標(biāo)題: Titlebook: Conrad: Almayer’s Folly to Under Western Eyes; Daniel R. Schwarz Book 1980 Daniel R. Schwarz 1980 fiction.history of literature.literature [打印本頁] 作者: 嚴(yán)厲 時(shí)間: 2025-3-21 19:29
書目名稱Conrad: Almayer’s Folly to Under Western Eyes影響因子(影響力)
書目名稱Conrad: Almayer’s Folly to Under Western Eyes影響因子(影響力)學(xué)科排名
書目名稱Conrad: Almayer’s Folly to Under Western Eyes網(wǎng)絡(luò)公開度
書目名稱Conrad: Almayer’s Folly to Under Western Eyes網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Conrad: Almayer’s Folly to Under Western Eyes被引頻次
書目名稱Conrad: Almayer’s Folly to Under Western Eyes被引頻次學(xué)科排名
書目名稱Conrad: Almayer’s Folly to Under Western Eyes年度引用
書目名稱Conrad: Almayer’s Folly to Under Western Eyes年度引用學(xué)科排名
書目名稱Conrad: Almayer’s Folly to Under Western Eyes讀者反饋
書目名稱Conrad: Almayer’s Folly to Under Western Eyes讀者反饋學(xué)科排名
作者: 殖民地 時(shí)間: 2025-3-21 22:53
Unrestcus from the tale to the teller. Although he has already published . (1895) and . was already completed and to be published in 1896, Conrad is plagued by anxiety and self-doubt about his new career. In an 1896 letter to Garnett he agonises: ‘Everything seems so abominably stupid. You see the . is no作者: Tincture 時(shí)間: 2025-3-22 00:31 作者: SUGAR 時(shí)間: 2025-3-22 07:15
Marlow’s role in ‘Youth’ and ‘Heart of Darkness’ and explores his intellectual and moral identity. Except for brief moments of despair, Conrad believed in the essential value of self-knowledge and self-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purpose作者: 出沒 時(shí)間: 2025-3-22 10:20 作者: 止痛藥 時(shí)間: 2025-3-22 16:54 作者: 止痛藥 時(shí)間: 2025-3-22 18:56 作者: Interferons 時(shí)間: 2025-3-22 21:31
Language as value in nd, the written, linear language on the page (the means of mimesis), and on the other, the imaginary events and characters (the objects of mimesis) for which language is a catalyst. Criticism of . has rarely distinguished between the object of mimesis and the means of mimesis; between the ‘monstrous作者: 正常 時(shí)間: 2025-3-23 04:55 作者: 領(lǐng)巾 時(shí)間: 2025-3-23 07:07 作者: Urgency 時(shí)間: 2025-3-23 10:52
Conclusionstrates the poise, confidence, and optimism of those who presented this monument, retrospectively we see that it represents the last gasp of the British empire. The confidence and certainty of those who chose the epigraph inform these lines, but that confidence and certainty soon evaporate into dubi作者: Coordinate 時(shí)間: 2025-3-23 15:31 作者: 死貓他燒焦 時(shí)間: 2025-3-23 21:31 作者: commute 時(shí)間: 2025-3-24 00:43 作者: 繁殖 時(shí)間: 2025-3-24 04:24
Language as value in nds upon a tension between disintegration of the content (Conrad’s perception of turn-of-the-century London) and integration and cohesion of the form (the language and the tightly unified narrative). Conrad creates a language that is moral, civilised, and rational, and a narrator with the intelligen作者: OGLE 時(shí)間: 2025-3-24 07:51 作者: tackle 時(shí)間: 2025-3-24 12:50 作者: 很是迷惑 時(shí)間: 2025-3-24 16:46 作者: 閃光東本 時(shí)間: 2025-3-24 20:27 作者: BRIEF 時(shí)間: 2025-3-25 02:16
https://doi.org/10.1007/3-7643-7657-0nds upon a tension between disintegration of the content (Conrad’s perception of turn-of-the-century London) and integration and cohesion of the form (the language and the tightly unified narrative). Conrad creates a language that is moral, civilised, and rational, and a narrator with the intelligen作者: FLIP 時(shí)間: 2025-3-25 04:55 作者: galley 時(shí)間: 2025-3-25 07:57
http://image.papertrans.cn/c/image/235663.jpg作者: interrogate 時(shí)間: 2025-3-25 14:19 作者: 顯赫的人 時(shí)間: 2025-3-25 16:58 作者: 舉止粗野的人 時(shí)間: 2025-3-25 22:04 作者: 乳汁 時(shí)間: 2025-3-26 03:59
https://doi.org/10.1007/3-540-54162-4 and explores his intellectual and moral identity. Except for brief moments of despair, Conrad believed in the essential value of self-knowledge and self-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purpose作者: 賞錢 時(shí)間: 2025-3-26 06:44 作者: Conscientious 時(shí)間: 2025-3-26 11:34
https://doi.org/10.1007/3-7643-7657-0d with ‘Falk: A Reminiscence’, ‘Amy Foster’, and ‘Tomorrow’ in . (1903), the latter appeared with ‘Youth’ and ‘Heart of Darkness’ in . (1902). ‘Falk: A Reminiscence’ and ‘Amy Foster’ reflect Conrad’s continuing interest in the epistemological quest of a dramatised first person narrator. But the othe作者: HERTZ 時(shí)間: 2025-3-26 15:18 作者: MIR 時(shí)間: 2025-3-26 20:06 作者: alcohol-abuse 時(shí)間: 2025-3-26 22:49 作者: galley 時(shí)間: 2025-3-27 01:40
https://doi.org/10.1007/3-7643-7657-0our of personal relationships and private commitments. . needs to be considered as a dialectical novel whose central agon is a conflict between political and personal values. As with ., . has generally been examined as if it were a completed and static object, rather than as a dynamic process contin作者: Fester 時(shí)間: 2025-3-27 05:36
https://doi.org/10.1007/3-7643-7657-0strates the poise, confidence, and optimism of those who presented this monument, retrospectively we see that it represents the last gasp of the British empire. The confidence and certainty of those who chose the epigraph inform these lines, but that confidence and certainty soon evaporate into dubi作者: capsule 時(shí)間: 2025-3-27 11:33 作者: 類人猿 時(shí)間: 2025-3-27 16:52 作者: 情感脆弱 時(shí)間: 2025-3-27 18:57 作者: gospel 時(shí)間: 2025-3-28 01:17 作者: 知識(shí) 時(shí)間: 2025-3-28 02:18 作者: eucalyptus 時(shí)間: 2025-3-28 08:16
https://doi.org/10.1007/3-540-54162-4elf-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purposeless world from a condition into a value. And Marlow enabled him to examine this dilemma in “Youth” (1898), ‘Heart of Darkness’ (1899), and . (1900).作者: 元音 時(shí)間: 2025-3-28 10:29 作者: Aboveboard 時(shí)間: 2025-3-28 16:01 作者: 性滿足 時(shí)間: 2025-3-28 20:37
Marlow’s role in ‘Youth’ and ‘Heart of Darkness’elf-exploration. He created Marlow to explore himself. Conrad was also concerned with the dilemma of transforming the ‘freedom’ of living in a purposeless world from a condition into a value. And Marlow enabled him to examine this dilemma in “Youth” (1898), ‘Heart of Darkness’ (1899), and . (1900).作者: 報(bào)復(fù) 時(shí)間: 2025-3-29 01:49 作者: 挫敗 時(shí)間: 2025-3-29 06:04 作者: 知道 時(shí)間: 2025-3-29 07:40 作者: Diatribe 時(shí)間: 2025-3-29 15:22 作者: BOOST 時(shí)間: 2025-3-29 16:17
Unrestude left to me is that I cannot work for the present’ (5 Aug. 1896; ., p. 65). The transition from seaman to author seems to have undermined Conrad’s belief in the coherence and stability of his personality, a belief that he gradually acquired during his career as a seaman after a tumultuous and erratic youth:作者: Extemporize 時(shí)間: 2025-3-29 22:47 作者: Minatory 時(shí)間: 2025-3-30 02:50 作者: 本土 時(shí)間: 2025-3-30 05:41
Diotima Chattorajic field- and temperature-dependent studies of electromagnetic abso- tion are not widely appreciated. For example, these measurements can provide information on the band gap, critical fields, the H–T irreversibility line, the amount of trapped flux, and even information about the symmetry of the wave function978-1-4757-8760-3978-0-306-47082-0作者: defile 時(shí)間: 2025-3-30 09:10
