派博傳思國(guó)際中心

標(biāo)題: Titlebook: Choreographing the Global in European Cinema and Theater; Katrin Sieg Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 [打印本頁(yè)]

作者: interminable    時(shí)間: 2025-3-21 17:12
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Operation Media Storm,ons (UN) Security Council in order to prevent Saddam Hussein’s government from deploying the weapons of mass destruction it allegedly possessed and from sheltering and collaborating with Islamic terrorists—allegations that could not be conclusively substantiated and eventually proved to be false. UN
作者: Density    時(shí)間: 2025-3-22 15:51
Conclusion,d or marginalized women and feminists as well as those considered alien to the German nation. In my first book, conceptualized in the 1980s, I set out to re-evaluate the work of German women playwrights, impresarios, and performers as feminist interventions in the canon and in ostensibly gender-blin
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,Preu?en als demokratische Republik,ns of community, engendering narratives and tropes of familial belonging, desire, and affinity. The cinematic culture industries are thus part and parcel of the political and economic transformations the films depict. The question I want to pursue through a series of exemplary readings in this chapt
作者: 時(shí)代    時(shí)間: 2025-3-23 05:16
https://doi.org/10.1007/978-3-662-34502-3 metropole was accompanied by the first intellectual attempts at creating what anthropologist Mary Louise Pratt called planetary conceptual grids. Such conceptual grids, exemplified by the botanical and zoological classification systems of Enlightenment scientists like Blumenbach and Linné, enabled
作者: 爭(zhēng)吵    時(shí)間: 2025-3-23 09:11
https://doi.org/10.1007/978-3-642-99066-3 this equation have been challenged: On the one hand, numerous scholars have offered trenchant criticisms of Jürgen Habermas’s idealized fiction of the bourgeois public sphere in . (see Calhoun 1992). On the other, British cultural studies has proposed a far-reaching reconsideration of consuming pra
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,Preu?en als demokratische Republik,sertion that superior American intelligence and weapons technology could ensure American security without significant loss of life or a tax increase, hopes for the restoration of peace, the rule of law, and democratization were soon dispelled. Whereas the invasion of Iraq and the taking of Baghdad h
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Rechtserhaltende Gewalt - zur Kriteriologiee in this collective undertaking. “Ethnic drag” was the name I found for that curious void at the center of a discourse that purported to empathize with, while simultaneously displacing, the Other. And yet, as I kept returning to Berlin, where I also lived from 2001 to 2002, the low-level unrest att
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Choreographing the Global in European Cinema and Theater
作者: 微生物    時(shí)間: 2025-3-24 01:53

作者: 致詞    時(shí)間: 2025-3-24 04:29
Desiring the Global,ns of community, engendering narratives and tropes of familial belonging, desire, and affinity. The cinematic culture industries are thus part and parcel of the political and economic transformations the films depict. The question I want to pursue through a series of exemplary readings in this chapt
作者: Obedient    時(shí)間: 2025-3-24 07:15

作者: objection    時(shí)間: 2025-3-24 11:43
Traveling Counterpublics, this equation have been challenged: On the one hand, numerous scholars have offered trenchant criticisms of Jürgen Habermas’s idealized fiction of the bourgeois public sphere in . (see Calhoun 1992). On the other, British cultural studies has proposed a far-reaching reconsideration of consuming pra
作者: 協(xié)奏曲    時(shí)間: 2025-3-24 16:21
Operation Media Storm,sertion that superior American intelligence and weapons technology could ensure American security without significant loss of life or a tax increase, hopes for the restoration of peace, the rule of law, and democratization were soon dispelled. Whereas the invasion of Iraq and the taking of Baghdad h
作者: 拖債    時(shí)間: 2025-3-24 19:24
Conclusion,e in this collective undertaking. “Ethnic drag” was the name I found for that curious void at the center of a discourse that purported to empathize with, while simultaneously displacing, the Other. And yet, as I kept returning to Berlin, where I also lived from 2001 to 2002, the low-level unrest att
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作者: 脾氣暴躁的人    時(shí)間: 2025-3-25 05:41
,Preu?en als demokratische Republik,en film has been the preeminent vehicle of an international and global imagination.. The cinema was the first culture industry that produced for a global market, which after World War II was dominated by films made in Hollywood. After a long period of protectionist policies during which European cou
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Rechtserhaltende Gewalt - zur Kriteriologied or marginalized women and feminists as well as those considered alien to the German nation. In my first book, conceptualized in the 1980s, I set out to re-evaluate the work of German women playwrights, impresarios, and performers as feminist interventions in the canon and in ostensibly gender-blin
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Choreographing the Global in European Cinema and Theater978-0-230-61545-8Series ISSN 2945-6274 Series E-ISSN 2945-6282
作者: 信徒    時(shí)間: 2025-3-26 08:58
2945-6274 Overview: The book explores European artists‘ critical engagement with the images and stories that politicians and the media use to advocate globalization.978-1-349-37498-4978-0-230-61545-8Series ISSN 2945-6274 Series E-ISSN 2945-6282
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Book 2008The book explores European artists‘ critical engagement with the images and stories that politicians and the media use to advocate globalization.
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