標(biāo)題: Titlebook: Cinema, Pain and Pleasure; Consent and the Cont Steven Allen Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 [打印本頁(yè)] 作者: 稀少 時(shí)間: 2025-3-21 17:49
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作者: ABOUT 時(shí)間: 2025-3-21 23:04
Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) at the Movies,ctatorship as a possible site for masochistic pleasure for the male observer (Willemen 1981; Neale 1983; Hutchings 1993; P. Smith 1993), it is surprising that so little analysis has focused on cinematic depictions of coercion that throb with the resonance of BDSM. Recent exceptions include McCosker 作者: indicate 時(shí)間: 2025-3-22 04:11 作者: 動(dòng)物 時(shí)間: 2025-3-22 08:30 作者: 笨拙的我 時(shí)間: 2025-3-22 12:22 作者: LAPSE 時(shí)間: 2025-3-22 16:22 作者: LAPSE 時(shí)間: 2025-3-22 20:33
Spatial Structure and Regional Development,omasochism from the pathologized terms of sadism and masochism and reconstituting all three via lived experiences. Masochistic pleasures, which may or may not be experienced as pain, can then be interpreted as part of a conglomeration of control and acquiescence involving domination, restraint and pain play.作者: TIGER 時(shí)間: 2025-3-22 22:33
Situating the Controlled Body,omasochism from the pathologized terms of sadism and masochism and reconstituting all three via lived experiences. Masochistic pleasures, which may or may not be experienced as pain, can then be interpreted as part of a conglomeration of control and acquiescence involving domination, restraint and pain play.作者: 感情脆弱 時(shí)間: 2025-3-23 01:41
https://doi.org/10.1007/978-981-99-7683-6exual deviants’, and ‘foreign’ natives. More recently, it has appeared as subcultural background atmosphere in the guise of pierced punks and tattooed skinheads. A few films, however, utilize body modification as a structuring feature of the narrative, and explore the beliefs associated with these practices.作者: 鉆孔 時(shí)間: 2025-3-23 09:25
the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.978-1-349-33989-1978-1-137-30669-2作者: Ardent 時(shí)間: 2025-3-23 13:03
https://doi.org/10.1007/978-981-99-7683-6ch as . and even . and . began considering the possibility, and in some cases the compunction, to experience pain as a form of exquisite pleasure. The case studies therefore highlighted a progressive shift towards acknowledging the potential delights, benefits even, of releasing control and accepting the pleasures of pain.作者: Coordinate 時(shí)間: 2025-3-23 17:04
Choosing Torture Instead of Submission,ch as . and even . and . began considering the possibility, and in some cases the compunction, to experience pain as a form of exquisite pleasure. The case studies therefore highlighted a progressive shift towards acknowledging the potential delights, benefits even, of releasing control and accepting the pleasures of pain.作者: 破譯 時(shí)間: 2025-3-23 21:28 作者: 輕浮思想 時(shí)間: 2025-3-24 00:53
the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.978-1-349-33989-1978-1-137-30669-2作者: 音的強(qiáng)弱 時(shí)間: 2025-3-24 04:41
Spatial Structure and Regional Development, been foundational not only to gender studies but also to broader, cultural, social, historical and anthropological work. Many of the films discussed in the following chapters address these very discourses, and with the controlled body being such an amorphous topic, it is imperative to examine work 作者: Fibrillation 時(shí)間: 2025-3-24 10:29
Spatial Structure and Regional Development,ctatorship as a possible site for masochistic pleasure for the male observer (Willemen 1981; Neale 1983; Hutchings 1993; P. Smith 1993), it is surprising that so little analysis has focused on cinematic depictions of coercion that throb with the resonance of BDSM. Recent exceptions include McCosker 作者: 2否定 時(shí)間: 2025-3-24 12:54 作者: 整理 時(shí)間: 2025-3-24 16:01
Spatial Structure and Regional Development,tieth century. BDSM was at the forefront of the new direction taken, and body modification sporadically but intensely negotiated the thorny issue of consenting to pain. United by themes of marking and controlling the body, plus the concomitant pleasure in suffering, there was, however, no unifying g作者: 不能根除 時(shí)間: 2025-3-24 20:29
https://doi.org/10.1007/978-981-99-7683-6ed by a masochistic impulse. Sadism was hardly eclipsed, with torment rather than ecstatic submission remaining the dominant formulation, but films such as . and even . and . began considering the possibility, and in some cases the compunction, to experience pain as a form of exquisite pleasure. The作者: Mortal 時(shí)間: 2025-3-24 23:25 作者: engrossed 時(shí)間: 2025-3-25 06:04
Book 2013From Tattoo to Saw, this book considers mainstream cinema‘s representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.作者: 阻撓 時(shí)間: 2025-3-25 09:41
https://doi.org/10.1057/978113730669220th century; bibliography; body; cinema; corpus; knowledge; play; subject; Tattoo; television; torture; twenti作者: 信條 時(shí)間: 2025-3-25 14:48
978-1-349-33989-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2013作者: Repetitions 時(shí)間: 2025-3-25 16:11 作者: FLAG 時(shí)間: 2025-3-25 23:11 作者: 殘酷的地方 時(shí)間: 2025-3-26 00:15 作者: 昏迷狀態(tài) 時(shí)間: 2025-3-26 05:16 作者: 不要嚴(yán)酷 時(shí)間: 2025-3-26 11:07 作者: ethnology 時(shí)間: 2025-3-26 12:37
https://doi.org/10.1007/978-981-99-7683-6ed confusing that social practices discussed as separate strands in chapters 2–5 diminished in their cinematic specificity as the first decade of the twenty-first century progressed, for it cast a shadow over my primary concern of tracing a masochistic impulse directly informed by these idiosyncrasi作者: Misnomer 時(shí)間: 2025-3-26 18:51
Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) at the Movies,erefore neglected. In recent years, these aspects have begun to be charted (see, for example, Langdridge and Butt 2004; Weiss 2006; Barrett 2007; Ritchie 2008; Beckmann 2009) but without a concerted effort to situate them against a lineage of filmic representations. Yet, only by achieving a clearer 作者: 煤渣 時(shí)間: 2025-3-26 23:54
Aestheticized Pain and the Artistic Serial Killer,ion of gratification remains within the text, for in these films a bound and gashed body is not enough to insist upon the murderer’s control. Instead, the creatively staged death scene suggests utter subjection and domination, but also a pleasure in the macabre beauty of the tormented body. The plea作者: 違反 時(shí)間: 2025-3-27 01:11
Conclusion,ed confusing that social practices discussed as separate strands in chapters 2–5 diminished in their cinematic specificity as the first decade of the twenty-first century progressed, for it cast a shadow over my primary concern of tracing a masochistic impulse directly informed by these idiosyncrasi作者: BROOK 時(shí)間: 2025-3-27 06:58
9樓作者: 平 時(shí)間: 2025-3-27 11:42
9樓作者: 蔑視 時(shí)間: 2025-3-27 15:52
9樓作者: maroon 時(shí)間: 2025-3-27 19:12
10樓作者: 食品室 時(shí)間: 2025-3-27 23:51
10樓作者: Limerick 時(shí)間: 2025-3-28 02:37
10樓作者: 高深莫測(cè) 時(shí)間: 2025-3-28 09:59
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