標(biāo)題: Titlebook: Citing Shakespeare; The Reinterpretation Peter Erickson Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 culture.Englis [打印本頁(yè)] 作者: gratuity 時(shí)間: 2025-3-21 18:52
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書目名稱Citing Shakespeare網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Citing Shakespeare被引頻次
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書目名稱Citing Shakespeare讀者反饋
書目名稱Citing Shakespeare讀者反饋學(xué)科排名
作者: antedate 時(shí)間: 2025-3-21 23:02
Overview: Focusing on Shakespeare and race, this book addresses the status of Othello in our culture. Erickson shows that contemporary writers‘ revisions of Shakespeare can have a political impact on our vision of America.978-1-4039-7055-8978-1-137-06009-9作者: 預(yù)知 時(shí)間: 2025-3-22 02:32
Book 2007Focusing on Shakespeare and race, this book addresses the status of Othello in our culture. Erickson shows that contemporary writers‘ revisions of Shakespeare can have a political impact on our vision of America.作者: 不感興趣 時(shí)間: 2025-3-22 05:54
https://doi.org/10.1007/978-1-137-06009-9culture; English literature; William Shakespeare; British and Irish Literature作者: innate 時(shí)間: 2025-3-22 10:46
978-1-4039-7055-8Palgrave Macmillan, a division of Nature America Inc. 2007作者: QUAIL 時(shí)間: 2025-3-22 13:58 作者: QUAIL 時(shí)間: 2025-3-22 20:01
Rekonstruktive Paar- und Familienforschungs the network of three key quotations—from Shakespeare’s play . ., Rosa Luxemburg’s prison letter, and John Donne’s poem “The Good Morrow”—have on Shakespeare’s status in Nadine Gordimer’s novel? My method is to elucidate patterns of cumulative meaning in the quotational sequence by tracing how indi作者: 檔案 時(shí)間: 2025-3-22 23:46 作者: FRONT 時(shí)間: 2025-3-23 02:39
,Verstehen — Interpretieren — Typenbildung,simultaneously providing a formulation that turns the dilemma to positive advantage as “an enrichening process.” The issue concerns “whether a West Indian should write ‘their’ or ‘our’ when he is writing about English fiction or poetry. Rather than politicize the crisis into one of generic or indivi作者: Lacerate 時(shí)間: 2025-3-23 06:15 作者: Prostatism 時(shí)間: 2025-3-23 12:44 作者: 姑姑在炫耀 時(shí)間: 2025-3-23 14:16
Nomenklatur und Klassifizierung,stature and cultural status in question. The generic means by which this end is achieved are different. Reed’s . is an academic novel in which the primary source of contextualizing documentation is the debate known as the “culture wars.” As a historical novel, Phillips’s . uses history as its contex作者: 裁決 時(shí)間: 2025-3-23 20:55 作者: 領(lǐng)袖氣質(zhì) 時(shí)間: 2025-3-24 01:11
Kurt Lücke,Rolf Rixen,Ursula Schmidtce, . and .,. Coetzee documents a lack of engagement with Shakespeare that amounts to rejection. His first encounter, through his parents, begins with the assumption that “if his father likes Shakespeare then Shakespeare must be bad” (. 104). The effort “to discover why people say Shakespeare is gre作者: 抑制 時(shí)間: 2025-3-24 04:18
Kurt Lücke,Rolf Rixen,Ursula Schmidtnd he was making changes in it. [.] Billy Strayhorn said, “What are you doing?” “I’m making changes,” he said. “Do you know this is Tchaikovsky?” Billy Strayhorn asked. [.] “I know. He is a great composer. But what I have to do for this band has to be this way. We’ll still get it, but it has to be t作者: STANT 時(shí)間: 2025-3-24 07:03 作者: Medicare 時(shí)間: 2025-3-24 12:01
,“Not Shakespeare”: Acts of Quotation in Nadine Gordimer’s ,s the network of three key quotations—from Shakespeare’s play . ., Rosa Luxemburg’s prison letter, and John Donne’s poem “The Good Morrow”—have on Shakespeare’s status in Nadine Gordimer’s novel? My method is to elucidate patterns of cumulative meaning in the quotational sequence by tracing how indi作者: Palpate 時(shí)間: 2025-3-24 15:35 作者: yohimbine 時(shí)間: 2025-3-24 23:02 作者: 脆弱么 時(shí)間: 2025-3-24 23:11 作者: Clumsy 時(shí)間: 2025-3-25 04:35
,Paul Robeson’s Othello and the Question of a Multicultural Shakespeare,are and he winces not.”. The mutually reinforcing iconic status of both Shakespeare and Robeson is memorably crystallized in Robeson’s testimony at the time of the 1930 London production: “‘Othello has taken away from me all kinds of fears, all sense of limitation, and all racial prejudice. Othello 作者: Brain-Imaging 時(shí)間: 2025-3-25 07:39 作者: Bravado 時(shí)間: 2025-3-25 14:56
,Respeaking Othello in Fred Wilson’s ,e proclaims the connection by quoting from Othello’s long final speech: “Speak of me as I am. Nothing extenuate/Nor set down aught in malice” (5.2.351–52). But the speech culminates in the “bloody period” (365) of suicide. Othello’s implosion collapses the potential space between extenuation and mal作者: GEON 時(shí)間: 2025-3-25 17:12 作者: brassy 時(shí)間: 2025-3-25 22:02
Epilogue: Making Changes,nd he was making changes in it. [.] Billy Strayhorn said, “What are you doing?” “I’m making changes,” he said. “Do you know this is Tchaikovsky?” Billy Strayhorn asked. [.] “I know. He is a great composer. But what I have to do for this band has to be this way. We’ll still get it, but it has to be t作者: 學(xué)術(shù)討論會(huì) 時(shí)間: 2025-3-26 03:14 作者: Chipmunk 時(shí)間: 2025-3-26 05:41
Nomenklatur und Klassifizierung,tual mode. In both cases, the insertion of . is especially dramatic because it is strategically delayed until the novels’ midpoint. One reason for the delay is to build up the larger context and to allow time for this context to make its claims on us. For it is the external context that will counteract .’s automatic canonical appeal.作者: insomnia 時(shí)間: 2025-3-26 09:54 作者: Cholesterol 時(shí)間: 2025-3-26 16:12 作者: 頭盔 時(shí)間: 2025-3-26 18:27
Contextualizing ,: Ishmael Reed, Caryl Phillips, and Djanet Sears,tual mode. In both cases, the insertion of . is especially dramatic because it is strategically delayed until the novels’ midpoint. One reason for the delay is to build up the larger context and to allow time for this context to make its claims on us. For it is the external context that will counteract .’s automatic canonical appeal.作者: Brittle 時(shí)間: 2025-3-26 23:22 作者: Multiple 時(shí)間: 2025-3-27 01:21 作者: paradigm 時(shí)間: 2025-3-27 06:53 作者: 原諒 時(shí)間: 2025-3-27 11:30 作者: 對(duì)待 時(shí)間: 2025-3-27 14:59
Introduction: Allusion as Revision,ifferent. Having prompted our anticipation of Shakespearean allusion, she refuses to fulfill the expectation she has set up. The poem uses no words from Shakespeare whatsoever. Hence Shakespeare is present in name only; the sole allusion is to an author whose role is quite literally nominal.作者: 其他 時(shí)間: 2025-3-27 21:32 作者: 蘑菇 時(shí)間: 2025-3-27 23:28 作者: 商業(yè)上 時(shí)間: 2025-3-28 04:55 作者: 哀求 時(shí)間: 2025-3-28 09:40
https://doi.org/10.1007/978-3-642-59833-3emotional euphoria that resists critical analysis. it is impossible not to feel moved by the exuberance of Robeson’s claim. Yet it is equally hard to avoid wincing at the quality of overstatement in his declaration. Our dilemma involves the copresence of two stories, one celebratory and the other skeptical: both stories must be told.作者: CRAMP 時(shí)間: 2025-3-28 11:00
Kurt Lücke,Rolf Rixen,Ursula Schmidt for Shakespeare” (21)—Coetzee records his criticism of Shakespeare’s “declamatory pitch”: “But Chaucer keeps a nice ironic distance from his authorities. And, unlike Shakespeare, he does not get into a froth about things and start ranting” (21).作者: 瑣碎 時(shí)間: 2025-3-28 15:11
Kurt Lücke,Rolf Rixen,Ursula Schmidtng double referent of “it,” understood both as the Shakespearean text and as the new contemporary work. Contrary to conventional wisdom, I argue that the more it changes, the more it is not the same thing. Quotation is transformation; citing means making changes.作者: 補(bǔ)充 時(shí)間: 2025-3-28 22:00 作者: Tractable 時(shí)間: 2025-3-29 00:05
,Paul Robeson’s Othello and the Question of a Multicultural Shakespeare,emotional euphoria that resists critical analysis. it is impossible not to feel moved by the exuberance of Robeson’s claim. Yet it is equally hard to avoid wincing at the quality of overstatement in his declaration. Our dilemma involves the copresence of two stories, one celebratory and the other skeptical: both stories must be told.作者: arterioles 時(shí)間: 2025-3-29 05:14 作者: Charade 時(shí)間: 2025-3-29 10:50 作者: 歌唱隊(duì) 時(shí)間: 2025-3-29 14:51
10樓作者: gregarious 時(shí)間: 2025-3-29 16:39
10樓
