is a portal through which we access the show and our own lives.作者: 小官 時(shí)間: 2025-3-25 19:33
Kafka’s Crime Film: , and the Brotherhood of Lynch and Kafkaes the shared thematics of Lynch and Kafka, and how each artist creates works that question the stability of perception, the absurdity of life, and alienation and metamorphosis, in both a literal and figurative sense.作者: 挖掘 時(shí)間: 2025-3-25 23:08 作者: fastness 時(shí)間: 2025-3-26 02:13 作者: 嬉耍 時(shí)間: 2025-3-26 04:22
How Mark Frost’s , Books Clarify and Confound the Nature of Realityve of ., especially its eighth episode and final few episodes. . adds to .’s world, but shows how, no matter how large the narrative grows or how abstract it can become, the rape and murder of Laura Palmer is the driving force behind ., an event?that cannot?be escaped or forgotten.作者: 拋射物 時(shí)間: 2025-3-26 09:48
Who Is the Dreamer?moment. But can dreams truly help us to unravel this vast, enigmatic story? While some, such as Jane Douglas and Siobhan Lyons, caution us about using dream theory to analyze David Lynch’s work, dreams nevertheless offer a useful way of unraveling the complex nature of ..作者: CANDY 時(shí)間: 2025-3-26 12:57
U. Heisel,V. Maier,F. Ziegler,M. Gringelon the series’ multiple thematic concerns and visual aspects. The introduction simultaneously examines the works of the series’ creators, David Lynch and Mark Frost, reconstructing their careers up to the present time.作者: 畢業(yè)典禮 時(shí)間: 2025-3-26 17:20
Gesundheits- und Wohlfahrtseinrichtungen,istory rising in the years between Seasons Two and Three, both diegetic and off-screen. By treating the impossibility of history through this concept of the ‘return,’ the chapter brings together the insights of psychoanalytically oriented literature on . with the literature focused on televisual narrative and postmodernity.作者: anarchist 時(shí)間: 2025-3-26 23:40
Stephanr particular episodes, recognition of the creative process with respect to David Lynch and Mark Frost, and the positioning of the viewer vis-à-vis both the text and the wider community. Cherry concludes with a discussion of memes in the context of fan production, specifically fan art.作者: Dorsal-Kyphosis 時(shí)間: 2025-3-27 02:24 作者: 體貼 時(shí)間: 2025-3-27 08:49
https://doi.org/10.1007/978-3-662-24707-5res, isolated, and alienated from each other and from themselves, trapped behind a screen and within a society where life and art blur. The box is a portal through which we access the show and our own lives.作者: FOIL 時(shí)間: 2025-3-27 12:53
Wege und Ziele der Wirtschaft ?sterreichses the shared thematics of Lynch and Kafka, and how each artist creates works that question the stability of perception, the absurdity of life, and alienation and metamorphosis, in both a literal and figurative sense.作者: 智力高 時(shí)間: 2025-3-27 15:21 作者: 歡樂中國(guó) 時(shí)間: 2025-3-27 18:15
Book 2019on (and appreciation) of spectators, fans, and critics for over two decades. The book takes readers into several distinct areas and addresses the different approaches and the range of topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural作者: mettlesome 時(shí)間: 2025-3-28 00:27
isciplinary, in-depth and erudite introduction to a study of.This edited collection offers an interdisciplinary study of .Twin Peaks: The Return., the third season of a TV program that has attracted the attention (and appreciation) of spectators, fans, and critics for over two decades. The book take作者: 緊張過度 時(shí)間: 2025-3-28 03:35
https://doi.org/10.1007/978-3-662-24706-8characters, Coogan argues that Lynch’s world is one which rejects the correlationism of phenomenological thought and embraces a perspective which draws out the non-human world and puts it on equal footing with human experience.作者: Missile 時(shí)間: 2025-3-28 08:02
https://doi.org/10.1007/978-3-662-24706-8ve of ., especially its eighth episode and final few episodes. . adds to .’s world, but shows how, no matter how large the narrative grows or how abstract it can become, the rape and murder of Laura Palmer is the driving force behind ., an event?that cannot?be escaped or forgotten.作者: Dappled 時(shí)間: 2025-3-28 10:34
Wasserrechtliche Berufungsentscheidungen,moment. But can dreams truly help us to unravel this vast, enigmatic story? While some, such as Jane Douglas and Siobhan Lyons, caution us about using dream theory to analyze David Lynch’s work, dreams nevertheless offer a useful way of unraveling the complex nature of ..作者: 后退 時(shí)間: 2025-3-28 16:55 作者: musicologist 時(shí)間: 2025-3-28 18:57 作者: NAVEN 時(shí)間: 2025-3-29 02:10 作者: Dendritic-Cells 時(shí)間: 2025-3-29 07:01 作者: 鉤針織物 時(shí)間: 2025-3-29 08:24 作者: BACLE 時(shí)間: 2025-3-29 15:09 作者: STING 時(shí)間: 2025-3-29 19:27
Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and thr a cosmic counterbalance to the evils of nuclear war. However, Season Three marks a movement away from simple good/evil binaries and suggests an ‘Other’ or third place where neither identity is clear and both are inextricably intertwined.作者: 2否定 時(shí)間: 2025-3-29 22:28
Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in , and Its Fan Communnd half of the chapter investigates the authors’ roles as panelists on the .-themed . and their involvement with online . fan communities in light of their ideas about the limits and advantages of digital technology.作者: 朝圣者 時(shí)間: 2025-3-30 03:33
‘Between Two Mysteries’: Intermediacy in an (Catherine E. Coulson) and FBI Agent Dale Cooper (Kyle MacLachlan). The chapter concludes with impressions . offers about the interactivity between physical and spiritual worlds and the philosophical/theological implications therein.作者: Kaleidoscope 時(shí)間: 2025-3-30 04:39
‘My Log Has a Message for You,’ or, , and ,: On Thing-Power and Subjectivityg ., it is possible to articulate an object-oriented cinema that has hitherto been unidentified in film theory. However, rather than simply appealing to the object-oriented ontology, Lynch’s universe offers insight into its theoretical shortcomings.作者: infringe 時(shí)間: 2025-3-30 09:14
Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of . ‘Copy of a Copy of a Copy’ concludes with a detailed close reading of the three manifestations of Cooper, analyzing the character as a repository of ostensibly oppositional but fundamentally co-generative psychoanalytical concepts.作者: Institution 時(shí)間: 2025-3-30 12:43 作者: 胎兒 時(shí)間: 2025-3-30 19:58
https://doi.org/10.1007/978-3-030-04798-6Twin Peaks: The Return; David Lynch; Mark Frost; Twin Peaks: Fire Walk with Me; Cult Television; Surreali作者: 殺人 時(shí)間: 2025-3-30 21:43
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 死亡率 時(shí)間: 2025-3-31 01:59 作者: 陪審團(tuán) 時(shí)間: 2025-3-31 07:43 作者: Irrigate 時(shí)間: 2025-3-31 12:45 作者: Confess 時(shí)間: 2025-3-31 14:52 作者: infarct 時(shí)間: 2025-3-31 17:49
Krafterzeugung und Energiewirtschaft,uclear testing. While the relationship between aliens and nuclear sites is of interest to conspiracy theorists, and folklorists have long discussed the relationship between spiritual transcendence and extraterrestrial visitations, Frost and Lynch explore some of these connections in new ways—suggest作者: defendant 時(shí)間: 2025-4-1 01:12 作者: 菊花 時(shí)間: 2025-4-1 02:32 作者: ATOPY 時(shí)間: 2025-4-1 08:41
