標題: Titlebook: Cinematic Philosophy; Tal S. Shamir Book 2016 Springer International Publishing AG 2016 Philosophy.Film.Philosophy of film.Cinema.Thought [打印本頁] 作者: 中間時期 時間: 2025-3-21 17:44
書目名稱Cinematic Philosophy影響因子(影響力)
書目名稱Cinematic Philosophy影響因子(影響力)學科排名
書目名稱Cinematic Philosophy網(wǎng)絡公開度
書目名稱Cinematic Philosophy網(wǎng)絡公開度學科排名
書目名稱Cinematic Philosophy被引頻次
書目名稱Cinematic Philosophy被引頻次學科排名
書目名稱Cinematic Philosophy年度引用
書目名稱Cinematic Philosophy年度引用學科排名
書目名稱Cinematic Philosophy讀者反饋
書目名稱Cinematic Philosophy讀者反饋學科排名
作者: 做方舟 時間: 2025-3-21 23:02
rature of both philosophy and cinema studies.Makes compellinIn this book, Tal S. Shamir sets out to identify cinema as a novel medium for philosophy and an important way of manifesting and developing philosophical thought. The volume presents a comprehensive analysis of the nature of philosophy’s po作者: Antarctic 時間: 2025-3-22 04:09
The Costs and Returns of Human Migration,itchie, 2009); . (Bernardo Bertolucci, 1970); . (Alan Parker, 2003); . (Michael and Peter Spierig, 2014); . (Christian Marclay, 2011); .(Bryan Singer, 2014); . (Martin Scorsese, 2010); and . (Oliver Stone, 1991). Shamir also includes two of his own short films: . (Tal S. Shamir, 2010) and . (Tal S. Shamir, 2011).作者: breadth 時間: 2025-3-22 08:00 作者: Anthropoid 時間: 2025-3-22 12:12 作者: 教育學 時間: 2025-3-22 13:50
Conclusion: ,,ependence on the visual image and the moving frame while at the same time challenging the hegemony of the written and printed text. Now more than ever, we must find creative and innovative paths to comprehending and articulating the world in which we live, and open our horizons to new practices for knowledge and wisdom.作者: 教育學 時間: 2025-3-22 18:22 作者: 亂砍 時間: 2025-3-22 21:28 作者: 一起 時間: 2025-3-23 04:04 作者: 值得尊敬 時間: 2025-3-23 08:46 作者: Esophagus 時間: 2025-3-23 13:10 作者: achlorhydria 時間: 2025-3-23 15:21
Studies in Operational Regional Scienceunprecedented possibility for the discipline of philosophy, leading Shamir to deepen his research into the unique experiences that can be evoked through the cinematic medium. This endeavor reveals how cinema can push us towards new concepts, perceptions, and thoughts of the world.作者: Cocker 時間: 2025-3-23 21:17
https://doi.org/10.1007/978-94-009-4392-6, while at the same time establishing that the written text is not the purest, the most natural, or the only path for creating valid philosophy. In the process, Shamir reveals intriguing ideas about artistic, visual, and cinematic thinking and why such thinking is just as important as rational, scientific, and linguistic thinking.作者: Measured 時間: 2025-3-24 02:04 作者: 一夫一妻制 時間: 2025-3-24 05:15 作者: 配置 時間: 2025-3-24 09:51 作者: 宴會 時間: 2025-3-24 12:48
Book 2016cal thought. The volume presents a comprehensive analysis of the nature of philosophy’s potential—or, more strongly put, its need—to be manifested cinematically. Drawing on the fields of cinema, philosophy, and media studies, Cinematic Philosophy adds film to the traditional list of ways through whi作者: 羞辱 時間: 2025-3-24 17:46 作者: Seminar 時間: 2025-3-24 21:11 作者: 吞下 時間: 2025-3-25 03:11 作者: FIG 時間: 2025-3-25 05:47
,Foundation III—Thought Experiments,ught experiments, but a perspective beyond what has already been written on the relationship between thought experiments and cinema is required. Shamir gives an overview of some of the key writings on the relationship between thought experiments and cinema (concentrating mainly on Thomas Wartenberg), and then goes on to challenge them.作者: 壓倒 時間: 2025-3-25 09:32
Cinesophia,unprecedented possibility for the discipline of philosophy, leading Shamir to deepen his research into the unique experiences that can be evoked through the cinematic medium. This endeavor reveals how cinema can push us towards new concepts, perceptions, and thoughts of the world.作者: Generosity 時間: 2025-3-25 12:16 作者: 做作 時間: 2025-3-25 17:00 作者: Charlatan 時間: 2025-3-25 21:02 作者: 虛構的東西 時間: 2025-3-26 01:53
,Foundation I—The Evolution of Film and Philosophy, establish a firm relationship between film and philosophy. Most theoreticians of film and philosophy have no clear structure for finding philosophical evidence in individual movies. In order to begin uncovering what kind of positive relationship can exist between film and philosophy, Shamir gives a作者: ETHER 時間: 2025-3-26 07:09 作者: thrombosis 時間: 2025-3-26 12:00
,Foundation III—Thought Experiments,lish that philosophy has always needed cinema—that necessity will supply the basis for establishing a firm bond between film and philosophy, and may begin to demonstrate the possibility of creating philosophy via the cinematic medium. The place to begin uncovering this need is within the area of tho作者: Noctambulant 時間: 2025-3-26 13:39 作者: 凹處 時間: 2025-3-26 18:03 作者: intrude 時間: 2025-3-26 23:00
The Intimate Relationship Between Art and Truth,created as art, something that is not generally accepted as a valid path for expressing truth, reality, or philosophy. In order to establish the idea that the cinematic platform can create serious philosophy, Shamir shows how art (including cinema) possesses the potential to express truth or reality作者: 四牛在彎曲 時間: 2025-3-27 04:43 作者: 通情達理 時間: 2025-3-27 06:09
Cinematic Examples, following: . (Michelangelo Antonioni, 1966); . (Ridley Scott, 2007); . (John Madden, 1998); .(Orson Welles, 1973); . (Peter Greenaway, 1982); .(Guy Ritchie, 2009); . (Bernardo Bertolucci, 1970); . (Alan Parker, 2003); . (Michael and Peter Spierig, 2014); . (Christian Marclay, 2011); .(Bryan Singer,作者: 整潔 時間: 2025-3-27 13:20
Conclusion: ,,ey into how we choose to understand and know the world we live in. The technological advances of the twenty-first century are bound to intensify our dependence on the visual image and the moving frame while at the same time challenging the hegemony of the written and printed text. Now more than ever作者: V洗浴 時間: 2025-3-27 15:09 作者: 謙虛的人 時間: 2025-3-27 18:50
http://image.papertrans.cn/c/image/226551.jpg作者: 和平主義 時間: 2025-3-28 01:50
https://doi.org/10.1007/978-3-319-33473-8Philosophy; Film; Philosophy of film; Cinema; Thought experiment; Cinematic; Friedrich Nietzsche; Thomas Wa作者: DALLY 時間: 2025-3-28 04:47
978-3-319-81522-0Springer International Publishing AG 2016作者: 爭吵 時間: 2025-3-28 07:35
Theorizing Organizational Change,much-needed overview of its main arguments, including upending the exploration of film and philosophy; showing how cinematic thought experiments offer much more than traditional thought experiments; establishing that the philosophy within a given film is not dependent on traditional philosophy; demo作者: FANG 時間: 2025-3-28 11:48 作者: Figate 時間: 2025-3-28 17:47
https://doi.org/10.1007/978-1-349-01366-1ortant because, at this writing, there are many more voices arguing against the possibility that films could create any significant form of philosophical wisdom than for it. In addition, most theories that do allow for the possibility of the cinematic platform creating some sort of philosophical wis作者: 凝乳 時間: 2025-3-28 19:12
https://doi.org/10.1007/978-94-009-4392-6lish that philosophy has always needed cinema—that necessity will supply the basis for establishing a firm bond between film and philosophy, and may begin to demonstrate the possibility of creating philosophy via the cinematic medium. The place to begin uncovering this need is within the area of tho作者: GIDDY 時間: 2025-3-29 01:40 作者: A保存的 時間: 2025-3-29 04:12 作者: allude 時間: 2025-3-29 10:21 作者: 仇恨 時間: 2025-3-29 14:15 作者: 不能平靜 時間: 2025-3-29 18:51
The Costs and Returns of Human Migration, following: . (Michelangelo Antonioni, 1966); . (Ridley Scott, 2007); . (John Madden, 1998); .(Orson Welles, 1973); . (Peter Greenaway, 1982); .(Guy Ritchie, 2009); . (Bernardo Bertolucci, 1970); . (Alan Parker, 2003); . (Michael and Peter Spierig, 2014); . (Christian Marclay, 2011); .(Bryan Singer,作者: 饒舌的人 時間: 2025-3-29 20:02
Steven J. Weiss,Edwin C. Goodingey into how we choose to understand and know the world we live in. The technological advances of the twenty-first century are bound to intensify our dependence on the visual image and the moving frame while at the same time challenging the hegemony of the written and printed text. Now more than ever
