標(biāo)題: Titlebook: Classical Presences in Irish Poetry after 1960; The Answering Voice Florence Impens Book 2018 The Editor(s) (if applicable) and The Author( [打印本頁] 作者: 愚蠢地活 時(shí)間: 2025-3-21 18:24
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作者: 蜿蜒而流 時(shí)間: 2025-3-21 20:20 作者: Keratectomy 時(shí)間: 2025-3-22 02:18
The Classics in Modern Irish Poetry,anagh, and Louis MacNeice. In a second section, it examines the role played by the poets’ education, and by the . in their education in the Irish and Northern Irish systems in terms of their understanding of ancient Greece and Rome, which, it argues, would deeply shape their creative relationship with the material.作者: jagged 時(shí)間: 2025-3-22 07:34 作者: 溫和女人 時(shí)間: 2025-3-22 09:01
Nietzsche’s Genealogy of Belief and Moralityteen years of his career, revisited Ireland as a classical and secular space, thereby reflecting social and cultural changes on the island in the context of the Northern Irish peace process, as well as of globalisation.作者: Ejaculate 時(shí)間: 2025-3-22 15:25
Some German Connections: Marx and Mannheimears from the latter as well as from Ovid, Sappho, and lesser-known Greek poets, Longley has since positioned himself as the ‘classicist’ of his generation in the Irish poetic landscape. His work, highlighting the continuity of human experience across millennia, testifies to his secular humanism.作者: Ejaculate 時(shí)間: 2025-3-22 20:05
https://doi.org/10.1007/978-94-010-0289-9reflection on home and belonging: from exile in the early 1980s, to imaginative homecoming in recent Homeric poems. As for Boland, her classical work illustrates the evolution of her reflections on gender and on the place of women in literary canons, both as authors and as artistic subjects.作者: 樂器演奏者 時(shí)間: 2025-3-23 00:58
Nietzsche’s Genealogy of Belief and Moralityd a vivid interest in foreign poets in Ireland. Playing a role in the unsettling of dichotomies in the early 1990s, the classics became texts that could be used to reach out to others: the other community in the North, as well as gradually other Anglophone and non-Anglophone cultures in the Ireland of the new millennium.作者: strdulate 時(shí)間: 2025-3-23 03:06 作者: implore 時(shí)間: 2025-3-23 06:32 作者: inferno 時(shí)間: 2025-3-23 12:21 作者: 欄桿 時(shí)間: 2025-3-23 14:27 作者: 松軟無力 時(shí)間: 2025-3-23 21:30 作者: 現(xiàn)任者 時(shí)間: 2025-3-23 23:00
J?rgen Wettestad,Torbj?rg Jevnaker Eavan Boland, and which they would rework in the early part of their careers. The chapter first considers the representations and uses of ancient Greece and Rome in Anglophone Irish poetry in the first half of the twentieth century, and in particular in the work of William Butler Yeats, Patrick Kav作者: ascend 時(shí)間: 2025-3-24 06:14
Nietzsche’s Genealogy of Belief and Moralityand narratives, became particularly interested in Greek and Latin literatures in the late 1980s and early 1990s, at a time of personal and political crises. In those years, he found in the classics texts that helped him address private grief, as well as revisit the dichotomies of Northern Irish soci作者: 樹木中 時(shí)間: 2025-3-24 08:50
Some German Connections: Marx and Mannheimby a detailed attention to the original text absent from Heaney’s, there are also striking parallels in their respective uses of Greek and Latin literatures. Like Heaney with Virgil, Longley in the early 1990s turned to Homer, the author who had been a favourite of his in his adolescence, and rewrot作者: Override 時(shí)間: 2025-3-24 11:01 作者: Foam-Cells 時(shí)間: 2025-3-24 18:50
Nietzsche’s Genealogy of Belief and Moralitye ‘classical revival’ in the 1990s. Discussing the work of Peter Fallon, Peter McDonald, and Theo Dorgan, it suggests that while younger poets too have drawn from ancient Greece and Rome, the ‘classical turn’ in Irish poetry may now have passed. Reading classical poems as part of the poets’ wider en作者: collagen 時(shí)間: 2025-3-24 20:31 作者: TRACE 時(shí)間: 2025-3-25 01:12 作者: 錫箔紙 時(shí)間: 2025-3-25 04:34 作者: judicial 時(shí)間: 2025-3-25 10:43
Florence ImpensInvites scholars to reappraise the ways in which the dynamics of the contemporary Irish poetic scene have often been read.Places close readings of key poems within the broader context of the poets’ ca作者: blithe 時(shí)間: 2025-3-25 13:45
The New Antiquityhttp://image.papertrans.cn/c/image/227124.jpg作者: 易改變 時(shí)間: 2025-3-25 17:49 作者: 疏遠(yuǎn)天際 時(shí)間: 2025-3-25 23:27
978-3-319-88567-4The Editor(s) (if applicable) and The Author(s) 2018作者: 雪上輕舟飛過 時(shí)間: 2025-3-26 01:25 作者: NAV 時(shí)間: 2025-3-26 04:47 作者: 外星人 時(shí)間: 2025-3-26 09:29
,Michael Longley: The ‘Lapsed Classicist’,by a detailed attention to the original text absent from Heaney’s, there are also striking parallels in their respective uses of Greek and Latin literatures. Like Heaney with Virgil, Longley in the early 1990s turned to Homer, the author who had been a favourite of his in his adolescence, and rewrot作者: Strength 時(shí)間: 2025-3-26 12:58
Derek Mahon and Eavan Boland: Marginal Perspectives, late twentieth century. Unlike Seamus Heaney and Michael Longley, neither Mahon nor Boland can be considered as ‘classical poets’. Both however, and despite producing very different bodies of work, have re-appropriated classical material over the course of their career to articulate their sense of 作者: hypnogram 時(shí)間: 2025-3-26 19:17
,A Classical ‘Revival’?,e ‘classical revival’ in the 1990s. Discussing the work of Peter Fallon, Peter McDonald, and Theo Dorgan, it suggests that while younger poets too have drawn from ancient Greece and Rome, the ‘classical turn’ in Irish poetry may now have passed. Reading classical poems as part of the poets’ wider en作者: 棲息地 時(shí)間: 2025-3-26 21:58 作者: AXIOM 時(shí)間: 2025-3-27 03:48
9樓作者: mediocrity 時(shí)間: 2025-3-27 08:15
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