標(biāo)題: Titlebook: Contemporary French Theatre and Performance; Clare Finburgh (Senior Lecturer in Modern Drama),C Book 2011 Palgrave Macmillan, a division o [打印本頁] 作者: Anagram 時(shí)間: 2025-3-21 16:38
書目名稱Contemporary French Theatre and Performance影響因子(影響力)
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書目名稱Contemporary French Theatre and Performance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary French Theatre and Performance被引頻次
書目名稱Contemporary French Theatre and Performance被引頻次學(xué)科排名
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書目名稱Contemporary French Theatre and Performance讀者反饋學(xué)科排名
作者: novelty 時(shí)間: 2025-3-21 21:12 作者: heartburn 時(shí)間: 2025-3-22 02:29 作者: Perineum 時(shí)間: 2025-3-22 07:47
Performing Presence, Affirming Difference: Deleuze and the Minor Theatres of Georges Lavaudant and Celeuzian, as well as broadly philosophical, sympathies. As far back as 1977, Lavaudant had argued that the French theatre of his time was not ‘philosophical enough’ and supported Antoine Vitez’s desire to ‘begin the circulation of thought’ in and . theatre (Lavaudant in Champagne, 1984: 87). Equally作者: Genistein 時(shí)間: 2025-3-22 08:51 作者: 僵硬 時(shí)間: 2025-3-22 13:10 作者: 僵硬 時(shí)間: 2025-3-22 19:15 作者: goodwill 時(shí)間: 2025-3-23 00:07 作者: amnesia 時(shí)間: 2025-3-23 01:38
Xavier le Roy: The Dissenting Choreography of One Frenchman Less independent and internationally orientated, and his attempt to experiment with alternative ways of working has, by implication, real aesthetic and political significance. This fact is critical because it determines the specific form of Le Roy’s . from the majority of French . practitioners like Mag作者: FIG 時(shí)間: 2025-3-23 08:23 作者: buoyant 時(shí)間: 2025-3-23 10:00
Lynne B. McCusker,Christian Baerlocherlized theatre had been dazzled by the visits to France of productions by, first, Jerzy Grotowski, then Robert Wilson, then Tadeusz Kantor. Inspired by these examples, many young directors saw their future in the exploration of all the corporeal and visual aspects of theatre production. Roger Plancho作者: 法律 時(shí)間: 2025-3-23 16:33 作者: Fillet,Filet 時(shí)間: 2025-3-23 18:25 作者: SLAY 時(shí)間: 2025-3-23 23:10 作者: 無價(jià)值 時(shí)間: 2025-3-24 05:58
Analysing Orientations in Policy,nstitutes French national identity is on the governmental agenda, a number of artists persist in their attempts to realize the Utopian aims of . with refreshed methods (see David Bradby, Chapter 1 in this volume). This chapter, based on the study of the . by Théatre du Grabuge, purports to analyse o作者: 夾死提手勢(shì) 時(shí)間: 2025-3-24 06:53 作者: 信任 時(shí)間: 2025-3-24 12:07 作者: 懸掛 時(shí)間: 2025-3-24 17:44 作者: 考古學(xué) 時(shí)間: 2025-3-24 21:34 作者: 墻壁 時(shí)間: 2025-3-25 01:27
Studies in History and Philosophy of Science .. reverberates with a much neglected Catholic tradition in French thought and theatre, and at the same time challenges French republican secularism not because of its differences from French postmodern dance, but rather because of what it has in common with the latter.作者: etiquette 時(shí)間: 2025-3-25 03:37
Clare Finburgh (Senior Lecturer in Modern Drama),C作者: AWE 時(shí)間: 2025-3-25 09:07 作者: 轎車 時(shí)間: 2025-3-25 12:04 作者: oxidant 時(shí)間: 2025-3-25 18:43
Alessandro Balducci,Raine M?ntysaloast a plot of our various assessments or depictions of the state of play. Indeed, this is natural since, to state the obvious, the situations described necessarily evolve with the passage of time. But as observers, we also change with time, and therefore our approach, our critical standpoint and analytical tools change, too.作者: osteopath 時(shí)間: 2025-3-25 22:26
Kook-Hee Gil,Heather Marsden,Melinda Whongisparate materials stolen from everywhere and anywhere. However, as I show in this essay, a few decades or so later, as a result of its fruitful detour through performance, poetry in France was to reinvest yet again in the text. This allowed it to multiply its compositional strategies, styles of delivery and forms of presentation.作者: 違反 時(shí)間: 2025-3-26 01:55
An Unlikely Scene: French Theatre in the New Liberal Economyast a plot of our various assessments or depictions of the state of play. Indeed, this is natural since, to state the obvious, the situations described necessarily evolve with the passage of time. But as observers, we also change with time, and therefore our approach, our critical standpoint and analytical tools change, too.作者: annexation 時(shí)間: 2025-3-26 04:34
Performance and Poetry: Crossed Destiniesisparate materials stolen from everywhere and anywhere. However, as I show in this essay, a few decades or so later, as a result of its fruitful detour through performance, poetry in France was to reinvest yet again in the text. This allowed it to multiply its compositional strategies, styles of delivery and forms of presentation.作者: ARK 時(shí)間: 2025-3-26 09:44 作者: Mystic 時(shí)間: 2025-3-26 13:34
https://doi.org/10.1007/978-94-007-4875-0are made not only by eminent scholars, but also by directors, playwrights and performance artists from the United Kingdom and France. This variety of backgrounds adds to the richness of perspectives that the volume provides.作者: BRIBE 時(shí)間: 2025-3-26 19:53 作者: 敵手 時(shí)間: 2025-3-26 23:26 作者: 會(huì)議 時(shí)間: 2025-3-27 02:41
From , of , to Performance of ‘Textual Material’re in France’ (1991: 123; my translation).. By this he meant that theatre had finally liberated itself from being seen as dependent on literature, and that the art of . had come to be recognized in its own right. The energy behind this achievement came in large part from the expanding decentralizati作者: BACLE 時(shí)間: 2025-3-27 07:24 作者: 哎呦 時(shí)間: 2025-3-27 10:06 作者: Harrowing 時(shí)間: 2025-3-27 15:32 作者: Bmd955 時(shí)間: 2025-3-27 20:36 作者: 令人發(fā)膩 時(shí)間: 2025-3-28 01:36
The Construction and Production of Performanceate a new production is the hallmark of originality, of a unique position, of risks taken by those participating in the theatrical process.. Theatre directing is usually associated with staging these events. When, thanks to the organizational ability of the director, theatrical signs are prepared an作者: atopic 時(shí)間: 2025-3-28 04:07 作者: 多節(jié) 時(shí)間: 2025-3-28 10:16
Théatre du Grabuge: Ethics, Politics and Communityf and for greater democracy. However, what democracy actually means in this context has been repeatedly questioned, with all parties concerned (government ministers, artistic directors and theatre makers) arguing fiercely over the best way to define it and to proceed. Whereas artists such as Romain 作者: CUMB 時(shí)間: 2025-3-28 14:13
Amateurism and the ‘DIY’ Aesthetic: Grand Magasin and Phillipe Quesne Touzé and Joris Lacoste, is located in an artistic field that defies disciplinary definition. From roughly the start of the 1990s, each of these solo artists and companies has, in turn, abandoned classical dance and text-based theatre in order to create new choreographies and dramaturgies that are 作者: travail 時(shí)間: 2025-3-28 18:24 作者: 爆米花 時(shí)間: 2025-3-28 21:29 作者: CANT 時(shí)間: 2025-3-29 01:09 作者: 粗糙 時(shí)間: 2025-3-29 05:49
Xavier le Roy: The Dissenting Choreography of One Frenchman Lessnner of French dance .. As a contemporary French artist, Le Roy is inclined towards the themes and methods of French theory, such as, for instance, its critique of spectacle, exploration of alternative forms of spectatorship, and interest in how the body is represented. But in his attitude towards t作者: 正論 時(shí)間: 2025-3-29 08:18 作者: Congruous 時(shí)間: 2025-3-29 11:56 作者: manifestation 時(shí)間: 2025-3-29 16:06 作者: 洞穴 時(shí)間: 2025-3-29 21:09
978-1-349-36850-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: 意外 時(shí)間: 2025-3-30 03:00 作者: Muffle 時(shí)間: 2025-3-30 05:34 作者: 軍械庫 時(shí)間: 2025-3-30 12:02 作者: 禁止 時(shí)間: 2025-3-30 14:30 作者: dermatomyositis 時(shí)間: 2025-3-30 17:19 作者: allergen 時(shí)間: 2025-3-30 23:13 作者: 鑒賞家 時(shí)間: 2025-3-31 03:42
Kue-Bum Lee,Kwang-Woo Chung,Kwang-Seok Hongate a new production is the hallmark of originality, of a unique position, of risks taken by those participating in the theatrical process.. Theatre directing is usually associated with staging these events. When, thanks to the organizational ability of the director, theatrical signs are prepared an作者: Alienated 時(shí)間: 2025-3-31 06:42
Analysing Orientations in Policy, of its most important recent philosophers, Gilles Deleuze. While Deleuze only came to the attention of British and North American scholars during the last ten years of his life (that is, from the mid-1980s), his ideas were unsurprisingly taken up earlier and more widely in his native France. For in作者: 組成 時(shí)間: 2025-3-31 11:16 作者: 友好 時(shí)間: 2025-3-31 16:57
Melinda Whong,Kook-Hee Gil,Heather Marsden Touzé and Joris Lacoste, is located in an artistic field that defies disciplinary definition. From roughly the start of the 1990s, each of these solo artists and companies has, in turn, abandoned classical dance and text-based theatre in order to create new choreographies and dramaturgies that are 作者: fledged 時(shí)間: 2025-3-31 20:19 作者: 異端邪說下 時(shí)間: 2025-3-31 22:05
Melinda Whong,Kook-Hee Gil,Heather Marsdenmmediate aesthetico-political heritage is found in the same anti-establishment impulses that inspired Guy Debord and the Situationists in the 1950s and 1960s, and which led to the student/worker uprisings in May 1968. ‘Last May, speech was taken the way, in 1789, the Bastille was taken. The strongho作者: ascetic 時(shí)間: 2025-4-1 03:57 作者: 有說服力 時(shí)間: 2025-4-1 07:23
Beginning in the Middle of Things,nner of French dance .. As a contemporary French artist, Le Roy is inclined towards the themes and methods of French theory, such as, for instance, its critique of spectacle, exploration of alternative forms of spectatorship, and interest in how the body is represented. But in his attitude towards t作者: Hormones 時(shí)間: 2025-4-1 13:11 作者: BAIT 時(shí)間: 2025-4-1 16:11
