標題: Titlebook: Critical Approaches to the Fiction of Margaret Laurence; Colin Nicholson (Senior Lecturer) Book 1990 Palgrave Macmillan, a division of Mac [打印本頁] 作者: 教條 時間: 2025-3-21 17:01
書目名稱Critical Approaches to the Fiction of Margaret Laurence影響因子(影響力)
書目名稱Critical Approaches to the Fiction of Margaret Laurence影響因子(影響力)學科排名
書目名稱Critical Approaches to the Fiction of Margaret Laurence網(wǎng)絡公開度
書目名稱Critical Approaches to the Fiction of Margaret Laurence網(wǎng)絡公開度學科排名
書目名稱Critical Approaches to the Fiction of Margaret Laurence被引頻次
書目名稱Critical Approaches to the Fiction of Margaret Laurence被引頻次學科排名
書目名稱Critical Approaches to the Fiction of Margaret Laurence年度引用
書目名稱Critical Approaches to the Fiction of Margaret Laurence年度引用學科排名
書目名稱Critical Approaches to the Fiction of Margaret Laurence讀者反饋
書目名稱Critical Approaches to the Fiction of Margaret Laurence讀者反饋學科排名
作者: 觀察 時間: 2025-3-21 21:48
Critical Approaches to the Fiction of Margaret Laurence978-1-349-10092-7作者: 侵略者 時間: 2025-3-22 01:51 作者: 悠然 時間: 2025-3-22 08:27
J. J. Gilligan,A. W. Castleman Jr.A sensitive and challenging definition of the maternal emerges that renews the concept for modern times and yet links it with the biblical woman whose children rise up and call her blessed. Laurence’s focus encompasses not only an external, forceful and easily recognised social reality, but also a r作者: Bumptious 時間: 2025-3-22 09:25 作者: Allergic 時間: 2025-3-22 14:11 作者: Allergic 時間: 2025-3-22 18:29 作者: 不能妥協(xié) 時間: 2025-3-22 23:01
Images in Stones, Images in Words,al ground — and of the novel’s major semantic polarities. We are in a sense reassured: so that is what the title refers to — this marble statue ‘brought from Italy at great expense’, erected in memory of the narrator—protagonist’s mother.作者: 獨行者 時間: 2025-3-23 03:53 作者: facilitate 時間: 2025-3-23 09:30
,The Realism of Laurence’s Semi-Autobiographical Fiction, the simple statement that, There is a lot of history in my fiction.’. The distrust of ‘theorising’ and the assimilation of fiction to history indicate an uncompromising commitment to a realistic procedure. This commitment, which deserves closer analysis, is most evident in the collection of stories作者: 主動脈 時間: 2025-3-23 12:51 作者: 肥料 時間: 2025-3-23 17:23 作者: 重疊 時間: 2025-3-23 18:50 作者: inundate 時間: 2025-3-23 23:56
Overview: The essays collected in this volume offer a range of different approaches to the significance of the work of Margaret Laurence, historical, feminist, descriptive and thematic, in which critics from Europe, America and Canada offer assessments of this 20th century novelist.978-1-349-10092-7作者: MOTIF 時間: 2025-3-24 04:50
https://doi.org/10.1007/978-3-662-05202-0Seventeen years ago Margaret Laurence expressed her novelist’s credo this way:作者: 中古 時間: 2025-3-24 07:40
Springer Series in Cluster PhysicsSpeaking at Trent University on the subject of ‘Books that Mattered to Me’, Margaret Laurence gave special praise to a novella and a writer few in that Canadian audience of 1980 recognised. ‘Tillie Olsen,’ she reported,作者: Common-Migraine 時間: 2025-3-24 14:32 作者: Nerve-Block 時間: 2025-3-24 17:42
,‘Planted firmly in some soil’,Seventeen years ago Margaret Laurence expressed her novelist’s credo this way:作者: BRAVE 時間: 2025-3-24 20:07
,‘All that happens, one must try to understand’,Speaking at Trent University on the subject of ‘Books that Mattered to Me’, Margaret Laurence gave special praise to a novella and a writer few in that Canadian audience of 1980 recognised. ‘Tillie Olsen,’ she reported,作者: FEAT 時間: 2025-3-24 23:59 作者: Brittle 時間: 2025-3-25 05:14
Thin Film Water on Insulator Surfacesme of their own creating.. The form this fictional framing has taken has been that of the epic or romance quest or journey. The road to Manawaka lies through Ghana, Nigeria and the searching desert sun of the Haud. The ‘African experience’ is not an exotic interlude but an integral part of the makin作者: 青石板 時間: 2025-3-25 09:08 作者: 固定某物 時間: 2025-3-25 12:48 作者: 鐵塔等 時間: 2025-3-25 18:40
Thin Film Water on Insulator Surfacesto us all. In the author, presumably, as well as in the reader, they release tensions between divided aspects of being. Margaret Laurence uses the twin-motif in . subtly but persistently. Using it, she keys into an archetypal force like that released through folklore or myth. From the time we meet t作者: 拱墻 時間: 2025-3-25 22:13 作者: Monolithic 時間: 2025-3-26 03:57
J. J. Gilligan,A. W. Castleman Jr.— is diminishing rapidly, and it is the same in fiction. In fiction, as in real life, the external characteristics of the role are changing radically, but the recurrent appearance of a maternal figure in the contemporary fiction of women writers such as Margaret Atwood, Margaret Drabble, Doris Lessi作者: adumbrate 時間: 2025-3-26 06:16
Water Confined at the Liquid-Air Interfaces rather than poetics and aesthetics’.. Margaret Laurence’s attitude towards her own writing tends to confirm this view. Her work leaves the critic uneasy over the problem which Lodge’s statement implies: that such a mode of vision appears to grant a higher priority to the content of a novel than to作者: exorbitant 時間: 2025-3-26 09:18 作者: FRET 時間: 2025-3-26 16:37
Jiming Liu,Shiwu Zhang,Yiming Ye in a quest for origins, an attempt to identify the distinctive specificity of Canadian culture by employing discourses of the past to examine the ancestral heritage. This process of exploration takes various forms, most of which are based on historiographical or archaeological models of investigati作者: 偽書 時間: 2025-3-26 20:50 作者: 抱狗不敢前 時間: 2025-3-26 23:57
Bing Liu,Yiming Ma,Philip S. Yuinant discourse, the voice of women is the most audible one in open critique of the Great Tradition. In one of many . Laurence dramatises her textual strategies when she shows Morag rewriting Christie’s Piper Gunn tales in the feminine: from stalwart helpmate of a hero, she becomes a cultural hero i作者: DEAF 時間: 2025-3-27 01:08 作者: Charade 時間: 2025-3-27 07:17
Book 1990The essays collected in this volume offer a range of different approaches to the significance of the work of Margaret Laurence, historical, feminist, descriptive and thematic, in which critics from Europe, America and Canada offer assessments of this 20th century novelist.作者: 偽證 時間: 2025-3-27 10:23
https://doi.org/10.1007/978-1-349-10092-720th century; Africa; America; Canada; dance; discourse; essay; feminism; fiction; god; realism; Scotland; tradi作者: Ligament 時間: 2025-3-27 14:07
Palgrave Macmillan, a division of Macmillan Publishers Limited 1990作者: Palliation 時間: 2025-3-27 21:06 作者: 逗留 時間: 2025-3-27 22:09 作者: 生存環(huán)境 時間: 2025-3-28 04:32
,Nonlinear Waves on Water — Solitons,uttles between fixed structure and positionless flux breeding both complacency and fear, grabbing at tradition or heritage or genealogy in the face of change that appears to bring community breakdown.作者: Cholesterol 時間: 2025-3-28 10:21
Alexander Maedche,Viktor Pekar,Steffen Staab Neepawa, Manitoba, Canada record some answers to these questions. Playmates, neighbours, relatives, classmates, teachers and townspeople who knew Margaret Laurence recalled experiences, gave impressions of how she felt, and responded to her fiction.作者: Toxoid-Vaccines 時間: 2025-3-28 10:45
,‘Leave the Dead some room to dance!’,e wrote, ‘I had come back to Canada via Africa, both physically and spiritually.’. Ultimately, it is a comforting image of migration, and one which it is difficult to resist or deny; a progress of the self, assimilating the matter of experience into new material. The prairie is, after all, just another desert.作者: Gene408 時間: 2025-3-28 15:26
Weaving Fabrications, and her relation to the outer spaces of place and community. Rachel Cameron’s and Stacey MacAindra’s narratives are undeniably ‘inner-space fiction’ (to adopt a term used by Doris Lessing), offering two very different models for women’s stories, but here individual difference is supplemented by family likeness.作者: 和平 時間: 2025-3-28 22:42 作者: Pandemic 時間: 2025-3-28 23:49
,Margaret Laurence’s Manawaka, Neepawa, Manitoba, Canada record some answers to these questions. Playmates, neighbours, relatives, classmates, teachers and townspeople who knew Margaret Laurence recalled experiences, gave impressions of how she felt, and responded to her fiction.作者: Prostaglandins 時間: 2025-3-29 03:16 作者: EPT 時間: 2025-3-29 08:18 作者: 希望 時間: 2025-3-29 14:01
Thin Film Water on Insulator Surfacesto twins (‘twice as reprehensible as one’) we move toward a central focus on the mystery of Nick Kazlik’s twinship: a correlative of the doubleness in Nick — and in many other aspects of the rich, mysterious, funny world that Margaret Laurence created in this novel.作者: Carcinogenesis 時間: 2025-3-29 18:07 作者: Hemodialysis 時間: 2025-3-29 23:37 作者: 死貓他燒焦 時間: 2025-3-30 03:56
,Margaret Laurence’s ,conception of ‘paradise’ and ‘the artist’. Laurence also defines herself against Modernists James Joyce and T. S. Eliot, drawing on . for her portrait of the artist as a young woman, and on ., which similarly draws on Shakespeare’s . (and for the same reasons Laurence does) for its concern with the uses of the past.作者: MUMP 時間: 2025-3-30 08:06 作者: avenge 時間: 2025-3-30 10:22 作者: bioavailability 時間: 2025-3-30 16:09 作者: JOT 時間: 2025-3-30 18:01
Double is Trouble,to us all. In the author, presumably, as well as in the reader, they release tensions between divided aspects of being. Margaret Laurence uses the twin-motif in . subtly but persistently. Using it, she keys into an archetypal force like that released through folklore or myth. From the time we meet t作者: Hyaluronic-Acid 時間: 2025-3-30 23:03
Weaving Fabrications, only pair of novels in her Manawaka cycle. These sisters’ narratives written consecutively by Laurence raise questions about the presentation of female subjectivity, about women’s relation to their cultural inheritance, and whether the autobiographical form which has become the staple of women’s fi作者: 油氈 時間: 2025-3-31 02:05
