派博傳思國(guó)際中心

標(biāo)題: Titlebook: Craftspeople and Designer Makers in the Contemporary Creative Economy; Susan Luckman,Jane Andrew Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if appli [打印本頁(yè)]

作者: Eisenhower    時(shí)間: 2025-3-21 19:40
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作者: Manifest    時(shí)間: 2025-3-22 00:07
Meaningful Making in the Contemporary Creative Economy,te the frequently precarious incomes to be made. One of the strongest findings to emerge in this study is the centrality of early exposures to making to later comfort with and motivation to give craft and design ‘a(chǎn) go’. How the makers connect their current identities to formative earlier familial an
作者: 金盤是高原    時(shí)間: 2025-3-22 01:26
Educating for Enterprise,ts in Australia, from colonial cottage industries to the educational experiences of the contemporary craftspeople and designer makers who participated in this study. In doing so, it will highlight significant contemporary Australian federal and state government political and economic policy agendas
作者: CHOIR    時(shí)間: 2025-3-22 06:46
Establishing a Crafty Making Future: What Does a Career in Craft Look Like Today?,conversations we will gain an understanding of the range of people, personal acumen, skills, and public and private investments that are garnered by these creative entrepreneurs to develop and sustain their practices. Through the lens of Milanesi’s three forms of ‘passion entrepreneurship’: lifestyl
作者: Limited    時(shí)間: 2025-3-22 10:30

作者: Canvas    時(shí)間: 2025-3-22 13:27
Selling Craft and Design: The Cultural and Economic Intricacies of the Contemporary Artisanal Markestudy. What became clear was the ongoing importance of place—including localness and proximity—to the Australian market. Here emerges a paradox in the current relationship between craft and digital technology. Whereas the whole moment of growth in handmaking is in so many ways a direct result of the
作者: Canvas    時(shí)間: 2025-3-22 19:14
Craft and Design in an Age of Climate Crisis,the world really need more ‘stuff’? Craft practice has long had as a central tenet a profound respect for materials and this sensibility continues to inform much craft practice today. So too do ideas of workmanship, of quality and building to last which also have rich and long traditions in craft pr
作者: Cubicle    時(shí)間: 2025-3-22 23:19
Creative Craft and Design Microenterprise in the Age of Social Media,ld of Instagram. While a recurrent theme through the research was how ‘easy’ it is to establish an online retail presence, the work involved in maintaining and building their brand was identified consistently as the real challenge. It is in this context that the demands of social media as a new norm
作者: follicle    時(shí)間: 2025-3-23 03:43
2662-415X t internationally in the artisanal and handmade. Offering a rich and deep collection of real-life experiences, this book is aimed both at an academic and practitioner audience..978-3-030-44981-0978-3-030-44979-7Series ISSN 2662-415X Series E-ISSN 2662-4168
作者: 不真    時(shí)間: 2025-3-23 07:49
Daten sichern und wiederherstellen, well as in terms of the desire to be a maker, to be doing the creative work oneself, and thus not ‘get too big’ with the added pressures and responsibilities of being an employer (Luckman, .(5), 313–326 (2018)). In this chapter, we home in more on what upscaling and outsourcing reveals about compet
作者: 致詞    時(shí)間: 2025-3-23 13:40
,What Does ‘Handmade’ Mean Today?, well as in terms of the desire to be a maker, to be doing the creative work oneself, and thus not ‘get too big’ with the added pressures and responsibilities of being an employer (Luckman, .(5), 313–326 (2018)). In this chapter, we home in more on what upscaling and outsourcing reveals about compet
作者: transplantation    時(shí)間: 2025-3-23 14:03

作者: 痛苦一下    時(shí)間: 2025-3-23 18:18
https://doi.org/10.1007/978-3-030-44979-7Craft; Designer Makers; Self-employment; Micro-enterprise; Creative Industries; Creative Careers; open acc
作者: 貿(mào)易    時(shí)間: 2025-3-24 02:14

作者: synovitis    時(shí)間: 2025-3-24 02:57

作者: entrance    時(shí)間: 2025-3-24 08:47
Susan Luckman,Jane AndrewConsiders the unique challenges faced by those seeking to make an income from their craft.Provides rich, qualitative data from 180 interviews with craftspeople and prominent organisations.Explores the
作者: 輕快來(lái)事    時(shí)間: 2025-3-24 13:25

作者: muscle-fibers    時(shí)間: 2025-3-24 16:02
Fernzugriff einrichten und verwalten, North, operate. On the consumer side demand for the handmade or artisanal and increasing interest in making processes themselves, is, we argue, part of a wider pushback against the impositions of the digital into our everyday lives, that is?an attempt at a correction or seeking out of balance now t
作者: adumbrate    時(shí)間: 2025-3-24 21:38

作者: ENACT    時(shí)間: 2025-3-25 00:22

作者: BATE    時(shí)間: 2025-3-25 04:47
Drucker einrichten und verwalten,conversations we will gain an understanding of the range of people, personal acumen, skills, and public and private investments that are garnered by these creative entrepreneurs to develop and sustain their practices. Through the lens of Milanesi’s three forms of ‘passion entrepreneurship’: lifestyl
作者: 嚴(yán)重傷害    時(shí)間: 2025-3-25 08:01
Daten sichern und wiederherstellen,full-time living from their practice. It marks those makers who may undertake original design and prototyping themselves, but who, in order to scale up their production in ways not always possible for a solo hand maker, outsource some or all subsequent aspects of production to other makers or machin
作者: semiskilled    時(shí)間: 2025-3-25 13:28

作者: verdict    時(shí)間: 2025-3-25 15:49
,Ressourcen und Ereignisse überwachen,the world really need more ‘stuff’? Craft practice has long had as a central tenet a profound respect for materials and this sensibility continues to inform much craft practice today. So too do ideas of workmanship, of quality and building to last which also have rich and long traditions in craft pr
作者: myelography    時(shí)間: 2025-3-25 20:31

作者: 靦腆    時(shí)間: 2025-3-26 02:15

作者: ODIUM    時(shí)間: 2025-3-26 04:25

作者: frozen-shoulder    時(shí)間: 2025-3-26 12:24

作者: 無(wú)目標(biāo)    時(shí)間: 2025-3-26 14:25
Fernzugriff einrichten und verwalten,mporary Australian makers. The second half of this chapter reports on the research participants’ educational experiences and sense of how well prepared they were upon graduating to establish and sustain a viable creative enterprise.
作者: 深陷    時(shí)間: 2025-3-26 17:03

作者: 打算    時(shí)間: 2025-3-26 21:24
Meaningful Making in the Contemporary Creative Economy,e today as they sit alongside the rise of neoliberal individualised work practices, including the normalisation of self-employment and microenterprise, with all the associated personal financial risk-taking this entails.
作者: 起皺紋    時(shí)間: 2025-3-27 01:17
Educating for Enterprise,mporary Australian makers. The second half of this chapter reports on the research participants’ educational experiences and sense of how well prepared they were upon graduating to establish and sustain a viable creative enterprise.
作者: GRAVE    時(shí)間: 2025-3-27 06:59
Establishing a Crafty Making Future: What Does a Career in Craft Look Like Today?,e, accidental, and hybrid entrepreneur?(Milanesi 2018, p. 425), why makers pursue this work, despite the often relatively low levels of income to be derived from creative self-employment, is explored. The chapter concludes with a reference listing of some of the key practical advice offered by the research participants.
作者: affinity    時(shí)間: 2025-3-27 12:48
Selling Craft and Design: The Cultural and Economic Intricacies of the Contemporary Artisanal Marke internet, with its greater access to materials, skills knowledge and (potentially) markets, it is the value of a face-to-face, hand-to-hand economy, we argue, that is clearly also re-asserting itself here.
作者: DIKE    時(shí)間: 2025-3-27 13:38
Craft and Design in an Age of Climate Crisis,actice and are all the more salient in the age of ‘fast fashion’, accelerating disposability and climate crisis. This chapter explores how makers are working to negotiate these tensions and possibly even become part of the solution not the problem.
作者: 字形刻痕    時(shí)間: 2025-3-27 19:05
Creative Craft and Design Microenterprise in the Age of Social Media,al baseline eating up time makers would rather spend making appear as part of the new administrative burden facing the self-employed and creative microenterprises. The chapter finishes on a final note acknowledging, but also problematising, the ongoing role of locality-based support organisations in the digital age.
作者: Metamorphosis    時(shí)間: 2025-3-27 23:05

作者: 幸福愉悅感    時(shí)間: 2025-3-28 02:06
,Ressourcen und Ereignisse überwachen, internet, with its greater access to materials, skills knowledge and (potentially) markets, it is the value of a face-to-face, hand-to-hand economy, we argue, that is clearly also re-asserting itself here.
作者: 水汽    時(shí)間: 2025-3-28 09:10

作者: Encumber    時(shí)間: 2025-3-28 10:24
Daten sichern und wiederherstellen,al baseline eating up time makers would rather spend making appear as part of the new administrative burden facing the self-employed and creative microenterprises. The chapter finishes on a final note acknowledging, but also problematising, the ongoing role of locality-based support organisations in the digital age.




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