作者: GAVEL 時間: 2025-3-21 23:30 作者: 羽飾 時間: 2025-3-22 01:04 作者: 織物 時間: 2025-3-22 06:41
Manfred Daniel,Ulrich Martin,Hartmut Müllernuanced theoretical position about the nature of creative clusters..The terms “creative cluster” and “cultural cluster” have oftentimes been used interchangeably in the literature. If some distinction is to be made, it is that studies stemming from Europe (with the exception of UK) commonly use the 作者: Decline 時間: 2025-3-22 11:07 作者: Type-1-Diabetes 時間: 2025-3-22 14:10 作者: Type-1-Diabetes 時間: 2025-3-22 17:31 作者: infantile 時間: 2025-3-23 00:36 作者: Stress-Fracture 時間: 2025-3-23 03:38 作者: 去才蔑視 時間: 2025-3-23 09:10 作者: sorbitol 時間: 2025-3-23 09:54
Book 2009es has derived from the European and North American policy landscape. Policy debate in Europe and North America has been marked by ambiguities and tensions around the connections between cultural and economic policy which the creative industry agenda posits. These become more marked because the key 作者: 結(jié)束 時間: 2025-3-23 17:11 作者: Nerve-Block 時間: 2025-3-23 20:49
Creative Industries Across Cultural Borders: The Case of Video Games in Asiahis chapter..This paper attempts to address this triad of issues primarily with a production-and-innovation-oriented view of industrial organisation, bringing in creativity, culture and policy where possible. I shall do this primarily through the lens of one sector in particular — the video games in作者: 我要威脅 時間: 2025-3-23 23:35 作者: Foreknowledge 時間: 2025-3-24 05:41 作者: 溺愛 時間: 2025-3-24 10:06 作者: Tailor 時間: 2025-3-24 10:41
The European Creative Class and Regional Development: How Relevant Is Florida’s Theory for Europe?ke this exercise in a European context especially as Florida is central to policy-making in Europe as well. The creative class (or classes) in Europe is carrier of different cultures, historical experiences, educational backgrounds and possibly, different value systems. The regions are embedded in d作者: alabaster 時間: 2025-3-24 16:56
Asian Cities and Limits to Creative Capital Theory “creative capital theory.” In essence, the theory explains why “ people climate” matter in attracting talents, and how such a socio-cultural environment of diversity and openness correlates with economic prosperity in the urban cities of “creativity-haves” and economic failure in the cities of “hav作者: Medicaid 時間: 2025-3-24 20:50
The Creative Industries, Governance and Economic Development: A UK Perspectiveeative industries as a potential driver of industrial and economic development. Since 1997, there has been in the United Kingdom an upsurge of government, private and third sector interest in the contribution of the creative industries to the UK economy and society (DCMS 1998, 2001, 2007; The Work F作者: 會犯錯誤 時間: 2025-3-25 01:27 作者: Gobble 時間: 2025-3-25 06:33 作者: 天真 時間: 2025-3-25 08:20
0924-5499 ope and North America has been marked by ambiguities and tensions around the connections between cultural and economic policy which the creative industry agenda posits. These become more marked because the key 978-90-481-8226-8978-1-4020-9949-6Series ISSN 0924-5499 Series E-ISSN 2215-0072 作者: ALIAS 時間: 2025-3-25 12:23 作者: 滋養(yǎng) 時間: 2025-3-25 16:25 作者: CLAN 時間: 2025-3-25 22:50
Creative Economies, Creative Cities978-1-4020-9949-6Series ISSN 0924-5499 Series E-ISSN 2215-0072 作者: 避開 時間: 2025-3-26 00:39
https://doi.org/10.1007/978-1-4020-9949-6Asia; Cities; Creative Class; Creative Clusters; Creative Economies; Creative industry; Cultural industry; 作者: adduction 時間: 2025-3-26 07:43 作者: 難取悅 時間: 2025-3-26 11:49 作者: 官僚統(tǒng)治 時間: 2025-3-26 15:30 作者: 松果 時間: 2025-3-26 20:35
Manfred Daniel,Ulrich Martin,Hartmut Müllerural and economic public policy at both the urban and regional level. Cultural functions, from the ‘classical’ performing and visual arts to more contemporary multi-media, leisure and/or design activities, are grouped together in a variety of spatial forms: in new building complexes, renovated indus作者: 突變 時間: 2025-3-26 23:44
Manfred Daniel,Ulrich Martin,Hartmut Müllerity” and the idea of “clusters”. The debates surrounding the explanatory value and the promise and potential of creative clusters are particularly significant in the face of the sometimes hypnotic hold of cluster creation on policy makers. Yet, scholars have observed that the heightened popularity o作者: 搜尋 時間: 2025-3-27 03:44
Eckert-Zahl Ec (Eckert number Ec), for high-rise apartments while historic factories are demolished or turned into centres for creative industries. The view flying into Beijing resembles a pancake-like development sprawl dotted with five-star tourist hotels, modernist business centres, hyper-modern television towers, eye-catching sp作者: PANT 時間: 2025-3-27 08:16
Eckert-Zahl Ec (Eckert number Ec),ics and policy-makers. With this paper, we aim at pushing this debate further, but not by summarizing, reviewing or contributing to the various types of critiques of Florida (for a detailed critique, see Glaeser 2004; Malanga 2004; Peck 2005; Markusen 2006; Hansen et al. 2005; Asheim and Hansen 2008作者: 虛度 時間: 2025-3-27 09:30
https://doi.org/10.1007/978-3-642-56961-6ave been highly influential in UK policy circles. In a climate of hunger for “evidence-based policymaking,” Florida‘s attempt to quantitatively measure, through the use of “indices” of various sorts, the conditions that he deems necessary for successful city-regions, have proved popular with policym作者: 幾何學(xué)家 時間: 2025-3-27 14:26 作者: 聚集 時間: 2025-3-27 17:56
https://doi.org/10.1007/978-3-642-56961-6 . coupling of culture with economic value. With a renewed emphasis on place and the qualities of locality as the locus of development, there is a strong interest from policy-makers in the role of culture in economic development, particularly in the guise of the so-called ‘untraded inter-dependencie作者: Mortal 時間: 2025-3-28 01:37
s of the new knowledge economy. Within this context, China is experiencing the development of creative industries, a context that differs from the process in developed countries such as in Western Europe or Japan where the notion of creative industry emerged during the post-industrialisation era. In作者: esculent 時間: 2025-3-28 05:07 作者: 沒收 時間: 2025-3-28 06:30 作者: 細微的差異 時間: 2025-3-28 11:42
Creative Industries Across Cultural Borders: The Case of Video Games in Asia assumed to be equivalent to the cultural industries), and their manifestation in Asia. Addressing any one of these three issues is a challenge in itself, but addressing all three of them together raises the complexity even further. Early writers on the “creative economy” have noted how it works dif作者: HUMP 時間: 2025-3-28 18:22
Spaces of Culture and Economy: Mapping the Cultural-Creative Cluster Landscapeural and economic public policy at both the urban and regional level. Cultural functions, from the ‘classical’ performing and visual arts to more contemporary multi-media, leisure and/or design activities, are grouped together in a variety of spatial forms: in new building complexes, renovated indus作者: 極大的痛苦 時間: 2025-3-28 19:50
Beyond Networks and Relations: Towards Rethinking Creative Cluster Theoryity” and the idea of “clusters”. The debates surrounding the explanatory value and the promise and potential of creative clusters are particularly significant in the face of the sometimes hypnotic hold of cluster creation on policy makers. Yet, scholars have observed that the heightened popularity o作者: 漫不經(jīng)心 時間: 2025-3-29 00:40
The Capital Complex: Beijing’s New Creative Clusters for high-rise apartments while historic factories are demolished or turned into centres for creative industries. The view flying into Beijing resembles a pancake-like development sprawl dotted with five-star tourist hotels, modernist business centres, hyper-modern television towers, eye-catching sp作者: 沙草紙 時間: 2025-3-29 05:53 作者: 來這真柔軟 時間: 2025-3-29 08:16 作者: Metamorphosis 時間: 2025-3-29 14:31
Asian Cities and Limits to Creative Capital Theoryusefulness of the concept in devising policy prescriptions for urban development (Lang and Danielsen 2005; Peck 2005). Written in accessible language appealing to business and policy-making audiences, the book popularizes a new concept of the “creative class,” arguing that creative people are a key 作者: Adrenal-Glands 時間: 2025-3-29 18:51
The Creative Industries, Governance and Economic Development: A UK Perspective . coupling of culture with economic value. With a renewed emphasis on place and the qualities of locality as the locus of development, there is a strong interest from policy-makers in the role of culture in economic development, particularly in the guise of the so-called ‘untraded inter-dependencie作者: 要素 時間: 2025-3-29 19:46
Shanghai’s Emergence into the Global Creative Economys of the new knowledge economy. Within this context, China is experiencing the development of creative industries, a context that differs from the process in developed countries such as in Western Europe or Japan where the notion of creative industry emerged during the post-industrialisation era. In作者: Toxoid-Vaccines 時間: 2025-3-30 01:27 作者: Palliation 時間: 2025-3-30 05:27
Book 2009 have governments identified the growing consumer potential for cultural/creative industry products in the home market, they have also seen the creative industry agenda as central to the growth of external m- kets. This agenda stresses creativity, innovation, small business growth, and access to glo
