標(biāo)題: Titlebook: Crisis Reporters, Emotions, and Technology; An Ethnography Johana Koti?ová Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (if applicable) and The Author(s [打印本頁] 作者: 大口水罐 時(shí)間: 2025-3-21 18:19
書目名稱Crisis Reporters, Emotions, and Technology影響因子(影響力)
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書目名稱Crisis Reporters, Emotions, and Technology讀者反饋學(xué)科排名
作者: 做作 時(shí)間: 2025-3-21 20:48 作者: jettison 時(shí)間: 2025-3-22 01:36
https://doi.org/10.1007/978-3-030-21428-9Crisis Reporting; Ethnography; Sociology of Emotions; European Media Policy; Emotional Labour; Global Cri作者: 宿醉 時(shí)間: 2025-3-22 06:53
978-3-030-21430-2The Editor(s) (if applicable) and The Author(s) 2019作者: overshadow 時(shí)間: 2025-3-22 10:02 作者: 小鹿 時(shí)間: 2025-3-22 13:04 作者: 小鹿 時(shí)間: 2025-3-22 19:55 作者: 英寸 時(shí)間: 2025-3-23 00:33 作者: FUSC 時(shí)間: 2025-3-23 03:01 作者: insincerity 時(shí)間: 2025-3-23 08:36
,W?rmeübergang beim Kondensieren,med “creative nonfiction,” was employed, and illustrates its main functions: illustrative, allegorical, organizing, effective, and reflexive. The author also explains most of the metaphors used in the research monograph including the character of James, the fictional journalist, and argues that the 作者: 悲痛 時(shí)間: 2025-3-23 13:07
Jan Louisporters’ emotional experience, and the role of newsmaking technology in shaping of the experience. The fictional story in this chapter is located at an airport. The readers get acquainted with the main character James, a fictional journalist.作者: Hallmark 時(shí)間: 2025-3-23 17:15 作者: 舊石器 時(shí)間: 2025-3-23 20:11
,Grundlagen der W?rmeübertragung,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.作者: Seizure 時(shí)間: 2025-3-24 02:06
Chris Biemann,Gerhard Heyer,Uwe Quasthoffthor highlights the potential of narrative journalism. The fictional part of the narrative ends with James’ role model giving him a helping hand, thus stressing the importance of assistance from more senior reporters.作者: 走路左晃右晃 時(shí)間: 2025-3-24 03:08 作者: anesthesia 時(shí)間: 2025-3-24 08:49 作者: Accolade 時(shí)間: 2025-3-24 14:27
The Emotional Experience of Crisis Reporters: The Journey, reporters’ coping strategies and criticizes media organizations for not taking responsibility. Throughout this chapter, James goes through ordinary air experiences such as turbulences, joking with neighbors and drinking a beer, each serving as a metaphor for a corresponding topic within the empirical material.作者: STALL 時(shí)間: 2025-3-24 18:02
,Articulating Journalists’ Emotional Experiences of Crisis: Touching Down,he forms of subjectivity that are most appropriate to the practice of crisis reporting. The fictional narrative revolves around James’ growing nervousness: he focuses more and more on his professional task and his experience becomes gradually determined by his job.作者: 無聊的人 時(shí)間: 2025-3-24 22:01 作者: Lethargic 時(shí)間: 2025-3-25 00:17
Creative Nonfiction and the Research Method,ch process, following four stages: establishing the field, immersion in the research problem, disentanglement, and return to the field. Koti?ová also addresses the epistemology and methodology of studying emotions, and the opportunistic, multi-sited, and participatory logic of the research design.作者: Limousine 時(shí)間: 2025-3-25 04:04
eate an innovative writing style.Demonstrates how media orga.This open access book explores the emotional labour of crisis reporters in an original style that combines fictional and factual narrative. Exploring how journalists make sense of their emotional experience and development in relation to t作者: RAG 時(shí)間: 2025-3-25 09:11 作者: 社團(tuán) 時(shí)間: 2025-3-25 12:02 作者: 攝取 時(shí)間: 2025-3-25 19:17 作者: relieve 時(shí)間: 2025-3-25 21:14
and a particular strain of cynicism central to the industry. Combining comprehensive, empirical research with the fictional narrative of a journalist protagonist, .Crisis Reporters, Emotions and Technology. establishes an innovative approach to academic storytelling..978-3-030-21430-2978-3-030-21428-9作者: Alopecia-Areata 時(shí)間: 2025-3-26 01:03
Correction to: Crisis Reporters, Emotions, and Technology,作者: avarice 時(shí)間: 2025-3-26 05:24 作者: Fibrillation 時(shí)間: 2025-3-26 09:17 作者: 模范 時(shí)間: 2025-3-26 16:06
Defining a Crisis: Boarding,lists, crisis is defined by its polyphony and multi-level scope. Crisis is both an inside-the-media situation and an outside-the-media major negative event, defined by the suffering of individuals. Crisis is both short-term and continuous, both real and media-constructed. As a result, crisis is a ub作者: Atheroma 時(shí)間: 2025-3-26 19:33
The Emotional Experience of Crisis Reporters: The Journey,ng an ideal-typical emotional path of a crisis reporter: from adventurous expectations related to the mythic notion of war correspondent through the frustration, boredom, and tiredness, to closeness and identification with on-site tragedies. From a long-term perspective, the continuous oscillation b作者: 致詞 時(shí)間: 2025-3-27 00:50 作者: MUT 時(shí)間: 2025-3-27 03:42 作者: 偏見 時(shí)間: 2025-3-27 05:49 作者: 親屬 時(shí)間: 2025-3-27 11:07 作者: 禮節(jié) 時(shí)間: 2025-3-27 13:53 作者: muster 時(shí)間: 2025-3-27 20:16 作者: CLASH 時(shí)間: 2025-3-27 23:30 作者: 修剪過的樹籬 時(shí)間: 2025-3-28 03:30
interactions between predacious, planktivorous, and benthivorous fish and between fish and invertebrates, including key organisms such as large zooplankton and snails. Changes in these interactions in turn may have cascading effects on the entire food web in both the pelagial and the littoral zone.作者: Melanocytes 時(shí)間: 2025-3-28 09:57 作者: figment 時(shí)間: 2025-3-28 13:01 作者: ONYM 時(shí)間: 2025-3-28 15:15 作者: 投射 時(shí)間: 2025-3-28 19:19
