標(biāo)題: Titlebook: Classic-ing on the Australian mainstream stage; The place and phenom Susan McClements Wyss Book 2023 The Editor(s) (if applicable) and The [打印本頁] 作者: Suture 時(shí)間: 2025-3-21 17:42
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作者: TOXIC 時(shí)間: 2025-3-21 22:10
The Classic, Postcolonial Resonance and Australia, outline of foundational and conceptual strands of the postcolonial scholarly field, to then address settler colonialism and expose the aporia in postcolonial discussion relevant to the Australian context. A short overview of Indigenous epistemologies and discourses of identity in Australia is provi作者: hermetic 時(shí)間: 2025-3-22 01:44 作者: chapel 時(shí)間: 2025-3-22 08:25
An Actor as Classic-er,n 2014. Production histories reveal the infrequent revival patterns of these plays. However, the productions generated a sensation of temporal depth and purpose. Classic-ing here is seen through the lens of the leading actor, Julie Forsyth. In a socially determined process, her performance . these w作者: 誹謗 時(shí)間: 2025-3-22 09:38
An Unearthed Classic: ,play’s production – its life as a new play, its scholarly framing as a postcolonial drama, and the production chain of the classic version – illuminate the category. The Sydney Theatre Company’s 2016 ‘classic’ production demonstrates a mindset that flows through its marketing, predicating its classi作者: 我不死扛 時(shí)間: 2025-3-22 16:34 作者: 我不死扛 時(shí)間: 2025-3-22 19:48
Conclusion: The Practice of Classic-ing, six productions. This final chapter provides an overview of the features of classic-ing on the Australian mainstream stage. This is a practice which animates the entire production chain, from program choice, casting, and staging to audience reception and critical response.作者: 分發(fā) 時(shí)間: 2025-3-23 00:36
Afterword: Performing Classic in Australia from 1788 to 1994,is project. A comparative lens of Shakespeare production lends the account a time-tested perspective but does not necessarily represent the Australian classic phenomenon. The chapter considers socio-cultural conditions of theatre practice across four periods: colonial settlement, Federation, post-wa作者: 不妥協(xié) 時(shí)間: 2025-3-23 03:37 作者: 倔強(qiáng)不能 時(shí)間: 2025-3-23 07:44
978-3-662-68177-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE作者: 圓錐 時(shí)間: 2025-3-23 13:11 作者: 硬化 時(shí)間: 2025-3-23 17:20 作者: Euphonious 時(shí)間: 2025-3-23 19:11
Classic-ing on the Australian mainstream stage978-3-662-68175-6Series ISSN 2568-2970 Series E-ISSN 2945-9737 作者: maverick 時(shí)間: 2025-3-24 01:02 作者: 俗艷 時(shí)間: 2025-3-24 06:03
Representation Theory and Complex Geometrytes the meaning of a play across time. However, the circumstances of theatre production in Australia, a young postcolonial nation with an ancient and contested history, clearly differ from this assumed model. Drama in Australia reveals the classic category can be constructed in other ways. An exampl作者: Carcinoma 時(shí)間: 2025-3-24 10:13 作者: Chameleon 時(shí)間: 2025-3-24 10:59 作者: Ejaculate 時(shí)間: 2025-3-24 17:57 作者: Morphine 時(shí)間: 2025-3-24 22:41
https://doi.org/10.1007/978-3-662-09756-4play’s production – its life as a new play, its scholarly framing as a postcolonial drama, and the production chain of the classic version – illuminate the category. The Sydney Theatre Company’s 2016 ‘classic’ production demonstrates a mindset that flows through its marketing, predicating its classi作者: Custodian 時(shí)間: 2025-3-25 01:57
Michael Finkelberg,Victor Ginzburgs this understanding of the classic category? The play, based on a successful historical fiction novel critically retells an early settlement story. The success of the stage version relied on physical Indigenous representation, which was absent in the novel. This reset the postcolonial ambitions of 作者: cumber 時(shí)間: 2025-3-25 03:40 作者: 干涉 時(shí)間: 2025-3-25 09:12
Springer Monographs in Mathematicsis project. A comparative lens of Shakespeare production lends the account a time-tested perspective but does not necessarily represent the Australian classic phenomenon. The chapter considers socio-cultural conditions of theatre practice across four periods: colonial settlement, Federation, post-wa作者: 任意 時(shí)間: 2025-3-25 12:31
Conclusion: The Practice of Classic-ing, six productions. This final chapter provides an overview of the features of classic-ing on the Australian mainstream stage. This is a practice which animates the entire production chain, from program choice, casting, and staging to audience reception and critical response.作者: 確認(rèn) 時(shí)間: 2025-3-25 17:54 作者: MURKY 時(shí)間: 2025-3-25 23:28
Book 2023, audience reception and critical response. Analysis of six distinct examples of pre-determined and self-nominated classic productions on the Australian mainstage is informed by postcolonial theory, specifically the settler dilemma of Indigenous cultural authority. What happens to the political edge作者: defendant 時(shí)間: 2025-3-26 01:26
https://doi.org/10.1007/978-3-662-03002-8ded. Discussion of existing literature and concepts in postcolonial drama identifies key concepts that are used in the ensuing case studies. Finally, postcolonial resonance is explored by comparing colonial settlement and Shakespeare production in Australia and Canada.作者: 粗俗人 時(shí)間: 2025-3-26 06:46 作者: arrhythmic 時(shí)間: 2025-3-26 08:32 作者: septicemia 時(shí)間: 2025-3-26 13:00 作者: 天氣 時(shí)間: 2025-3-26 18:49 作者: Enrage 時(shí)間: 2025-3-26 22:41 作者: 追逐 時(shí)間: 2025-3-27 02:23
An Unearthed Classic: ,olonial consciousness. Certain scenic moments have postcolonial resonance and signal ‘classic’. Post-colonial strategies are co-opted as indications of classic status, with the consequence that the production reworks assumptions of postcolonial drama. However, the question remains: can these resonances be appended to the category of classic?作者: 愚蠢人 時(shí)間: 2025-3-27 05:26
The Classic, Postcolonial Resonance and Australia,ded. Discussion of existing literature and concepts in postcolonial drama identifies key concepts that are used in the ensuing case studies. Finally, postcolonial resonance is explored by comparing colonial settlement and Shakespeare production in Australia and Canada.作者: 性冷淡 時(shí)間: 2025-3-27 11:54 作者: 越自我 時(shí)間: 2025-3-27 16:40
Afterword: Performing Classic in Australia from 1788 to 1994,r and the New Wave of Australian theatre writing, which is a significant precursor to the period of my research. The chapter marks repertoire and observes production conditions of performing classic in Australia.作者: 圓柱 時(shí)間: 2025-3-27 18:03
Representation Theory and Complex Geometryerformance analysis, key artist interviews and archival research. A postcolonial conceptual framework allows close examination of the interaction between the postcolonial resonances claimed by the productions and their status as classic.作者: 意外 時(shí)間: 2025-3-27 22:02 作者: Legend 時(shí)間: 2025-3-28 04:43 作者: Delectable 時(shí)間: 2025-3-28 08:06
An Instant Classic: , explores the tension between the aspirations of the company and the expectations of its intended audience. Who is classic for? What can classic do? This case study exposes the prescriptive charge of the term ‘Australian classic’.作者: GRATE 時(shí)間: 2025-3-28 13:22 作者: 裝勇敢地做 時(shí)間: 2025-3-28 18:03
2568-2970 que view of Australian theatre practice.Explores the effectsThis book evaluates classic drama as an active creation. To classic is a complex theatrical practice that animates program choice, casting and staging, audience reception and critical response. Analysis of six distinct examples of pre-deter作者: 感情脆弱 時(shí)間: 2025-3-28 19:42
10樓作者: integrated 時(shí)間: 2025-3-29 00:22
10樓作者: Yourself 時(shí)間: 2025-3-29 04:35
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