標(biāo)題: Titlebook: Coleridge, Schiller and Aesthetic Education; Michael John Kooy Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 20 [打印本頁(yè)] 作者: children 時(shí)間: 2025-3-21 16:25
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作者: 雜役 時(shí)間: 2025-3-21 22:44 作者: 他很靈活 時(shí)間: 2025-3-22 00:24
Coleridge and Weimar Classicism,1798, he seriously considered setting off straight away for Weimar – where he knew he would find Wieland, Herder, Goethe and the visiting Schiller – but was put off by complaints from other English travellers about the high cost of getting there (., I, 340). In the end he settled on the town of Ratz作者: Assault 時(shí)間: 2025-3-22 06:09 作者: 英寸 時(shí)間: 2025-3-22 10:42 作者: 剝削 時(shí)間: 2025-3-22 14:38 作者: 剝削 時(shí)間: 2025-3-22 18:21
Aesthetic Education in , and the Lectures on Literature,tion. The next is to postulate an anthropology asserting that to be human in the fullest sense is to be ‘a(chǎn)t play’. Here the moral, and in due course the political, purpose of freedom is made explicit. How Coleridge’s claim, that art leads indirectly to moral benefit, draws on Schiller’s argument for作者: DEAF 時(shí)間: 2025-3-22 22:21
,Coleridge’s ‘ Aesthetic State’,nt personal freedoms preserved in the constitution. But that is not to say that ‘despotism’ was any sort of solution. Coleridge’s point is that the liberal market economy deals only in monetary value and so cannot take into its calculations the worth of aesthetic artefacts – with predictably disastr作者: Calibrate 時(shí)間: 2025-3-23 04:41 作者: 保守 時(shí)間: 2025-3-23 07:48
Epilogue: , and History,case for a historical connection between Coleridge and Schiller. Through his first-hand knowledge of contemporary German philosophy and literature and, more specifically, his reading of many Schiller texts and the translating of ., Coleridge knew of Schiller’s argument for ‘a(chǎn)esthetic education’ and 作者: 抱狗不敢前 時(shí)間: 2025-3-23 12:00
Jianping Wang,Bin Xiao,Xuanzhe Lius Coleridge later began to formulate and express his mature aesthetics in the years that followed, in . and the lectures on literature, he continued to draw on Schillerian terms and ideas. The abiding presence of Schiller in Coleridge’s work during these years is the subject of this chapter and the next作者: Atrium 時(shí)間: 2025-3-23 17:29 作者: FRAUD 時(shí)間: 2025-3-23 21:33 作者: CROW 時(shí)間: 2025-3-23 23:48 作者: 沒花的是打擾 時(shí)間: 2025-3-24 04:03 作者: 羊齒 時(shí)間: 2025-3-24 08:44 作者: 破譯密碼 時(shí)間: 2025-3-24 11:35
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Lu lay in the recognition of Schiller’s unique contribution to post-Kantian aesthetics: the extension of Idealism’s formalist preoccupations into the world of action by way of a new anthropology: that man is only fully human when he is ‘a(chǎn)t play’.作者: Lasting 時(shí)間: 2025-3-24 16:15
British Germanophiles, lay in the recognition of Schiller’s unique contribution to post-Kantian aesthetics: the extension of Idealism’s formalist preoccupations into the world of action by way of a new anthropology: that man is only fully human when he is ‘a(chǎn)t play’.作者: 熱情贊揚(yáng) 時(shí)間: 2025-3-24 20:33
Service Robotics within the Digital Homeparture in the summer of the following year. Schiller’s collaboration with Goethe and the Weimar Court Theatre, then about to begin its most productive stage, passed apparently unobserved. Coleridge, it seems, did not mind.作者: eulogize 時(shí)間: 2025-3-25 01:07
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Lural occasions while in Malta, most likely from memory. This was work he carried on in the notebooks, but some at least of his translations and adaptations he later published, usually (though not always) acknowledging the source.作者: Infant 時(shí)間: 2025-3-25 06:53 作者: Self-Help-Group 時(shí)間: 2025-3-25 08:35 作者: 描述 時(shí)間: 2025-3-25 12:44
,Schiller’s Poetry in Coleridge’s Notebooks,ral occasions while in Malta, most likely from memory. This was work he carried on in the notebooks, but some at least of his translations and adaptations he later published, usually (though not always) acknowledging the source.作者: Coronary-Spasm 時(shí)間: 2025-3-25 19:47
Epilogue: , and History,s of the individual, . is seen as an emancipatory impulse that permits moral self-determination and signals the progressive recovery of psychic balance. In social terms, it is a stabilizing force, the ‘Aesthetic State’ mediating disinterestedly between opposing political interests in order to help shape a cultured and civilized nation.作者: figure 時(shí)間: 2025-3-25 21:49
Book 2002helped to shape much of his work - from his theory of imagination and his notion of the clerisy to his views on women and his account of historical change. Combining close readings with historical research, this book challenges readers to rethink the radical potential of idealist aesthetics.作者: guardianship 時(shí)間: 2025-3-26 02:53
d that it helped to shape much of his work - from his theory of imagination and his notion of the clerisy to his views on women and his account of historical change. Combining close readings with historical research, this book challenges readers to rethink the radical potential of idealist aesthetics.978-0-230-59678-8作者: 努力趕上 時(shí)間: 2025-3-26 06:54
Introduction: Reading Coleridge through Schiller,esthetic programme as set out by Schiller and Coleridge nevertheless possesses a radical function in so far as it justifies a withdrawal from political and social action in the name of a more critical understanding of both the self and modernity.作者: 流逝 時(shí)間: 2025-3-26 10:31
Schiller and the Young Coleridge,aesthetic theory, is the subject of this book. These first two chapters concentrate on the former, that is, on the way in which Coleridge’s knowledge of Schiller took shape particularly in the years leading up to and during his trip to Germany.作者: 強(qiáng)壯 時(shí)間: 2025-3-26 15:52
The Clerisy and Aesthetic Education,aintained? Schiller, as I pointed out in the previous chapter, had put aesthetic educators in charge, but he did not say who they were or what they would do. Coleridge, for his part, puts the ‘clerisy’ in charge. With a name and a fairly clear mission, the ‘clerisy’ embodies Schiller’s vague notion 作者: Alveolar-Bone 時(shí)間: 2025-3-26 16:47 作者: 大吃大喝 時(shí)間: 2025-3-26 23:47 作者: epicondylitis 時(shí)間: 2025-3-27 04:08
Jianping Wang,Bin Xiao,Xuanzhe Liuaintained? Schiller, as I pointed out in the previous chapter, had put aesthetic educators in charge, but he did not say who they were or what they would do. Coleridge, for his part, puts the ‘clerisy’ in charge. With a name and a fairly clear mission, the ‘clerisy’ embodies Schiller’s vague notion 作者: Migratory 時(shí)間: 2025-3-27 08:45
https://doi.org/10.1057/9780230596788Classicism; Coleridge; English literature; Samuel Taylor Coleridge作者: Foolproof 時(shí)間: 2025-3-27 13:06
Palgrave Macmillan, a division of Macmillan Publishers Limited 2002作者: 裂縫 時(shí)間: 2025-3-27 14:26 作者: 平常 時(shí)間: 2025-3-27 18:02 作者: 小歌劇 時(shí)間: 2025-3-28 01:14
https://doi.org/10.1007/978-1-84882-694-6mporary Friedrich Schiller (1759–1805). Then, on the basis of this relationship, I aim to offer an interpretation of Coleridge’s mature aesthetics in terms of Schiller’s notion of ‘a(chǎn)esthetic education’. The main argument of the book is that the claims Coleridge makes on behalf of the imagination imp作者: 為現(xiàn)場(chǎng) 時(shí)間: 2025-3-28 05:48
Service Robotics within the Digital Homeiller? This Convulser of the Heart?’ (., I, 122), he had no idea yet that this playwright was at that very moment publishing the series of letters for which as a theorist he would be most remembered, .. The ‘Convulser of the Heart’, an icon for the rebellious youth of 1790s England, had already move作者: modish 時(shí)間: 2025-3-28 08:28
Service Robotics within the Digital Home1798, he seriously considered setting off straight away for Weimar – where he knew he would find Wieland, Herder, Goethe and the visiting Schiller – but was put off by complaints from other English travellers about the high cost of getting there (., I, 340). In the end he settled on the town of Ratz作者: 指耕作 時(shí)間: 2025-3-28 11:28
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Luust beginning. The following decade brought him in contact with nearly the entire corpus of Schiller’s published writing. The reason for this interest lay in the recognition of Schiller’s unique contribution to post-Kantian aesthetics: the extension of Idealism’s formalist preoccupations into the wo作者: 格子架 時(shí)間: 2025-3-28 16:19
He Zhang,Yueyou Zhang,Shuang Wang,Jixiang Luummarizing and translating. This was a sporadic but persistent topic of study and altogether there are more references to Schiller’s poems than to those of any other German poet, including Goethe, Klopstock and Lessing. Coleridge studied Schiller’s poetry during at least three distinct periods, nota作者: 瑣事 時(shí)間: 2025-3-28 20:28
Jianping Wang,Bin Xiao,Xuanzhe Liuination with the Bildungstrieb’ (., III, 3744). The specific reference here is possibly to a passage in Schiller’s Aesthetic Letters that considers the different ways ‘der g?ttliche Bildungstrieb’ (‘the divine impulse to form’) directs itself in the moral world (IX. 6, 58–9; also 331–2). What lay be作者: Synthesize 時(shí)間: 2025-3-29 02:18 作者: Expertise 時(shí)間: 2025-3-29 04:22
Jianping Wang,Bin Xiao,Xuanzhe Liunt personal freedoms preserved in the constitution. But that is not to say that ‘despotism’ was any sort of solution. Coleridge’s point is that the liberal market economy deals only in monetary value and so cannot take into its calculations the worth of aesthetic artefacts – with predictably disastr
