標(biāo)題: Titlebook: City and Modernity in Georg Simmel and Walter Benjamin; Fragments of Metropo Vincenzo Mele Book 2022 The Editor(s) (if applicable) and The [打印本頁] 作者: T-Lymphocyte 時(shí)間: 2025-3-21 17:28
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書目名稱City and Modernity in Georg Simmel and Walter Benjamin讀者反饋學(xué)科排名
作者: 食料 時(shí)間: 2025-3-21 21:58 作者: lacrimal-gland 時(shí)間: 2025-3-22 01:12 作者: seroma 時(shí)間: 2025-3-22 07:18 作者: enumaerate 時(shí)間: 2025-3-22 08:52
Johann Blieberger,Bernd Burgstaller, it is imperative to focus attention on the famous essay . [1903]. The 1903 essay, in fact, substantially summarizes the theses contained in . (1900), in which Simmel performs a multidisciplinary analysis of the monetary economy from a philosophical, sociological, psychological, and economic point 作者: 輕快走過 時(shí)間: 2025-3-22 14:51 作者: 輕快走過 時(shí)間: 2025-3-22 18:40
Lecture Notes in Computer Sciencel project, which lasted for a full fourteen years (1926–1940). It develops from the hypothesis of a short article (in collaboration with his writer friend Franz Hessel) to a comprehensive research project on the origins of bourgeois culture. The work on the Paris Passages was in fact intended to be 作者: 放縱 時(shí)間: 2025-3-22 23:02
https://doi.org/10.1007/978-3-319-92432-8on and would have preceded his work on the passages of Paris with a gnoseological premise (.) along the lines of his study on the German Trauerspiel. These reflections on the theory of knowledge comprise the features of the “historical-sociological physiognomy” through which Benjamin intended to int作者: 偶然 時(shí)間: 2025-3-23 03:09
Omar Jaradat,Sasikumar Punnekkatrx’s reflections, intended to develop a social, historical, psychological, and theological theory of metropolitan modernity as a dream world. The phantasmagoria spoken of at the beginning of Capital becomes for Benjamin the very culture of the commodity-producing society: it tends in the social real作者: AV-node 時(shí)間: 2025-3-23 06:12
Helge Hagenauer,Werner Pohlmannarles Baudelaire. The peculiarity of Benjamin’s analysis is to place Baudelaire’s poetry in relation to the experience of the capitalist metropolis. The allegorical sensibility of the German Baroque comes up again in the context of Second-Empire Paris. Baudelaire sees Paris as a city of ruins, trans作者: 異端邪說2 時(shí)間: 2025-3-23 12:19 作者: 草率男 時(shí)間: 2025-3-23 15:37 作者: 營養(yǎng) 時(shí)間: 2025-3-23 20:27 作者: flimsy 時(shí)間: 2025-3-24 02:14 作者: 舉止粗野的人 時(shí)間: 2025-3-24 04:42 作者: CRAFT 時(shí)間: 2025-3-24 09:06
Marx, Engels, and Marxismshttp://image.papertrans.cn/c/image/226817.jpg作者: Affectation 時(shí)間: 2025-3-24 12:20 作者: 種子 時(shí)間: 2025-3-24 18:37 作者: 禍害隱伏 時(shí)間: 2025-3-24 20:58 作者: aggrieve 時(shí)間: 2025-3-25 01:40
The Sociological Aesthetics of Modernityical Aesthetics” (1896) and elaborated in his major 1900 work (.), Simmel seeks modernity in a third space, that is, in the intermediate realm between philosophy and empirical (sociological) science, so his approach to modernity can—as he tentatively did in 1896—be called “sociological aesthetics,” 作者: Osteoarthritis 時(shí)間: 2025-3-25 07:09 作者: 手術(shù)刀 時(shí)間: 2025-3-25 08:05 作者: enlist 時(shí)間: 2025-3-25 12:04
What Is The Arcades Project?l project, which lasted for a full fourteen years (1926–1940). It develops from the hypothesis of a short article (in collaboration with his writer friend Franz Hessel) to a comprehensive research project on the origins of bourgeois culture. The work on the Paris Passages was in fact intended to be 作者: 巨大沒有 時(shí)間: 2025-3-25 18:01 作者: 笨拙處理 時(shí)間: 2025-3-25 20:12
The Phantasmagoria of Modernity: On Commodity Fetishismrx’s reflections, intended to develop a social, historical, psychological, and theological theory of metropolitan modernity as a dream world. The phantasmagoria spoken of at the beginning of Capital becomes for Benjamin the very culture of the commodity-producing society: it tends in the social real作者: Stable-Angina 時(shí)間: 2025-3-26 00:55
Baudelaire as the Lyric Poet in the Age of Mature Capitalismarles Baudelaire. The peculiarity of Benjamin’s analysis is to place Baudelaire’s poetry in relation to the experience of the capitalist metropolis. The allegorical sensibility of the German Baroque comes up again in the context of Second-Empire Paris. Baudelaire sees Paris as a city of ruins, trans作者: 錫箔紙 時(shí)間: 2025-3-26 04:46
Conclusions: Metropolis as Tragedy, Metropolis as Trauerspielarch presents?a pre-history of postmodern culture. Simmel’s and Benjamin’s reflections on the metropolis are similar but not analogous and revolve around different philosophical and sociological?centers. These centers are precisely modernity as tragedy and modernity as . This conception of the metro作者: 遠(yuǎn)足 時(shí)間: 2025-3-26 10:32 作者: 反感 時(shí)間: 2025-3-26 13:46
Supporting Nested Resources in MrsPtly searches for interrelations, analogies, opposite “dualisms,” and paradoxes: to these polarities, his own thinking provides a “third” way that demonstrates the underlying unity between the opposite poles and preserves the tension in all its vigor. The “third” does not however exist independent of作者: 冒失 時(shí)間: 2025-3-26 19:11 作者: Ovulation 時(shí)間: 2025-3-27 00:33 作者: FELON 時(shí)間: 2025-3-27 02:46
Omar Jaradat,Sasikumar Punnekkatat of an “awakening” from the induced dream and phantasmagoria of the commodity, which, however, did not deny in a unilateral way the characteristics of this world but actualized its critical and utopian potential in the space of history.作者: organic-matrix 時(shí)間: 2025-3-27 07:50 作者: 同位素 時(shí)間: 2025-3-27 12:20 作者: growth-factor 時(shí)間: 2025-3-27 16:12
Metropolis and Modernity,iological discourse of modernity, the metropolis emerges as an “aesthetic object” characterized by a number of privileged themes—in particular (1) the crisis of the idea of progress and the self-description of the modern as an emphatic “time now”, symbolized by fashion; (2) as a consequence of this,作者: foppish 時(shí)間: 2025-3-27 20:19 作者: Insulin 時(shí)間: 2025-3-28 01:03
The Sociological Aesthetics of Modernitye philosophical essay..Herein we consider some significant aspects of Simmel’s sociological aesthetics in order to understand his conception of modernity. First, we try to reconstruct what the aesthetic character of the modern is and how Simmel arrived at it through his adherence to artistic and soc作者: climax 時(shí)間: 2025-3-28 03:36 作者: circumvent 時(shí)間: 2025-3-28 07:00 作者: 同位素 時(shí)間: 2025-3-28 13:39
Baudelaire as the Lyric Poet in the Age of Mature Capitalism more distance—by Simmel. It was the destructive, unsociable and discontented fury towards his own time that Benjamin intended to “save” in Baudelaire. In fact, the elimination of the illusory appearance that emanates from any given order, whether it be that of art or of life, as an appearance of to作者: 運(yùn)動(dòng)的我 時(shí)間: 2025-3-28 17:00 作者: Ophthalmologist 時(shí)間: 2025-3-28 22:28 作者: aerial 時(shí)間: 2025-3-28 23:19
City and Modernity in Georg Simmel and Walter BenjaminFragments of Metropo作者: expository 時(shí)間: 2025-3-29 04:38
Lecture Notes in Computer Sciencenotes, which has been questioned by scholars and philologists. Finally, it analyzes the portraits of cities (Naples, Moscow, Berlin) that constitute the accomplished models of a work that has unfortunately remained unfinished.作者: 羊欄 時(shí)間: 2025-3-29 10:25 作者: 窒息 時(shí)間: 2025-3-29 14:32 作者: CAMP 時(shí)間: 2025-3-29 19:33 作者: 殘忍 時(shí)間: 2025-3-29 21:17
