標(biāo)題: Titlebook: Craziness and Carnival in Neo-Noir Chinese Cinema; Harry H. Kuoshu Book 2021 The Editor(s) (if applicable) and The Author(s), under exclus [打印本頁(yè)] 作者: 候選人名單 時(shí)間: 2025-3-21 19:16
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema影響因子(影響力)
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema被引頻次
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書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema讀者反饋
書(shū)目名稱(chēng)Craziness and Carnival in Neo-Noir Chinese Cinema讀者反饋學(xué)科排名
作者: HAVOC 時(shí)間: 2025-3-21 22:21 作者: Isolate 時(shí)間: 2025-3-22 01:06
Datenmodell eines WMS am Beispiel myWMS,ses are like a pond, fertile and ready to spread the ripples caused by the casting in of this peculiar stone. In light of this metaphor, this chapter draws a road map of discourses in topics of postmodernism, grassroots, carnival, and . (mischievous parody).作者: 任命 時(shí)間: 2025-3-22 07:28 作者: 議程 時(shí)間: 2025-3-22 11:08 作者: Parabola 時(shí)間: 2025-3-22 13:01 作者: Parabola 時(shí)間: 2025-3-22 18:17
Introduction: , Phenomenon and Chinese Neo-noir Comedies,of today’s film production, criticism, and reception. The study argues that the . phenomenon is part of the global neo-noir, which is an important topic in film and cultural studies scholarship that has for long missed the China component.作者: Crayon 時(shí)間: 2025-3-22 22:59
Films: Because of ,ing which allows more freedom for the stories to be funnier and storytelling more game-like, just like the surprises found in a masquerade. This encounter also includes a Chinese director’s adaptation of the Coen brothers’ neo-noir debut 作者: 造反,叛亂 時(shí)間: 2025-3-23 04:51
Dual Retrieval of Cinematic Craziness: A Coda,enate. The second retrieval leads one to see how Ning Hao works on his story and script, how he retains his earlier “l(fā)ow-budget” styles of craziness in this expensive film, how he emphasizes his film being “postmodern,” and how the monkey image becomes important in his filmmaking.作者: 的是兄弟 時(shí)間: 2025-3-23 07:51
,The Calderón Reproducing Formula III,with the current neo-noir episode of Chinese cinema. The contemporary call for ., the meaning of modernism then, the impact of Herbert Marcuse and Milan Kundera, and these films’ resemblance to traditional film noir are investigated to inform the discussion.作者: 隨意 時(shí)間: 2025-3-23 13:37 作者: jeopardize 時(shí)間: 2025-3-23 13:51
Book 2021iscourses triggered by the extraordinary success of the 2006 low-budget film, .Crazy Stone.. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global .neo noir. maintains a mediascape of references, borrowings, and re-workings and explores various social and cultura作者: 微枝末節(jié) 時(shí)間: 2025-3-23 20:29 作者: Anonymous 時(shí)間: 2025-3-24 01:06
Introduction: , Phenomenon and Chinese Neo-noir Comedies,atic scenes. It explores the implications of a black carnival to the contemporary Chinese; the resources of being crazy in Chinese culture; the meanings of modernism and postmodernism to the Chinese; the making of darkness in relation to black humor and film noir; the role of laughter, nihilism, and作者: 現(xiàn)代 時(shí)間: 2025-3-24 04:05 作者: 不出名 時(shí)間: 2025-3-24 08:38 作者: receptors 時(shí)間: 2025-3-24 12:27
Films: Because of ,ious of the selling points in the market, and are collectively building the brand recognition of a round of neo-noir comedies. Among these films, the encounter of . and . helps illustrate a cultural carnival of national scale. The shared elements of this encounter, generally described as a postmoder作者: LIMIT 時(shí)間: 2025-3-24 17:00
Dual Retrieval of Cinematic Craziness: A Coda,., to both indicate the twelve-plus-year duration of this episode of cinematic craziness and use the discussion of the two films to summarize some common artistic features of the films produced in this episode. The first retrieval allows one to understand the character type created by Huang in the e作者: 鬧劇 時(shí)間: 2025-3-24 19:11
2945-7254 ns of carnival, postmodernism, and post-socialism, Kuoshu advocates for .neo noir. as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre..978-3-030-73081-9Series ISSN 2945-7254 Series E-ISSN 2945-7262 作者: 迷住 時(shí)間: 2025-3-25 00:44 作者: cylinder 時(shí)間: 2025-3-25 06:21
,The Calderón Reproducing Formula III,s and jeers, instead of joking parodies bouncing in the wide expanse of either the cyber-connected world or what Desser calls “cinephilia” (the intertextual chain of filmic references, borrowings, and re-workings), and instead of a carnival revelry, the craziness showcased then was more like a morbi作者: phlegm 時(shí)間: 2025-3-25 10:34 作者: Heterodoxy 時(shí)間: 2025-3-25 13:56 作者: Ejaculate 時(shí)間: 2025-3-25 16:42 作者: Pageant 時(shí)間: 2025-3-25 23:05 作者: antiandrogen 時(shí)間: 2025-3-26 00:36 作者: 手勢(shì) 時(shí)間: 2025-3-26 05:35
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 真繁榮 時(shí)間: 2025-3-26 11:30 作者: 難聽(tīng)的聲音 時(shí)間: 2025-3-26 13:53
Chinese Literature and Culture in the Worldhttp://image.papertrans.cn/c/image/239328.jpg作者: INCUR 時(shí)間: 2025-3-26 19:23
https://doi.org/10.1007/978-3-030-34592-1uality of published accounting information by mitigating earnings management behavior via accruals and real activities manipulation. This argument is corroborated after performing several sensitivity tests relating to the estimation of discretionary accruals, the functional form of the models and other robustness tests.作者: semble 時(shí)間: 2025-3-27 00:45
,Interview with [Former] General Commissioner of the Israel Police – Roni Alsheich,p.” Alsheich understood that the INP was more likely to succeed in implementing “total EBP” which would continue also after his departure, only if he, as the commissioner, directly?engaged in a methodical and effective strategy of creating the foundations and circumstances required for complete integration of EBP into the police force.作者: Jogging 時(shí)間: 2025-3-27 01:55
Barbara Krumay,Edward W. N. Bernroider,Roman Walserok contains eleven chapters: The first chapter distinguishes between scalar and vector quantities, which is reasonably straightforward. The second chapter introduces vector repres- tation, starting with Cartesian coordinates and concluding with the role of direction cosines in changes in axial syste作者: 增長(zhǎng) 時(shí)間: 2025-3-27 05:43 作者: Choreography 時(shí)間: 2025-3-27 10:15 作者: 粗野 時(shí)間: 2025-3-27 15:39
Prediction of Rice Processing Loss Rate Based on GA-BP Neural Network the genetic algorithm was applied to optimize the BP neural network for further prediction and com-pared with the original models. The experimental results showed that the GA-BP model had higher prediction accuracy and smaller error compared to the first two models. It is valuable in reducing processing losses and maintaining food security.作者: GLIB 時(shí)間: 2025-3-27 21:37
Animals, Children, and Street Urchins,scourses surrounding both the animal in England, and the colonial animal. Following the imperative of placing metropole and colony in a single analytic frame to enable a clearer understanding of the ideological structures that unified and undergirded empire,. I consider resonant forms of othering ta作者: compel 時(shí)間: 2025-3-28 00:35
