派博傳思國際中心

標(biāo)題: Titlebook: Crime Scenery in Postwar Film and Photography; Henrik Gustafsson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 landscape. [打印本頁]

作者: 雜技演員    時(shí)間: 2025-3-21 19:46
書目名稱Crime Scenery in Postwar Film and Photography影響因子(影響力)




書目名稱Crime Scenery in Postwar Film and Photography影響因子(影響力)學(xué)科排名




書目名稱Crime Scenery in Postwar Film and Photography網(wǎng)絡(luò)公開度




書目名稱Crime Scenery in Postwar Film and Photography網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Crime Scenery in Postwar Film and Photography被引頻次




書目名稱Crime Scenery in Postwar Film and Photography被引頻次學(xué)科排名




書目名稱Crime Scenery in Postwar Film and Photography年度引用




書目名稱Crime Scenery in Postwar Film and Photography年度引用學(xué)科排名




書目名稱Crime Scenery in Postwar Film and Photography讀者反饋




書目名稱Crime Scenery in Postwar Film and Photography讀者反饋學(xué)科排名





作者: 有組織    時(shí)間: 2025-3-22 00:02

作者: 頭腦冷靜    時(shí)間: 2025-3-22 03:34
pretation of landscape by bringing it into close dialogue.EnThis book offers a rare and innovative consideration of an enduring tendency in postwar art to explore places devoid of human agents in the wake of violent encounters. To see the scenery together with the crime elicits a double interrogatio
作者: Genteel    時(shí)間: 2025-3-22 07:44

作者: objection    時(shí)間: 2025-3-22 09:48

作者: Interferons    時(shí)間: 2025-3-22 16:41
Book 2019olent encounters. To see the scenery together with the crime elicits a double interrogation, not merely of a physical site but also of its formation as an aesthetic artefact, and ultimately of our own acts of looking and imagining. Closely engaging with a vast array of works made by artists, filmmak
作者: Interferons    時(shí)間: 2025-3-22 19:09

作者: 遺棄    時(shí)間: 2025-3-23 01:09

作者: 我不怕犧牲    時(shí)間: 2025-3-23 04:48

作者: Aspiration    時(shí)間: 2025-3-23 08:49

作者: PAC    時(shí)間: 2025-3-23 11:05

作者: 沒收    時(shí)間: 2025-3-23 17:20

作者: grandiose    時(shí)間: 2025-3-23 20:55
Persistence of Vision,tending to the particular art of memory crafted in each film, the discussion considers the duplicitous nature of the topography of memory sites trailed in Eisenberg’s Postwar Trilogy, which at once alerts us to the risk of consolidating the past into a series of stable landmarks, and to the possibilities of its redemption.
作者: Pedagogy    時(shí)間: 2025-3-23 23:12

作者: 顛簸地移動(dòng)    時(shí)間: 2025-3-24 02:57
Statt eines Schlusswortes: Zwischenschritte,d knowledge do these images convey? What kinds of historical imaginations do they invite? And how may the aesthetic configuration of crime scenery be said to constitute a search for the political and ethical agency of the image?
作者: 鑒賞家    時(shí)間: 2025-3-24 08:17

作者: 健忘癥    時(shí)間: 2025-3-24 11:26

作者: 偽書    時(shí)間: 2025-3-24 17:20
From Dreamwork to Earthwork,l as the “depth model” and the “surface model.” Whereas the former understands landscape as a repository of collective memories, the latter seeks to expose it as a medium for distorting and screening out historical realities on the ground. The chapter introduces Aby Warburg’s . atlas, intended both
作者: Affirm    時(shí)間: 2025-3-24 22:32
Intruders in the Dust,grapher Sophie Ristelhueber, which is considered together with two experimental films made by Jananne Al-Ani (. and .) and Sarah Vanagt (. and .) respectively. Investigating the transfigurative effects of airborne reconnaissance and its capacity to turn tracts of land into a set of clues to be decip
作者: 不可磨滅    時(shí)間: 2025-3-24 23:55

作者: Watemelon    時(shí)間: 2025-3-25 05:34

作者: 閃光你我    時(shí)間: 2025-3-25 10:13
The Testimony of Trees,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of?whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also
作者: 虛假    時(shí)間: 2025-3-25 14:44
Henrik GustafssonMarks the first theoretically informed book-length study of the visual exploration of sites.Maps a new interdisciplinary field for the interpretation of landscape by bringing it into close dialogue.En
作者: 手銬    時(shí)間: 2025-3-25 18:16
http://image.papertrans.cn/c/image/239697.jpg
作者: 北極人    時(shí)間: 2025-3-25 23:27

作者: 有機(jī)體    時(shí)間: 2025-3-26 03:34

作者: 妨礙    時(shí)間: 2025-3-26 04:26
grapher Sophie Ristelhueber, which is considered together with two experimental films made by Jananne Al-Ani (. and .) and Sarah Vanagt (. and .) respectively. Investigating the transfigurative effects of airborne reconnaissance and its capacity to turn tracts of land into a set of clues to be decip
作者: BIAS    時(shí)間: 2025-3-26 10:27
o the Nazi concentration camp system in Alain Resnais’s . and Jean-Luc Godard’s .. Tracking the afterlife of van Gogh’s auspicious birds as a retroactive trace of an event that their inscription anteceded by half a century, the chapter shows how the skein of crows operate according to the convoluted
作者: 爆米花    時(shí)間: 2025-3-26 15:06

作者: COLIC    時(shí)間: 2025-3-26 18:50
Smart Cities als Herausforderung,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of?whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also
作者: Pigeon    時(shí)間: 2025-3-26 23:01
https://doi.org/10.1007/978-3-030-04867-9landscape; memory; aftermath; late photography; art; Aby Warburg; George Didi-Huberman; Nicolas Poussin; vio
作者: 陶器    時(shí)間: 2025-3-27 02:43

作者: 書法    時(shí)間: 2025-3-27 07:28

作者: 果核    時(shí)間: 2025-3-27 10:00
Catarina Pedrosa,N. M. Almeida,Fábio Pereira,C. M. Reis,Paula Bragalence of visionary leaders and founders within the business arena, particularly due to the burgeoning number of entrepreneurial enterprises, it is imperative to explore how teams within founder-led companies are actively testing and shaping visions, thereby reshaping the entrepreneurial landscape.
作者: 不滿分子    時(shí)間: 2025-3-27 15:39
Alexander Mehlmannpt to translate their efforts into the practical realities of the care and guidance of infants and children are the audience that we seek to reach. Each requires the opportunity to see-to the degree that our knowledge in given areas permits-various aspects of development in a coherent, integrated fa
作者: 哄騙    時(shí)間: 2025-3-27 19:41
ery clinical medical specialty. From an average of one paper in each of the past three Symposiums, the explosive interest in cerebral amyloidosis has led to the presentation of 12 papers on this subject in the present volume. The genetically predisposed familial amyloidotic processes, such as the polyneuropat978-1-4612-9292-0978-1-4613-2199-6
作者: 大洪水    時(shí)間: 2025-3-28 00:33
https://doi.org/10.1007/978-3-031-41562-3anking is one of many that is benefiting from revolutionary milestones in human genome, post-genomic, and computer and bioinformatics discoveries. The storage, management, and analysis of massive clinical and biological data sets cannot be achieved without a global collaboration and networking. At t
作者: Enliven    時(shí)間: 2025-3-28 03:32

作者: Canary    時(shí)間: 2025-3-28 09:12
2628-2038 evor. Mit ihren Forschungsergebnissen soll das vorliegende Buch als Impulsgeber dienen, um den verbraucherzentrierten datenschutzrechtlichen Diskurs rund um die Ausgestaltungsm?glichkeiten eines zukunftsf?higen Datenschutzes anzuregen und den Mehrwert der DSGVO für Verbraucher weiter voranzutreiben.




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