標(biāo)題: Titlebook: Contemporary Black British Playwrights; Margins to Mainstrea Lynette Goddard Book 2015 Palgrave Macmillan, a division of Macmillan Publishe [打印本頁] 作者: 美麗動人 時(shí)間: 2025-3-21 16:34
書目名稱Contemporary Black British Playwrights影響因子(影響力)
書目名稱Contemporary Black British Playwrights影響因子(影響力)學(xué)科排名
書目名稱Contemporary Black British Playwrights網(wǎng)絡(luò)公開度
書目名稱Contemporary Black British Playwrights網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary Black British Playwrights被引頻次
書目名稱Contemporary Black British Playwrights被引頻次學(xué)科排名
書目名稱Contemporary Black British Playwrights年度引用
書目名稱Contemporary Black British Playwrights年度引用學(xué)科排名
書目名稱Contemporary Black British Playwrights讀者反饋
書目名稱Contemporary Black British Playwrights讀者反饋學(xué)科排名
作者: Abutment 時(shí)間: 2025-3-21 22:40 作者: contradict 時(shí)間: 2025-3-22 04:15
https://doi.org/10.1057/9781137493101comedy; identity; theatre作者: JADED 時(shí)間: 2025-3-22 05:10
978-1-349-31487-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2015作者: Customary 時(shí)間: 2025-3-22 10:36 作者: Affirm 時(shí)間: 2025-3-22 13:37
Perspektiven der Agrarumweltpolitik,k British playwriting, exemplified by an increased visibility on London’s mainstream stages. This shift is arguably an acknowledgement that black playwrights’ work is of a wide significance that warrants greater exposure than can be achieved within small-scale black and touring companies. As Winsome作者: Affirm 時(shí)間: 2025-3-22 17:35 作者: Individual 時(shí)間: 2025-3-22 23:36
https://doi.org/10.1007/978-3-663-06781-8wton in . (BBC 1) from 1999–2004 and for being runner-up on . (BBC 1) in 2003. Alongside these high-profile television appearances, he was writer-in-residence at the Bristol Old Vic Theatre where he wrote his first play . (1999; published 2012), although it was not produced until 2001 after producti作者: Anecdote 時(shí)間: 2025-3-23 04:45 作者: obscurity 時(shí)間: 2025-3-23 07:53
Untersuchung von Acylheterocumulenen, debates about race, national identity and belonging, and explore how multiracial demographics affect black . white British males’ sense of self and place in urban communities. Several of Williams’ plays use sporting contexts to examine these societal relationships and this chapter considers the soc作者: Hirsutism 時(shí)間: 2025-3-23 13:43 作者: 紅潤 時(shí)間: 2025-3-23 16:40
https://doi.org/10.1007/978-3-663-06787-0rking the emergence of a number of British West African playwrights onto the British theatre new writing scene, including Levi David Addai, Bola Agbaje, Oladipo Agboluaje, Michael Bhim and Lizzy Dijeh.. This was arguably the first decade in which explicit British-African plays were staged at Britain作者: Flavouring 時(shí)間: 2025-3-23 21:33 作者: 偽善 時(shí)間: 2025-3-24 01:38
Untersuchungen zum Reaktionsablauf,productions of plays by black British playwrights in the early twenty-first century. I have examined the work of the four playwrights who I perceive to be at the forefront of mainstream visibility locating them within an historical context that demonstrates the social, cultural and political resonan作者: Palpitation 時(shí)間: 2025-3-24 04:49 作者: 側(cè)面左右 時(shí)間: 2025-3-24 09:05 作者: jeopardize 時(shí)間: 2025-3-24 13:10 作者: DEBT 時(shí)間: 2025-3-24 15:07
Beyond Identity Politics: Black British Playwrights on the Mainstream Pinnock demonstrated in her article ‘Breaking Down the Door’ (1999), black playwrights have sought mainstream recognition and the production of black plays is often figured as a way of generating new audiences beyond the white middle classes who are the typical theatregoers at London’s mainstream theatre venues:作者: 蒼白 時(shí)間: 2025-3-24 20:03
Beyond Identity Politics: Black British Playwrights on the Mainstreamk British playwriting, exemplified by an increased visibility on London’s mainstream stages. This shift is arguably an acknowledgement that black playwrights’ work is of a wide significance that warrants greater exposure than can be achieved within small-scale black and touring companies. As Winsome作者: hidebound 時(shí)間: 2025-3-25 01:30
Street Life: Black Masculinity and Youth Violence in Roy Williams’ ‘Urban’ Plays in contemporary British theatre. His emergence in the mid-1990s coincided with a surge in new writing and ‘in yer face’ theatre by white playwrights such as Sarah Kane, Mark Ravenhill and Jez Butterworth, and his achievements may well have influenced the new generation of black playwrights to emerg作者: rheumatology 時(shí)間: 2025-3-25 06:36
Past and Present: Legacies of Slavery in Kwame Kwei-Armah’s National Theatre Triptychwton in . (BBC 1) from 1999–2004 and for being runner-up on . (BBC 1) in 2003. Alongside these high-profile television appearances, he was writer-in-residence at the Bristol Old Vic Theatre where he wrote his first play . (1999; published 2012), although it was not produced until 2001 after producti作者: Rejuvenate 時(shí)間: 2025-3-25 07:54
Breaking the Silence: Women’s Solidarity in debbie tucker green’s Abuse and Trauma Plays. (2003b) was staged at the Soho Theatre in February followed soon after by . (2003a) at the Hampstead Theatre in April, her plays have regularly been produced at London’s main theatre venues.. The Royal Court have especially championed tucker green’s plays with productions of . (2005) and . (2008) 作者: ostrish 時(shí)間: 2025-3-25 12:29 作者: 要塞 時(shí)間: 2025-3-25 18:24 作者: 招致 時(shí)間: 2025-3-25 23:09
A Slice-of-Life: British-African Social Comedy in Bola Agbaje’s Council Estate Playsrking the emergence of a number of British West African playwrights onto the British theatre new writing scene, including Levi David Addai, Bola Agbaje, Oladipo Agboluaje, Michael Bhim and Lizzy Dijeh.. This was arguably the first decade in which explicit British-African plays were staged at Britain作者: 古代 時(shí)間: 2025-3-26 04:03
State-of-the-Nation? Contemporary Black British Playwrights at the Tricycle Theatreregularly stage black plays, and from the mid-1990s until Kent’s departure in 2012 the venue also established a reputation as a hub for productions of verbatim and tribunal plays that reflected on topical social issues.. I grew up in the London Borough of Brent, which is one of London’s most cultura作者: 串通 時(shí)間: 2025-3-26 07:03 作者: 遵循的規(guī)范 時(shí)間: 2025-3-26 10:36 作者: 敏捷 時(shí)間: 2025-3-26 13:37
Past and Present: Legacies of Slavery in Kwame Kwei-Armah’s National Theatre Triptych2007), establishing Kwei-Armah’s reputation as an avowedly political black British playwright who, in his own words, writes as a ‘catalyst for debate around themes that are pertinent to our communities and to our nation’ (Anon., ., 12 July 2010).. Kwei-Armah has been nominated for several awards, in作者: pester 時(shí)間: 2025-3-26 17:58
Breaking the Silence: Women’s Solidarity in debbie tucker green’s Abuse and Trauma Playsional recognition that is rare for black British playwrights with productions of . and . in Europe, the USA and Australia.. Recognition for her work includes a Laurence Olivier Most Promising Playwright Award (2004) for . and a BAFTA (British Academy Film and Television Award) for her television ada作者: 大炮 時(shí)間: 2025-3-26 22:20 作者: painkillers 時(shí)間: 2025-3-27 04:37 作者: 爵士樂 時(shí)間: 2025-3-27 05:59
A Slice-of-Life: British-African Social Comedy in Bola Agbaje’s Council Estate Playsaian or Nigerian heritage, brought unique voices to the text-based profile of the contemporary London stage, adding to the prevailing images of black Britain with interrogations of some of the particular issues encountered by British-Africans in relation to predominant ideas about black British iden作者: Explosive 時(shí)間: 2025-3-27 10:26 作者: 牛的細(xì)微差別 時(shí)間: 2025-3-27 14:24 作者: Engaged 時(shí)間: 2025-3-27 19:21
https://doi.org/10.1007/978-3-663-06781-82007), establishing Kwei-Armah’s reputation as an avowedly political black British playwright who, in his own words, writes as a ‘catalyst for debate around themes that are pertinent to our communities and to our nation’ (Anon., ., 12 July 2010).. Kwei-Armah has been nominated for several awards, in作者: 時(shí)間等 時(shí)間: 2025-3-28 00:45
https://doi.org/10.1007/978-3-663-06781-8ional recognition that is rare for black British playwrights with productions of . and . in Europe, the USA and Australia.. Recognition for her work includes a Laurence Olivier Most Promising Playwright Award (2004) for . and a BAFTA (British Academy Film and Television Award) for her television ada作者: radiograph 時(shí)間: 2025-3-28 03:13
Untersuchung von Acylheterocumulenen,xamine how racially coded expectations surround black men’s ability as players of sports and illustrate how understanding sporting support as an index of national identity and belonging is made more complex by the presence of black players and fans. Sport can both unite and divide nations, thus maki作者: 青春期 時(shí)間: 2025-3-28 07:49
Untersuchung von Acylheterocumulenenreen’s depiction of contemporary realities of pain, suffering and loss, which raises awareness about urgent human rights concerns such as poverty, the HIV and AIDS crisis, child soldiers, genocide and sex tourism, that are effects of the continued social, political and economic disadvantage of peopl作者: Intercept 時(shí)間: 2025-3-28 10:45 作者: 拱形面包 時(shí)間: 2025-3-28 15:43
https://doi.org/10.1007/978-3-663-06787-0 significance of the Tricycle (or the Trike as it is fondly known), making it apposite that the final case study in this book should focus on black British playwriting at the Tricycle Theatre in the new millennium.作者: Trypsin 時(shí)間: 2025-3-28 19:48 作者: 大罵 時(shí)間: 2025-3-29 01:58 作者: reserve 時(shí)間: 2025-3-29 06:05
Radiation Physics for Medical Physicists978-3-319-25382-4Series ISSN 1868-4513 Series E-ISSN 1868-4521 作者: 使出神 時(shí)間: 2025-3-29 11:16
Quantile Models and Estimators for Data Analysis,ed by the usual regression quantiles, but additionally by a regression on the empirical quantile at each school. This is similar to least squares where the estimate based on the entire data is identical to weighted least squares on the school averages. Unlike least squares however, the regression th
