標(biāo)題: Titlebook: Controls and Art; Inquiries at the Int Amy LaViers,Magnus Egerstedt Book 2014 Springer International Publishing Switzerland 2014 Control Ap [打印本頁(yè)] 作者: 復(fù)雜 時(shí)間: 2025-3-21 19:47
書(shū)目名稱(chēng)Controls and Art影響因子(影響力)
書(shū)目名稱(chēng)Controls and Art影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Controls and Art網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Controls and Art網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Controls and Art被引頻次
書(shū)目名稱(chēng)Controls and Art被引頻次學(xué)科排名
書(shū)目名稱(chēng)Controls and Art年度引用
書(shū)目名稱(chēng)Controls and Art年度引用學(xué)科排名
書(shū)目名稱(chēng)Controls and Art讀者反饋
書(shū)目名稱(chēng)Controls and Art讀者反饋學(xué)科排名
作者: 杠桿 時(shí)間: 2025-3-21 22:35 作者: acrobat 時(shí)間: 2025-3-22 02:53 作者: Hallowed 時(shí)間: 2025-3-22 05:44 作者: PLIC 時(shí)間: 2025-3-22 09:43
https://doi.org/10.1007/978-3-8350-5433-2aths and synchronizing their motion to the music. The vehicle dynamics and constraints are taken into account to determine, prior to flight, which motions are feasible. We demonstrate the resulting multivehicle flight performances at the ETH Zurich Flying Machine Arena.作者: DIS 時(shí)間: 2025-3-22 14:21 作者: DIS 時(shí)間: 2025-3-22 18:20 作者: 縱火 時(shí)間: 2025-3-22 23:35
Begründung der Verhaltensrisiko-Hypotheseprotocol and tracked trajectories, we estimate the time-varying graph that defines who is responding to whom. We compute status of nodes in the graph and show the emergence of leaders. We discuss results and further directions.作者: 忘恩負(fù)義的人 時(shí)間: 2025-3-23 02:16
In the Dance Studio: An Art and Engineering Exploration of Human Flocking,protocol and tracked trajectories, we estimate the time-varying graph that defines who is responding to whom. We compute status of nodes in the graph and show the emergence of leaders. We discuss results and further directions.作者: 不法行為 時(shí)間: 2025-3-23 06:37 作者: CERE 時(shí)間: 2025-3-23 10:02
https://doi.org/10.1007/978-3-8350-5433-2examples are presented, resulting in nontrivial geometric patterns described by trochoidal curves, similar to those generated using a spirograph. These paths can be useful for coordinated, distributed surveillance, and monitoring applications, as well as for the sake of their own esthetic beauty.作者: 手榴彈 時(shí)間: 2025-3-23 15:02
Datengrundlage und technische Hinweiseeal dancers. Results from a human study, questionnaires given to audience members after the show, are also presented. The generation framework also lends itself to movement interpretation and that extension will be briefly presented as well.作者: cyanosis 時(shí)間: 2025-3-23 20:21 作者: 手銬 時(shí)間: 2025-3-24 01:51 作者: TRAWL 時(shí)間: 2025-3-24 06:18 作者: Nucleate 時(shí)間: 2025-3-24 07:42
In the Dance Studio: An Art and Engineering Exploration of Human Flocking, The artistic goal was to create choreographic tools that leverage multiagent system dynamics with designed feedback and interaction. The engineering goal was to provide insights and design principles for multiagent systems, such as human crowds, animal groups, and robotic networks, by examining wha作者: Commonplace 時(shí)間: 2025-3-24 11:06
Dancing Robots: The Control Theory of Communication Through Movement,rt of the paper adopts the terminology of motion description languages and deconstructs an elementary form of the well-known popular dance, salsa, in terms of four motion primitives (dance steps). These motion primitives can be specified entirely by the motions of the dancer’s feet, and hence the mo作者: Leaven 時(shí)間: 2025-3-24 18:40 作者: incarcerate 時(shí)間: 2025-3-24 20:52
Robotic Puppets and the Engineering of Autonomous Theater,uppets often possess dynamics that are quite different from the creatures they imitate. Puppeteers must therefore understand and leverage the inherent dynamics of the puppets to create believable and expressive characters. Because marionettes are actuated by strings, the mechanical description of th作者: myelography 時(shí)間: 2025-3-24 23:37 作者: ENDOW 時(shí)間: 2025-3-25 06:03
Generating Music from Flocking Dynamics,oping software that links the dynamics of a standard flocking algorithm to a set of sound wave generators and to a musical score, we study how each approach reflects sonically the transition to collective order and which produces musically interesting results. First, we consider three qualitatively 作者: 頑固 時(shí)間: 2025-3-25 08:17
Algorithms for Visual Tracking of Visitors Under Variable-Lighting Conditions for a Responsive Audim combines statistical background image estimation, per-pixel Bayesian classification, and an approximate solution to the multi-target tracking problem using a bank of Kalman filters and Gale-Shapley matching. A heuristic confidence model enables selective filtering of tracks based on dynamic data. 作者: expeditious 時(shí)間: 2025-3-25 11:41
Style-Based Robotic Motion in Contemporary Dance Performance,articular, the movement model stems from the view that cannons of basic warm-up exercises in formalized movement genres, such as classical ballet, seed more complex phrases. This model employs a separation of basic movement ordering and execution. Basic movements are sequenced, and their individual 作者: Instinctive 時(shí)間: 2025-3-25 17:01 作者: discord 時(shí)間: 2025-3-25 21:24 作者: Asparagus 時(shí)間: 2025-3-26 02:14 作者: ANTH 時(shí)間: 2025-3-26 05:12
978-3-319-35217-6Springer International Publishing Switzerland 2014作者: 維持 時(shí)間: 2025-3-26 09:56
Internationale Rechnungslegungsvorschriftenly subjective, human preferences as opposed to . given objectives. Starting from a collection of empirical, pairwise comparisons, we approach this issue by developing objective functions that are compatible with the expressed preferences. In addition, robust estimators for global optimizers to these作者: ineptitude 時(shí)間: 2025-3-26 15:14 作者: 反抗者 時(shí)間: 2025-3-26 17:19
Begründung der Modellrisiko-Hypothesert of the paper adopts the terminology of motion description languages and deconstructs an elementary form of the well-known popular dance, salsa, in terms of four motion primitives (dance steps). These motion primitives can be specified entirely by the motions of the dancer’s feet, and hence the mo作者: Cabinet 時(shí)間: 2025-3-26 21:04
https://doi.org/10.1007/978-3-8350-5433-2h and artistic experiment, which explores for the first time the potential of using flying vehicles in rhythmic, musical performances. We introduce periodic movements as the basic motion elements of such a performance, and derive control algorithms for guiding the vehicles along the desired motion p作者: colostrum 時(shí)間: 2025-3-27 01:53
Internationale Rechnungslegungsvorschriftenuppets often possess dynamics that are quite different from the creatures they imitate. Puppeteers must therefore understand and leverage the inherent dynamics of the puppets to create believable and expressive characters. Because marionettes are actuated by strings, the mechanical description of th作者: 星球的光亮度 時(shí)間: 2025-3-27 07:06
https://doi.org/10.1007/978-3-8350-5433-2spired by the “standard” consensus protocol . = -., in this paper we propose a decentralized control law for multi-agent formations in two dimensions that allows the participating vehicles to display intricate periodic and quasi-periodic geometric patterns. Similarly to the standard consensus protoc作者: 有權(quán) 時(shí)間: 2025-3-27 09:42 作者: 油膏 時(shí)間: 2025-3-27 16:36
Begründung der Modellrisiko-Hypothesem combines statistical background image estimation, per-pixel Bayesian classification, and an approximate solution to the multi-target tracking problem using a bank of Kalman filters and Gale-Shapley matching. A heuristic confidence model enables selective filtering of tracks based on dynamic data. 作者: 確定無(wú)疑 時(shí)間: 2025-3-27 19:04 作者: Manifest 時(shí)間: 2025-3-28 01:05
Begründung der Modellrisiko-Hypotheserformances. Of all the metrics that are considered in this experiment, energy is the most closely correlated with the human judges assessments of performance quality. The second part of the paper discusses an enhanced form of (intermediate level) salsa in which upper body motions play a role in the 作者: Atrium 時(shí)間: 2025-3-28 04:35
