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標(biāo)題: Titlebook: Comic Sense; Reading Robert Coove Thomas Pughe Book 1994 Springer Basel AG 1994 fiction.humour.idea.irony.mockery.parody.time.writing [打印本頁]

作者: Harding    時間: 2025-3-21 18:46
書目名稱Comic Sense影響因子(影響力)




書目名稱Comic Sense影響因子(影響力)學(xué)科排名




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書目名稱Comic Sense網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Comic Sense被引頻次




書目名稱Comic Sense被引頻次學(xué)科排名




書目名稱Comic Sense年度引用




書目名稱Comic Sense年度引用學(xué)科排名




書目名稱Comic Sense讀者反饋




書目名稱Comic Sense讀者反饋學(xué)科排名





作者: 責(zé)任    時間: 2025-3-21 23:25
,Philip Roth’s Zuckerman Novels as a Comic “Künstler-Roman”,ultural environment of the contemporary media age; but the comparison does set the tone for the comic confusions experienced by ., the writer-hero of Roth’s own version of an artist’s life. Zuckerman’s existence as a writer is a prolonged struggle for honour — a struggle that seems doomed to perpetu
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作者: Obliterate    時間: 2025-3-22 12:43
Book 1994 by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily e
作者: 弓箭    時間: 2025-3-22 16:50

作者: 弓箭    時間: 2025-3-22 19:38

作者: 猛烈責(zé)罵    時間: 2025-3-22 21:39
Robert Coover and the Comedy of Good and Bad Sport,g, which he ‘discovered’ as a student, in these words:.Though Coover’s lines try to recapture the enthusiasm of first discovery, some of the qualities they attribute to Beckett’s works have nevertheless become constants in his own writing.
作者: Interlocking    時間: 2025-3-23 02:32
International Cooper Series in English Language and Literaturehttp://image.papertrans.cn/c/image/230151.jpg
作者: Orchiectomy    時間: 2025-3-23 08:43
https://doi.org/10.1007/978-3-0348-7746-6fiction; humour; idea; irony; mockery; parody; time; writing
作者: Observe    時間: 2025-3-23 13:26
978-3-7643-5023-9Springer Basel AG 1994
作者: 懶鬼才會衰弱    時間: 2025-3-23 16:34
International Studies in Entrepreneurship..the aggressive, the crude, and the obscene, at one extreme, and something a good deal more subtle and, in every sense, refined, on the other.” (. 82) In making this distinction Roth draws on Philip Rahv’s influential essay “Paleface and Redskin” (1939). But while Rahv’s point is that the “American
作者: 擴(kuò)張    時間: 2025-3-23 19:42

作者: Arb853    時間: 2025-3-23 23:34
Social Entrepreneurship in the Middle Eastnotoriety that became his reward for writing the . of the late ‘60s. What the author of . had had in mind as the fruit of his work, was not notoriety but .. — honour, he goes on to explain, of the kind won by Thomas Mann’s Gustav von Aschenbach in . despite the dubious circumstances of that fictiona
作者: Scintigraphy    時間: 2025-3-24 05:02

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作者: 發(fā)誓放棄    時間: 2025-3-24 22:18
,Philip Roth’s Zuckerman Novels as a Comic “Künstler-Roman”,notoriety that became his reward for writing the . of the late ‘60s. What the author of . had had in mind as the fruit of his work, was not notoriety but .. — honour, he goes on to explain, of the kind won by Thomas Mann’s Gustav von Aschenbach in . despite the dubious circumstances of that fictiona
作者: Exclaim    時間: 2025-3-25 02:04

作者: 任命    時間: 2025-3-25 03:29

作者: Mercantile    時間: 2025-3-25 09:57
at much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between ‘innovation‘ and ‘the comic‘ and that this affinity, furthermore, appears to be characteristic of postmo- dernism. It is obvious, at the same time, that comic has become a
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作者: 溺愛    時間: 2025-3-25 21:14

作者: 犬儒主義者    時間: 2025-3-26 04:08

作者: 不發(fā)音    時間: 2025-3-26 07:31
Book 1994 it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between ‘innovation‘ and ‘the comic‘ and that this affinity, furthermore, appears to be characteristic of postmo- dernism. It is obvious, at the same time, that comic has become an elusive
作者: 煩躁的女人    時間: 2025-3-26 10:56
Roswitha Schieb: Das teilbare Individuum. K?rperbilder bei Ernst Jünger, Hans Henny Jahnn und Peter Weiss. Stuttgart: Metzler und Poeschel 1997, 437 S., 55 DMstellt die Autorin die Frage nach dem Widerstandspotential ?sthetischer Texte hinsichtlich ihrer grundlegenden Strukturen. Dazu betrachtet sie die unterschiedlichen ?sthetischen Subjektkonstitutionen der drei Texte und fragt, welcher Stellenwert dem K?rper darin einger?umt wird und inwiefern sich di
作者: 外星人    時間: 2025-3-26 14:39

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作者: 慢跑鞋    時間: 2025-3-27 00:41

作者: Hippocampus    時間: 2025-3-27 01:42
https://doi.org/10.1007/978-3-322-92597-8at the quality of e-learning among faculty members is high. It was also found that there is a direct and statistically significant relationship with a value of 0.368, and this means that there is a relationship between digital competence and the level of quality of e-learning.
作者: 責(zé)問    時間: 2025-3-27 06:00

作者: 拍下盜公款    時間: 2025-3-27 13:19
R. L. Victoria,P. L. Libardi,K. Reichardt,E. Matsuimain narrative types in constructing the crisis and its effects on their personal life and professional identity. One group constructed a ‘compassion narrative’, which centred on empathy and relatedness, while the other constructed a ‘quest narrative’, which centred on notions of personal developmen
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作者: Dappled    時間: 2025-3-28 05:17
Michael Barot,Jesús Arturo Jiménez González,José-Antonio de la Pe?aces are included for the inquisitive reader. The book is intended for senior undergraduate and graduate students as well as working scientists in applied mathematics, the natural sciences, and engineering. Many of the chapters are especially useful as reference material for senior undergraduate inde
作者: 固定某物    時間: 2025-3-28 09:07





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