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標題: Titlebook: Cognition in the Globe; Attention and Memory Evelyn B. Tribble Book 2011 Evelyn B. Tribble 2011 body.cognition.cognitive science.corpus.dra [打印本頁]

作者: Destruct    時間: 2025-3-21 19:47
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作者: 生氣地    時間: 2025-3-21 21:08
Selbstführung im Rahmen verteilter Führunging the task dynamics; the physical environment(s), including the relationships between playing and audience space; cognitive artifacts such as parts, plots, and playbooks; technologies, such as sound or lighting; the social systems underpinning the company, including the mechanisms for enskillment;
作者: parsimony    時間: 2025-3-22 02:46
The Stuff of Memory,incipal rivals were guided” (1890/1964: 118). As C. C. Rutter (1999) and Knutson (1991: 15–20) document, this mythical distinction between commercial money-grubbing and the artistic aim of producing “plays of lasting interest” (Fleay 1890/1964: 117) had a strong hold on later theatrical historians.
作者: 舊病復發(fā)    時間: 2025-3-22 05:40
Conclusion: Toward a Model of Cognitive Ecology,ing the task dynamics; the physical environment(s), including the relationships between playing and audience space; cognitive artifacts such as parts, plots, and playbooks; technologies, such as sound or lighting; the social systems underpinning the company, including the mechanisms for enskillment;
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作者: 盡管    時間: 2025-3-23 07:39
Book 2011Early modern playing companies performed up to six different plays a week and mounted new plays frequently.?This book?seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences,?it proposes that the cognitive work of theatre is distributed across body, brain, and world.
作者: 低三下四之人    時間: 2025-3-23 12:10
https://doi.org/10.1057/9780230118515body; cognition; cognitive science; corpus; drawing; ecology; memory; model; philosophy; play; theatre; William
作者: 處理    時間: 2025-3-23 17:46
978-1-349-29337-7Evelyn B. Tribble 2011
作者: Immobilize    時間: 2025-3-23 21:20

作者: PLIC    時間: 2025-3-24 00:13
2945-7297 ingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences,?it proposes that the cognitive work of theatre is distributed across body, brain, and world.978-1-349-29337-7978-0-230-11851-5Series ISSN 2945-7297 Series E-ISSN 2945-7300
作者: archenemy    時間: 2025-3-24 04:29
Selbstführung im Rahmen verteilter Führunguent repetition, all the while learning and mounting a new play more than once a month. As Lois Potter (1991) has noted, such cognitive demands were especially intensive in the highly competitive era of the 1590s, when multiple companies sought to entice audiences into the relatively new environment
作者: 滲透    時間: 2025-3-24 06:32

作者: 違法事實    時間: 2025-3-24 14:14

作者: CARE    時間: 2025-3-24 17:38

作者: 死貓他燒焦    時間: 2025-3-24 20:51

作者: 厭惡    時間: 2025-3-24 23:26
Cognition in the Globe978-0-230-11851-5Series ISSN 2945-7297 Series E-ISSN 2945-7300
作者: mitral-valve    時間: 2025-3-25 05:20
2945-7297 ingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences,?it proposes that the cognitive work of theatre is distributed across body, brain, and world.978-1-349-29337-7978-0-230-11851-5Series ISSN 2945-7297 Series E-ISSN 2945-7300
作者: 排名真古怪    時間: 2025-3-25 09:35
https://doi.org/10.1007/978-3-8350-5538-4 their gestures. In the technical language of the period, derived from the classical rhetorical tradition, these twin arts were referred to as “accent and action.” “Accent” comprised pronunciation, or the technical art of speaking the verse, while “action” refers to gesture and the movement of the body.
作者: 我怕被刺穿    時間: 2025-3-25 14:50
Action and Accent: Voice, Gesture, Body, and Mind, their gestures. In the technical language of the period, derived from the classical rhetorical tradition, these twin arts were referred to as “accent and action.” “Accent” comprised pronunciation, or the technical art of speaking the verse, while “action” refers to gesture and the movement of the body.
作者: 古文字學    時間: 2025-3-25 17:17

作者: Musket    時間: 2025-3-25 21:45
Social Cognition: Enskillment in the Early Modern Theatre,d. Nevertheless, the structures and practices of the company merit attention in themselves, for these ultimately give shape and form to the plays. This chapter develops further my analysis of the early modern theatre as a workplace through an extended discussion of the
作者: Ruptured-Disk    時間: 2025-3-26 02:36
Selbstführung im Rahmen verteilter Führung of the purpose-built theatre. Companies successfully delivered performances, day after day, bringing together script, player, playing space, and audience in what seems like an unimaginably demanding environment. . seeks to answer a seemingly simple question: How did they do it?
作者: 減震    時間: 2025-3-26 04:57
Introduction, of the purpose-built theatre. Companies successfully delivered performances, day after day, bringing together script, player, playing space, and audience in what seems like an unimaginably demanding environment. . seeks to answer a seemingly simple question: How did they do it?
作者: 使閉塞    時間: 2025-3-26 10:43
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