標(biāo)題: Titlebook: Cinematic Virtual Reality; A Critical Study of Kath Dooley Book 2021 The Author(s), under exclusive license to Springer Nature Switzerland [打印本頁] 作者: 鳴叫大步走 時間: 2025-3-21 17:02
書目名稱Cinematic Virtual Reality影響因子(影響力)
作者: 捕鯨魚叉 時間: 2025-3-21 23:11 作者: 無孔 時間: 2025-3-22 04:26 作者: 和諧 時間: 2025-3-22 08:36
Chapter 5 The Mid-Proterozoic Kibaran Belts,uide users’ attention during cinematic virtual reality. In . (pp. 229–232), 2016), the chapter explores creator approaches to the challenge of how to attract and maintain the viewer’s attention in a 360-degree space, and therefore how to create an experience that is satisfyingly ingested without important story events being missed.作者: reject 時間: 2025-3-22 12:22
Chapter 11 The Quaternary in Africa,e emerging. Further to the exploration of writing tools, the chapter explores the way that conventions associated with the writing of action, sound and character can best express an immersive CVR narrative.作者: VEST 時間: 2025-3-22 13:04
Chapter 11 The Quaternary in Africa,, 2018) and . (writers Martin Taylor, Mike Jones & Christian Cantamessa, dir. Martin Taylor, Australia, 2018), considering the impact of factors such as the technical requirements for shooting and distribution, and funding sources.作者: VEST 時間: 2025-3-22 17:11 作者: 我就不公正 時間: 2025-3-22 22:35 作者: 值得贊賞 時間: 2025-3-23 01:44
Crafting the CVR Experience so as to Guide the Viewer,uide users’ attention during cinematic virtual reality. In . (pp. 229–232), 2016), the chapter explores creator approaches to the challenge of how to attract and maintain the viewer’s attention in a 360-degree space, and therefore how to create an experience that is satisfyingly ingested without important story events being missed.作者: GENUS 時間: 2025-3-23 09:05 作者: crumble 時間: 2025-3-23 11:04 作者: antedate 時間: 2025-3-23 16:26 作者: defuse 時間: 2025-3-23 19:35 作者: 拉開這車床 時間: 2025-3-23 23:30 作者: Graduated 時間: 2025-3-24 02:21
tes four key concepts: immersion, presence, embodiment and p.With reference to traditional film theory and frameworks drawn from fields such?as screenwriting studies and anthropology, this book explores the challenges and?opportunities for both practitioners and viewers offered by the 360-degree?sto作者: JOT 時間: 2025-3-24 08:34
Introduction, experiences with limited or no narrative elements. The chapter then presents a historical analysis of immersive media, and explores antecedents of short narrative 360-degree video. The author argues that while CVR is influenced by a range of associated media, it should be considered as a distinct storytelling form.作者: 逢迎春日 時間: 2025-3-24 12:17 作者: dearth 時間: 2025-3-24 15:16
Book 2021llenges and?opportunities for both practitioners and viewers offered by the 360-degree?storytelling form. It focuses on cinematic virtual reality (CVR), a format that?involves immersive, high quality, live action or computer-generated imagery (CGI)?that can be viewed through head mounted display (HM作者: 綠州 時間: 2025-3-24 23:02
Introduction,hor establishes the scope of the book’s study, which encompasses 360-degree projects with fixed and predetermined narratives, in which viewer participation is largely constrained to choosing a vantage point of the action, as distinct from open-ended, fully interactive VR applications and ‘game’-like作者: outrage 時間: 2025-3-25 02:00 作者: Ascribe 時間: 2025-3-25 05:50
Crafting the CVR Experience so as to Guide the Viewer,g narratives in 360-degree space. The explored CVR films offer an authored narrative but also give the audience agency to choose their viewpoint of the action. This calls for creators to strike a balance between viewer freedom and viewer focus, so that viewers can interact with story elements while 作者: 純樸 時間: 2025-3-25 09:17
The CVR Project on the Page or on the Screen: Writing and Conceptualisation,r or in a variety of digital formats. The author interrogates a range of project-planning documents such as screenplays, story-world bibles, shooting diagrams, storyboards and mock-ups, so as to explore the diverse range of approaches to CVR ‘writing’ that are currently being utilised. An analysis o作者: 顛簸下上 時間: 2025-3-25 15:03
Script and Project Development Practices, of collaboration. Due to an identified blurring between CVR writing and production, this calls for an exploration of ‘project’ development, a process that encompasses ‘script’ development, that involves complex and varied interactions between individuals and institutions, and that results in the wr作者: indignant 時間: 2025-3-25 19:32 作者: ALIAS 時間: 2025-3-25 21:30 作者: EVADE 時間: 2025-3-26 00:44
Kath DooleyExplores the challenges and opportunities for both practitioners and viewers offered by the immersive 360-degree storytelling form.Interrogates four key concepts: immersion, presence, embodiment and p作者: Psychogenic 時間: 2025-3-26 06:43
http://image.papertrans.cn/c/image/226554.jpg作者: 懶洋洋 時間: 2025-3-26 10:35 作者: 朦朧 時間: 2025-3-26 13:21 作者: chronicle 時間: 2025-3-26 19:18 作者: 懶鬼才會衰弱 時間: 2025-3-26 20:56
Chapter 11 The Quaternary in Africa,cificity of spectatorship in 360?degrees. With reference to key concepts such as immersion, presence, embodiment and proximity, the author explores questions of viewer positioning and role within a synthetic 360-degree environment, contrasting this with the traditional two-dimensional, theatrical fi作者: 情感脆弱 時間: 2025-3-27 02:37 作者: 蜿蜒而流 時間: 2025-3-27 08:23 作者: Lignans 時間: 2025-3-27 11:25
Chapter 11 The Quaternary in Africa, of collaboration. Due to an identified blurring between CVR writing and production, this calls for an exploration of ‘project’ development, a process that encompasses ‘script’ development, that involves complex and varied interactions between individuals and institutions, and that results in the wr作者: 得意人 時間: 2025-3-27 15:51
Lecture Notes in Earth Sciencesmpact of spatial relationships, body direction and character gaze on viewer experience and empathy. The author looks to the study of proxemics as theorised by anthropologist Edward Hall (A system for notation of proxemic behavior. ., 1003–1026, 1963, . (Vol. 609). Garden City, NY: Doubleday, 1966) a作者: BUOY 時間: 2025-3-27 18:35
https://doi.org/10.1007/BFb0020577produced by the author. The chapter adopts an exegetical style as it reports on this creative research project, providing an opportunity to explore the concepts presented in the previous chapters through practice, and demonstrating a creative-critical approach in action. The author explores how the 作者: Cupping 時間: 2025-3-28 00:46 作者: 中和 時間: 2025-3-28 03:54
978-3-030-72149-7The Author(s), under exclusive license to Springer Nature Switzerland AG 2021作者: Abjure 時間: 2025-3-28 06:47 作者: alcohol-abuse 時間: 2025-3-28 13:19
