標(biāo)題: Titlebook: Computational Creativity Research: Towards Creative Machines; Tarek R. Besold,Marco Schorlemmer,Alan Smaill Book 2015 Atlantis Press and t [打印本頁(yè)] 作者: 休耕地 時(shí)間: 2025-3-21 20:08
書(shū)目名稱Computational Creativity Research: Towards Creative Machines影響因子(影響力)
書(shū)目名稱Computational Creativity Research: Towards Creative Machines影響因子(影響力)學(xué)科排名
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書(shū)目名稱Computational Creativity Research: Towards Creative Machines網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Computational Creativity Research: Towards Creative Machines被引頻次
書(shū)目名稱Computational Creativity Research: Towards Creative Machines被引頻次學(xué)科排名
書(shū)目名稱Computational Creativity Research: Towards Creative Machines年度引用
書(shū)目名稱Computational Creativity Research: Towards Creative Machines年度引用學(xué)科排名
書(shū)目名稱Computational Creativity Research: Towards Creative Machines讀者反饋
書(shū)目名稱Computational Creativity Research: Towards Creative Machines讀者反饋學(xué)科排名
作者: 無(wú)政府主義者 時(shí)間: 2025-3-21 21:00
Stereotactic and Functional Neurosurgeryswarm intelligence systems. It addresses the concepts of . and . and their impact on the creativity of the underlying systems. An analogy is drawn on mapping these two ‘prerequisites’ of creativity onto the two well-known phases of exploration and exploitation in swarm intelligence algorithms, follo作者: 心痛 時(shí)間: 2025-3-22 03:44 作者: 向外 時(shí)間: 2025-3-22 07:58 作者: 藥物 時(shí)間: 2025-3-22 11:54 作者: FLORA 時(shí)間: 2025-3-22 14:46 作者: FLORA 時(shí)間: 2025-3-22 19:09 作者: 旅行路線 時(shí)間: 2025-3-22 23:55 作者: 燈絲 時(shí)間: 2025-3-23 01:44
Stereotaxis in Parkinson Syndromegy and linguistics. However, despite this influential research, within computational creativity little effort has been devoted to fully formalise these ideas and to make them amenable to computational techniques. Unlike other combination techniques, . aims at creatively generating (new) concepts on 作者: 宮殿般 時(shí)間: 2025-3-23 07:53 作者: KIN 時(shí)間: 2025-3-23 09:46 作者: 悲觀 時(shí)間: 2025-3-23 16:42 作者: prediabetes 時(shí)間: 2025-3-23 21:40 作者: 侵蝕 時(shí)間: 2025-3-23 23:15 作者: 愛(ài)哭 時(shí)間: 2025-3-24 04:41 作者: 召集 時(shí)間: 2025-3-24 09:36
Stereotype Threat im Englischunterrichtmore conducive to data-driven assessment. If such products are viewed as an assembly of constituents that follow certain association principles, one could apply computationally intensive techniques to generate many possible combinations and use automated assessors to evaluate each of them. Assembly 作者: tympanometry 時(shí)間: 2025-3-24 12:58
Stereotype Threat im Englischunterrichtasks? We take inspiration from the success of computer aided design (CAD) environments that enable designers to construct, evaluate and revise models of engineering systems. Design of game-playing software agents is another creative task. By analogy, we present a CAD-like environment that enables de作者: cipher 時(shí)間: 2025-3-24 18:36 作者: 符合國(guó)情 時(shí)間: 2025-3-24 21:02
From MEXICA to MEXICA-Impro: The Evolution of a Computer Model for Plot Generationment agents capable of generating individual or collaborative plots. I emphasize the role of evaluation as part of the creative process and suggest some criteria that an agent must satisfy to generate c-creative products.作者: MAUVE 時(shí)間: 2025-3-25 01:21
Tarek R. Besold,Marco Schorlemmer,Alan SmaillGives an overview of state-of-the-art research at the intersection of Computational Creativity, Concept Invention, and General Intelligence.Contains previously unpublished contributions by leading res作者: 組成 時(shí)間: 2025-3-25 05:41
Atlantis Thinking Machineshttp://image.papertrans.cn/c/image/232222.jpg作者: Mingle 時(shí)間: 2025-3-25 08:30 作者: 鑒賞家 時(shí)間: 2025-3-25 15:32
Atlantis Press and the authors 2015作者: 潰爛 時(shí)間: 2025-3-25 16:08 作者: cathartic 時(shí)間: 2025-3-25 23:25 作者: 脾氣暴躁的人 時(shí)間: 2025-3-26 02:42 作者: 稱贊 時(shí)間: 2025-3-26 07:06
1877-3273 platform for interaction and exchange between the different directions, the International Workshops on “Computational Creativity, Concept Invention, and General Intelligence” (C3GI) have been started. At ECAI-2978-94-6239-085-0Series ISSN 1877-3273 Series E-ISSN 1877-3281 作者: coalition 時(shí)間: 2025-3-26 10:34 作者: 不自然 時(shí)間: 2025-3-26 15:18 作者: modest 時(shí)間: 2025-3-26 17:39 作者: 散開(kāi) 時(shí)間: 2025-3-26 22:51 作者: aesthetic 時(shí)間: 2025-3-27 04:09
Ode to a Keatsian Turn: Creating Meaningful and Poetic Instances of Rhetorical Formsceits are generated for a given topic and affective slant. Subtle inferences drawn from these conceits can then drive the process of poetry generation. In the same vein, we consider the problem of generating witty insights from the banal truisms of common-sense knowledge bases.作者: Reservation 時(shí)間: 2025-3-27 08:58 作者: bleach 時(shí)間: 2025-3-27 09:29
A Culinary Computational Creativity Systemcted with the help of novelty and quality evaluators, the system further recommends ingredient proportions using a distributional conformance method and generates recipe steps using a subgraph composition algorithm. The time durations or efforts of atomic steps are estimated by solving an inverse pr作者: outer-ear 時(shí)間: 2025-3-27 15:03 作者: 向下五度才偏 時(shí)間: 2025-3-27 18:28 作者: 有權(quán) 時(shí)間: 2025-3-27 23:36 作者: ellagic-acid 時(shí)間: 2025-3-28 03:26
Stereotaxis in Parkinson Syndromeceits are generated for a given topic and affective slant. Subtle inferences drawn from these conceits can then drive the process of poetry generation. In the same vein, we consider the problem of generating witty insights from the banal truisms of common-sense knowledge bases.作者: NATTY 時(shí)間: 2025-3-28 08:02 作者: 痛恨 時(shí)間: 2025-3-28 13:20 作者: 是限制 時(shí)間: 2025-3-28 18:36
Stereotype Threat im Englischunterricht we describe three elements of this vision: (2) an agent modeling language called TMKL2, (2) an interactive environment called GAIA for experimenting with the models of game-playing software agents, and (3) GAIA’s module called REM that performs meta-reasoning for self-adaptation in game-playing sof作者: Anthrp 時(shí)間: 2025-3-28 20:52
Book 2015 and captivating results that continuously influence and change our view on where the limits of intelligent machines lie, each day pushing the boundaries a bit further. By 2014, all three fields also have left their marks on everyday life – machine-composed music has been performed in concert halls,作者: FILTH 時(shí)間: 2025-3-29 01:41 作者: 平躺 時(shí)間: 2025-3-29 05:33
Elements of Descriptive Neuroanatomy, is presented. This work represents a step in the development of unified process-based theories of creativity encompassing incubation, insight, and various other related phenomena. Beyond EII, the roles of motivation, personality, emotion, and social interaction in creativity may also be explored using CLARION.作者: 手榴彈 時(shí)間: 2025-3-29 07:20
Accounting for Creativity Within a Psychologically Realistic Cognitive Architecture is presented. This work represents a step in the development of unified process-based theories of creativity encompassing incubation, insight, and various other related phenomena. Beyond EII, the roles of motivation, personality, emotion, and social interaction in creativity may also be explored using CLARION.作者: Collected 時(shí)間: 2025-3-29 13:14 作者: Meditate 時(shí)間: 2025-3-29 18:25 作者: 退潮 時(shí)間: 2025-3-29 22:44
Himanshu Sharma,Charles B. Mikelle, and beyond. But never is creativity discussed in connection with any of these functions; indeed creativity is nowhere discussed in the book, period; nor for that matter is any synonym (e.g., ‘innovative’) discussed. In short, as far as this highly influential and comprehensive volume is concerned, general-intelligent agents needn’t be creative.作者: 迅速飛過(guò) 時(shí)間: 2025-3-30 03:48
Stereotactic and Functional Neurosurgeryonical formalization, and as a result the precise conditions that must be satisfied by an analogical system intended to answer TC are unclear. We remedy this problem by developing a still-informal but clear formulation of what it means to successfully answer TC, and offer guidelines for analogical systems that hope to progress further toward AGI.作者: 山頂可休息 時(shí)間: 2025-3-30 07:12
https://doi.org/10.1007/978-3-030-43218-8resources used with PoeTryMe, the problem of poetry generation is tackled incrementally, as our decisions are explained and illustrated, step-by-step. In the end, the objective features of the poems generated by the implemented strategies are compared, while the best-scoring poems are shown.作者: 同來(lái)核對(duì) 時(shí)間: 2025-3-30 09:59 作者: 無(wú)政府主義者 時(shí)間: 2025-3-30 16:12
Theorem: General Intelligence Entails Creativity, Assuming ,e, and beyond. But never is creativity discussed in connection with any of these functions; indeed creativity is nowhere discussed in the book, period; nor for that matter is any synonym (e.g., ‘innovative’) discussed. In short, as far as this highly influential and comprehensive volume is concerned, general-intelligent agents needn’t be creative.作者: 荒唐 時(shí)間: 2025-3-30 19:35
How Models of Creativity and Analogy Need to Answer the Tailorability Concernonical formalization, and as a result the precise conditions that must be satisfied by an analogical system intended to answer TC are unclear. We remedy this problem by developing a still-informal but clear formulation of what it means to successfully answer TC, and offer guidelines for analogical systems that hope to progress further toward AGI.作者: 四海為家的人 時(shí)間: 2025-3-31 00:02 作者: ULCER 時(shí)間: 2025-3-31 02:42
1877-3273 Contains previously unpublished contributions by leading resComputational Creativity, Concept Invention, and General Intelligence in their own right all are flourishing research disciplines producing surprising and captivating results that continuously influence and change our view on where the limi作者: 安定 時(shí)間: 2025-3-31 05:05
Stereotactic and Functional Neurosurgeryxamine how this agent might behave in the context of an archetypical “algorithm” for creativity. Finally, we consider this agent’s behavior from the point of view of the theory of (Turing) computability and suggest that computational creativity as a field provides an interesting opportunity for looking at computational complexity in new ways.作者: mighty 時(shí)間: 2025-3-31 11:08 作者: bromide 時(shí)間: 2025-3-31 13:35 作者: 一加就噴出 時(shí)間: 2025-3-31 17:51
