派博傳思國(guó)際中心

標(biāo)題: Titlebook: Crime and Music; Dina Siegel,Frank Bovenkerk Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springe [打印本頁(yè)]

作者: Holter-monitor    時(shí)間: 2025-3-21 16:03
書目名稱Crime and Music影響因子(影響力)




書目名稱Crime and Music影響因子(影響力)學(xué)科排名




書目名稱Crime and Music網(wǎng)絡(luò)公開度




書目名稱Crime and Music網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Crime and Music被引頻次




書目名稱Crime and Music被引頻次學(xué)科排名




書目名稱Crime and Music年度引用




書目名稱Crime and Music年度引用學(xué)科排名




書目名稱Crime and Music讀者反饋




書目名稱Crime and Music讀者反饋學(xué)科排名





作者: FLING    時(shí)間: 2025-3-21 23:08
NEW, Novi Beograd 1948 – 1986 – 2006zing the functions of music in terms of ., styles and genres and by reconstructing the biographies of great composers, performers and orchestras (Burkholder et al. 1988). They were joined by sociologists trying to gain insight into the sociopolitical significance of music, including great thinkers s
作者: 相符    時(shí)間: 2025-3-22 02:24
Hans-Joachim Roth,Tim Wolfgartenement with neither the methods used nor the nature of the victims. Though, all Jewish music was anyway prohibited, “modern” music was not per se, nor elements of jazz. Finally, it is important to accept that the music itself was never a victim but those who created or recreated it were. Neither can
作者: dialect    時(shí)間: 2025-3-22 04:59
NEW, Novi Beograd 1948 – 1986 – 2006 sexual jealousy, revenge. Despite the apparent exaggeration, absurdities and urge to entertain, in the end opera still approaches the true emotional connotations of death, terror, and debauchery. Every perpetrator or victim of crime must know this world from the inside. Opera reveals something abou
作者: 似少年    時(shí)間: 2025-3-22 10:58
NEW, Novi Beograd 1948 – 1986 – 2006eres offering creative and self-reflexive responses to social realities. Considering the evolution of murder ballads from seventeenth-century Europe to a staple in American pop and rap, the sonic politics of murder ballads deserve more attention within and beyond the realm of music history.
作者: Gene408    時(shí)間: 2025-3-22 15:47

作者: Gene408    時(shí)間: 2025-3-22 18:22

作者: hemoglobin    時(shí)間: 2025-3-23 00:28
Wertentwicklung im Jugendalter,age style and a cultural experience. The zealous opposition unleashed against rebetika from the 1930s until even the 1970s constitutes a perfect exercise for tracing the construction of a “moral panic” aiming to entrench and fortify Greekness against perceived perilous influences. The subsequent tur
作者: Laconic    時(shí)間: 2025-3-23 03:16
Wertedimensionen im Jugendalter,ked up to lyrical formulas of the genre. “Keeping it real” remains of the utmost importance for rappers, street-oriented persons, and other audiences alike. The Internet, and social media in particular, has further complicated the relation between “art” and “l(fā)ife.” This chapter shows that the import
作者: Aboveboard    時(shí)間: 2025-3-23 06:12

作者: 吹牛者    時(shí)間: 2025-3-23 12:16
Entartete Musik: Perpetrators and Victimsement with neither the methods used nor the nature of the victims. Though, all Jewish music was anyway prohibited, “modern” music was not per se, nor elements of jazz. Finally, it is important to accept that the music itself was never a victim but those who created or recreated it were. Neither can
作者: 小教堂    時(shí)間: 2025-3-23 15:07
Crime at the Opera House sexual jealousy, revenge. Despite the apparent exaggeration, absurdities and urge to entertain, in the end opera still approaches the true emotional connotations of death, terror, and debauchery. Every perpetrator or victim of crime must know this world from the inside. Opera reveals something abou
作者: 騎師    時(shí)間: 2025-3-23 18:39

作者: 印第安人    時(shí)間: 2025-3-24 00:27

作者: MIRE    時(shí)間: 2025-3-24 05:32

作者: addition    時(shí)間: 2025-3-24 08:19

作者: companion    時(shí)間: 2025-3-24 13:36
“Keeping It (Hyper)Real”: A Musical History of Rap’s Quest Beyond Authenticityked up to lyrical formulas of the genre. “Keeping it real” remains of the utmost importance for rappers, street-oriented persons, and other audiences alike. The Internet, and social media in particular, has further complicated the relation between “art” and “l(fā)ife.” This chapter shows that the import
作者: embolus    時(shí)間: 2025-3-24 17:17

作者: ANTE    時(shí)間: 2025-3-24 19:00

作者: 神化怪物    時(shí)間: 2025-3-25 03:00
cal genres.A multidisciplinary work that will be of interest.This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminolo
作者: fatuity    時(shí)間: 2025-3-25 06:36

作者: Emasculate    時(shí)間: 2025-3-25 08:49

作者: CLIFF    時(shí)間: 2025-3-25 14:03
Marginalizing the Muslim ,: Hindu Nationalism and Music in Modern North Indiaupposedly declined under Muslim rule. Ultimately, this ‘Hinduization’ of north Indian music, which successively was institutionalized in modern music institutions, led to the stigmatization and subsequent marginalizing of Muslim musicians (ustads) and their knowledge.
作者: 幸福愉悅感    時(shí)間: 2025-3-25 16:58

作者: 四牛在彎曲    時(shí)間: 2025-3-25 23:49
Praise the Drug Lord: , in Mexicothe whole war on drugs. Since the beginning of this century, however, nearly a hundred musicians of the . genre have been murdered and the reasons for these murders cannot be dissociated from the evolution of the drug cartels—fundamentally their fragmentation—and of the war on drugs in Mexico.
作者: 全部    時(shí)間: 2025-3-26 00:28

作者: Bureaucracy    時(shí)間: 2025-3-26 06:51

作者: 檔案    時(shí)間: 2025-3-26 08:36

作者: 承認(rèn)    時(shí)間: 2025-3-26 14:46

作者: 地殼    時(shí)間: 2025-3-26 17:10

作者: 描繪    時(shí)間: 2025-3-26 23:34
Für einen , in der Kunstp?dagogikthe whole war on drugs. Since the beginning of this century, however, nearly a hundred musicians of the . genre have been murdered and the reasons for these murders cannot be dissociated from the evolution of the drug cartels—fundamentally their fragmentation—and of the war on drugs in Mexico.
作者: RADE    時(shí)間: 2025-3-27 02:27

作者: 領(lǐng)袖氣質(zhì)    時(shí)間: 2025-3-27 07:55
Stories of Crime and Music, the emotions and socio-political responses it is able to evoke. This discussion reflects the diversity of intellectual fields that study both the making of music in its many forms and variations and how it is received by its listeners. The only matter on which there is unanimous agreement is the im
作者: Mumble    時(shí)間: 2025-3-27 11:46

作者: 六邊形    時(shí)間: 2025-3-27 15:08

作者: 抱怨    時(shí)間: 2025-3-27 20:44
: Child Abuse and the Search for Musical Perfectionse, homosexuality, misogyny and paedophilia, the castration of young boys was clouded in secrecy and covered up by the Roman Catholic Church. In this chapter, I ask why and by whom the practice of castrating boys to preserve their high voices—something that would now be considered as severe child ab
作者: 涂掉    時(shí)間: 2025-3-27 22:16
Crime at the Opera Housen opera. In serious operas, crime is overwhelmingly present. My inventory includes a widely varied list of murder, theft, trafficking in women, kidnapping, rape, forced suicide, severe physical injury, molestation, attempted murder, incest, treason, abuse of power, robbery, fraud, and manslaughter.
作者: 我沒有命令    時(shí)間: 2025-3-28 02:06
“Blood-Thirsty Blues”: The Sonic Politics of American Murder Balladshas not been addressed in an interdisciplinary fashion and remains a desiderata to gain insight into the human condition. In the most general sense, murder ballads can be described as narratives about crimes—both real and imagined. In poetic fashion, we learn about a killing in grisly details from t
作者: 光明正大    時(shí)間: 2025-3-28 06:20

作者: nurture    時(shí)間: 2025-3-28 12:01
Jazz and the Mob: A Story of Unexpected Patronaget half of the twentieth century the author agrees with Ronald Morris 1980, Wait Until Dark, Jazz and the Underworld, 1880–1940. Bowling Green, Oh: Bowling Green University Popular Press, 1980) characterization of the relationship between musicians and the mob as being one of modern patronage. Gangst
作者: indignant    時(shí)間: 2025-3-28 15:53

作者: BAIT    時(shí)間: 2025-3-28 20:24
: Music in Nazi Death Camps were led to the gas chambers. By taking a critical look at different versions of this story that have been and continue to be told in the press, in books, on the internet, and in social media, an attempt will be made to separate myth from reality and to sort out what this myth tells us about the ro
作者: RODE    時(shí)間: 2025-3-29 02:33
The Music Act of “Kosovo” and Its Semantic Resonances in International Criminal Trials: An Oral Epicommunications on the perpetrators can determine the ultimate issue in a trial. In this regard, various elements of music have always been a critical but underestimated factor in the perpetration of mass atrocity crimes. Music, as language, has the capacity to communicate information and prompt actio
作者: aspect    時(shí)間: 2025-3-29 04:03

作者: 礦石    時(shí)間: 2025-3-29 08:23
The Malleable and Inevitable Path of Demonizing (Sub)Culture: The Case of Greek Rebetiko societal ramifications. The genre has come to symbolize in the beginning of the twenty-first century an indispensable aspect of the Greek identity. However, before that widespread acceptance, rebetika and rebetes endured a profound marginalization—from the State, the media, and the intelligentsia o
作者: Tonometry    時(shí)間: 2025-3-29 12:44

作者: grieve    時(shí)間: 2025-3-29 19:34

作者: 手段    時(shí)間: 2025-3-29 22:59
Hans-Joachim Roth,Tim Wolfgartenmmer. Thus, it was easier to enforce new ideas with regard to the origins of music (the so called “aryanization”) as to style and technique (a ban on jazz, atonality, serialism, etc.). The German culture had to be cleansed of all foreign elements. The exhibition “entartete Musik,” in May 1938, in Dü
作者: Condyle    時(shí)間: 2025-3-30 00:47

作者: DUCE    時(shí)間: 2025-3-30 05:16

作者: COKE    時(shí)間: 2025-3-30 11:52

作者: mydriatic    時(shí)間: 2025-3-30 14:48

作者: Fecal-Impaction    時(shí)間: 2025-3-30 18:46
Für einen , in der Kunstp?dagogikcrime and criminals. In the beginning, the songs told stories about the drug business with a certain objectivity but also with admiration for the drug lords. But since the nineties they began to express the point of view of the people involved in the “business,” undermining the basic assumptions of
作者: 虛弱    時(shí)間: 2025-3-31 00:16

作者: landmark    時(shí)間: 2025-3-31 04:39

作者: 精密    時(shí)間: 2025-3-31 05:58

作者: Forsake    時(shí)間: 2025-3-31 11:15
Politik in Afrika, Asien und Lateinamerikaommunications on the perpetrators can determine the ultimate issue in a trial. In this regard, various elements of music have always been a critical but underestimated factor in the perpetration of mass atrocity crimes. Music, as language, has the capacity to communicate information and prompt actio




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