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標(biāo)題: Titlebook: Contemporary Diasporic South Asian Women‘s Fiction; Gender, Narration an Ruvani Ranasinha Book 2016 The Editor(s) (if applicable) and The A [打印本頁]

作者: microbe    時(shí)間: 2025-3-21 16:37
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書目名稱Contemporary Diasporic South Asian Women‘s Fiction網(wǎng)絡(luò)公開度學(xué)科排名




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作者: 好色    時(shí)間: 2025-3-21 22:32
Globalisation, Labour, Narrative and Representation in Arundhati Roy, Monica Ali and Kiran Desai,hat Desai’s non-linear, elaborately structured narrative shares a related intervention to stretch the possibilities of realist fiction to capture the plight of those disenfranchised by the economic operations of globalisation. As Desai observes, ‘In a world obsessed with national boundaries and belo
作者: Cpr951    時(shí)間: 2025-3-22 00:59

作者: INERT    時(shí)間: 2025-3-22 07:38

作者: tattle    時(shí)間: 2025-3-22 11:02

作者: 哀悼    時(shí)間: 2025-3-22 15:26

作者: 哀悼    時(shí)間: 2025-3-22 19:16
Einleitung und Gang der Untersuchung,blished writers such as Roy (b. 1961, India) and in comparison to lesser-known diasporic women writers, including Sorayya Khan (b. 1967, Pakistan/Netherlands/USA), Uzma Aslam Khan (b. 1969, Pakistan/UK/USA), Roma Tearne (b. 1954, Sri Lanka/UK), Roshi Fernando (b. 1966, Sri Lanka/UK) and V.V. Ganesha
作者: 水獺    時(shí)間: 2025-3-22 23:38

作者: Outshine    時(shí)間: 2025-3-23 05:26

作者: exclamation    時(shí)間: 2025-3-23 05:39
Introduction,es primarily on Kiran Desai (b. 1971, India/UK/USA), Tahmima Anam (b. 1975, Bangladesh/USA/UK), Monica Ali (b. 1967, Bangladesh/UK), Kamila Shamsie (b. 1973, Pakistan/USA/UK) and Jhumpa Lahiri (b. 1967, USA/India/Italy). This new wave of diasporic anglophone South Asian feminist fiction writers came
作者: FANG    時(shí)間: 2025-3-23 09:48

作者: 過渡時(shí)期    時(shí)間: 2025-3-23 17:31

作者: Prostatism    時(shí)間: 2025-3-23 21:01
Resistance and Religion: Gender, Islam and Agency in Kamila Shamsie, Tahmima Anam, Monica Ali and A, Tahmima Anam and Monica Ali, with reference to Ameena Hussein’s novel. These writers engage with distinct South Asian and diasporic locations, demographics and issues. Shamsie’s first fictions are mostly set in Pakistan. This chapter focuses on her richly woven, neglected, fourth novel, . (2005),
作者: surmount    時(shí)間: 2025-3-24 01:51

作者: TAG    時(shí)間: 2025-3-24 03:30

作者: 階層    時(shí)間: 2025-3-24 07:22

作者: 死貓他燒焦    時(shí)間: 2025-3-24 13:32

作者: Enthralling    時(shí)間: 2025-3-24 15:07
Book 2016focus on diasporic writers’ metropolitan contexts, illuminates how these transnational, female-authored literary texts challenge national assumptions and considers the ways in which this new configuration of transnational, feminist writers produces a postcolonial feminist discourse, which differs from Anglo-American feminism..
作者: 最高點(diǎn)    時(shí)間: 2025-3-24 20:22

作者: Gene408    時(shí)間: 2025-3-25 02:06
Women Writing Postcolonial Cities: Jhumpa Lahiri, Kamila Shamsie and Tahmima Anam,-colonial protestors in Qissa Khan Bazaar in Peshawar in 1930 in . (2014) and traces urban feminist political activism in her other novels. Anam’s female protagonists experience the embattled city of Dhaka. All can be compared transhistorically as events that reconfigure a gendered experience of the urban space.
作者: 指耕作    時(shí)間: 2025-3-25 05:07
Migration, Gender and Globalisation in Jhumpa Lahiri,ist critical expectations. Towards the end of the chapter, Lahiri’s interventions are briefly contextualised in relation to the different trajectories of her migrant peers, Kamila Shamsie, Uzma Aslam Khan, Roshi Fernando and V.V. Ganeshananthan.
作者: 匍匐    時(shí)間: 2025-3-25 10:23
Book 2016am, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan,
作者: enflame    時(shí)間: 2025-3-25 13:40

作者: 不適當(dāng)    時(shí)間: 2025-3-25 16:55

作者: 6Applepolish    時(shí)間: 2025-3-25 23:28

作者: 大笑    時(shí)間: 2025-3-26 01:12

作者: 改進(jìn)    時(shí)間: 2025-3-26 07:03
https://doi.org/10.1007/978-3-8349-8142-4arratives of Bangladesh and Pakistan. However, these nations are narrated through the experience of nation-formation for women not centrally involved with the 1971 secession of Pakistan that led to Bangladesh becoming an independent state. Around one million Bengalis are believed to have been killed
作者: NICE    時(shí)間: 2025-3-26 12:25

作者: CURB    時(shí)間: 2025-3-26 12:55
Caroline Philipp,Henning H. Rüthxts of migration at their centre: . (1999), . (2004), . (2008) and . (2013b). They highlight Lahiri’s intervention in complicating and expanding feminist critical expectations. Towards the end of the chapter, Lahiri’s interventions are briefly contextualised in relation to the different trajectories
作者: 盡責(zé)    時(shí)間: 2025-3-26 18:50

作者: 潰爛    時(shí)間: 2025-3-26 22:32

作者: 浮夸    時(shí)間: 2025-3-27 01:41

作者: COMA    時(shí)間: 2025-3-27 06:35

作者: 新娘    時(shí)間: 2025-3-27 10:58

作者: 軌道    時(shí)間: 2025-3-27 14:31

作者: Override    時(shí)間: 2025-3-27 18:14

作者: commute    時(shí)間: 2025-3-27 23:19





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