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標(biāo)題: Titlebook: Contemporary Women‘s Gothic Fiction; Carnival, Hauntings Gina Wisker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Gothic [打印本頁]

作者: 導(dǎo)彈    時間: 2025-3-21 18:47
書目名稱Contemporary Women‘s Gothic Fiction影響因子(影響力)




書目名稱Contemporary Women‘s Gothic Fiction影響因子(影響力)學(xué)科排名




書目名稱Contemporary Women‘s Gothic Fiction網(wǎng)絡(luò)公開度




書目名稱Contemporary Women‘s Gothic Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Contemporary Women‘s Gothic Fiction被引頻次




書目名稱Contemporary Women‘s Gothic Fiction被引頻次學(xué)科排名




書目名稱Contemporary Women‘s Gothic Fiction年度引用




書目名稱Contemporary Women‘s Gothic Fiction年度引用學(xué)科排名




書目名稱Contemporary Women‘s Gothic Fiction讀者反饋




書目名稱Contemporary Women‘s Gothic Fiction讀者反饋學(xué)科排名





作者: Senescent    時間: 2025-3-21 21:37
https://doi.org/10.1007/978-1-4615-3994-0torically abused vampire mother and daughter have the last word, escape, resilient, devious and entrepreneurial even when faced with the stranglehold of neoliberalism and remnants of the welfare state.
作者: deciduous    時間: 2025-3-22 02:03
Sound, Touch and Virtual Reality The chapter explores and reimagines historical moments (Sarah Waters, .. Virago Press, 2002; Elizabeth Kostova, .. Little Brown, 2010) and uses psycho-geography to reinterpret and replace the history of haunted spaces, places and events. Gina Wisker explores Jeanette Winterson’s Hammer Horror novel
作者: amyloid    時間: 2025-3-22 08:04

作者: projectile    時間: 2025-3-22 09:36
Vampire Kisses,torically abused vampire mother and daughter have the last word, escape, resilient, devious and entrepreneurial even when faced with the stranglehold of neoliberalism and remnants of the welfare state.
作者: 平庸的人或物    時間: 2025-3-22 13:00

作者: 平庸的人或物    時間: 2025-3-22 19:30

作者: Allure    時間: 2025-3-23 01:10

作者: Kinetic    時間: 2025-3-23 03:54

作者: inscribe    時間: 2025-3-23 08:22

作者: 群居動物    時間: 2025-3-23 12:07

作者: 現(xiàn)任者    時間: 2025-3-23 14:02

作者: 關(guān)心    時間: 2025-3-23 18:22

作者: NADIR    時間: 2025-3-23 23:56

作者: chapel    時間: 2025-3-24 04:30
Vaccination Against Epstein-Barr Virus, as ‘Bluebeard and his castle’ to suggest both the mind-set and the fabric of repressive patriarchal and colonial control, which the postcolonial Gothic helps to dismantle. African American/Canadian Trinidadian Nalo Hopkinson rewrites fairytales and cultural histories, revaluing Blackness and female
作者: –FER    時間: 2025-3-24 10:00

作者: 泥沼    時間: 2025-3-24 11:12

作者: 兵團(tuán)    時間: 2025-3-24 15:27

作者: 共和國    時間: 2025-3-24 21:46

作者: limber    時間: 2025-3-25 02:48

作者: Compass    時間: 2025-3-25 06:53

作者: Left-Atrium    時間: 2025-3-25 10:35

作者: Limerick    時間: 2025-3-25 11:51

作者: 草本植物    時間: 2025-3-25 19:17
Autoantibodies to Endothelial Cells, while her high Gothic, carnivalesque and often very dark, horror influenced . (1987). Angela Carter’s writing questions versions of the real and fantastic, reconstructs versions of women in cultural expression, and develops celebratory ways for agency.
作者: construct    時間: 2025-3-25 22:07
C. Norman Gillis,X. Chen,M. Merkern her self-constructed tower, awaiting some kind of rescue from a prince. Atwood debunks traditional and popular Gothic romantic fictions in . and her short stories particularly those in .. She uses the Gothic to undercut dominating myths of gender and power, and in the high Gothic . dramatises female vampiric spite, mirroring and split selves.
作者: 領(lǐng)巾    時間: 2025-3-26 03:48

作者: 蚊帳    時間: 2025-3-26 04:32

作者: 使習(xí)慣于    時間: 2025-3-26 09:03

作者: Flagging    時間: 2025-3-26 12:41

作者: 臥虎藏龍    時間: 2025-3-26 18:11
Vampire Bites,nd life, gender, space and time and offer new views of this Gothic figure, the vampire, seen as a radical boundary crosser who exposes social myths and offers alternatives to life/death and male/female boundaries, seizing and embracing alternatives
作者: 動脈    時間: 2025-3-27 00:06

作者: ERUPT    時間: 2025-3-27 02:25

作者: 暗語    時間: 2025-3-27 08:06

作者: 自作多情    時間: 2025-3-27 11:40
Ghostings and Hauntings: Splintering the Fabric of Domestic Gothic,nes how in the contemporary period with horror houses, stately homes, ghosts behind walls, playroom deaths, women in black, and little strangers, women’s ghost stories can be used to indict oppressive narratives through exposing and or rewriting the past and its constraining versions of gendered roles for women.
作者: WAIL    時間: 2025-3-27 16:42

作者: hypotension    時間: 2025-3-27 19:50

作者: debacle    時間: 2025-3-28 00:58

作者: Mediocre    時間: 2025-3-28 04:52
,Testing the Fabric of Bluebeard’s Castle: Postcolonial Reconfigurations, Demythologising, Re-Mythol Instead, their postcolonial Gothic derives from local folk cultures and women’s experiences, reimagining previously disempowering texts or those from which they were entirely absent. It re-educates, re-imagines and re-voices.
作者: JEER    時間: 2025-3-28 08:27
Book 2016se as .Twilight. (Stephenie Meyer) and .A Girl Walks Home Alone. (Ana Lily Amirpur), as well as by Anne Rice and Poppy Brite. It also introduces and critically explores postcolonial, vampire and neohistorical Gothic and women’s ghost stories.?.
作者: 有惡意    時間: 2025-3-28 12:07
Introduction,ves and critiques, and the contemporary Gothic? It begins by establishing a background in historical Gothic writing by women—Gothic revival in Daphne du Maurier’s ., Jean Rhys’ .and links contemporary women’s Gothic fictions with theories of performance, masquerade, duplicity, and gender as performa
作者: 墊子    時間: 2025-3-28 18:00

作者: 煩躁的女人    時間: 2025-3-28 18:46
,Margaret Atwood and Canadian Women’s Gothic—Spite, Lies, Split Selves and Self-Deception,and misrepresent us. Munro’s Gothic tales are of vast open spaces and small constrained lives, escapes and performances which lead to dead ends. Gina Wisker explores how Margaret Atwood undercuts the tales by which people lead their lives, particularly, for Canadian women, that of Rapunzel, locked i
作者: Minikin    時間: 2025-3-28 23:46
Cultural Haunting: Toni Morrison and Tananarive Due,anarive Due’s . (2006). It deals with the ways in which the Gothic exposes hidden painful histories of endemic racism, treatment of people as less than human because of their ethnicity and colour, and ways of breaking the silence, exposing the horrors, and rescripting life in order to move on. The t
作者: Migratory    時間: 2025-3-29 06:39

作者: 現(xiàn)暈光    時間: 2025-3-29 11:08
,Testing the Fabric of Bluebeard’s Castle: Postcolonial Reconfigurations, Demythologising, Re-Mythol as ‘Bluebeard and his castle’ to suggest both the mind-set and the fabric of repressive patriarchal and colonial control, which the postcolonial Gothic helps to dismantle. African American/Canadian Trinidadian Nalo Hopkinson rewrites fairytales and cultural histories, revaluing Blackness and female
作者: 收到    時間: 2025-3-29 12:39
Vampire Bites,ral context produces them. Sexier, better dressed and more able to pass as romantic leads than zombies, their use as a measure of the gendered cultural concerns and contradictions of time and place is so varied as to enable a simultaneous fascination and repulsion. They project what we desire and wh
作者: 看法等    時間: 2025-3-29 19:36

作者: Cytology    時間: 2025-3-29 20:46





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