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標(biāo)題: Titlebook: Choreographing Agonism; Politics, Strategies Goran Petrovi?-Lotina Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi [打印本頁]

作者: vein220    時間: 2025-3-21 19:07
書目名稱Choreographing Agonism影響因子(影響力)




書目名稱Choreographing Agonism影響因子(影響力)學(xué)科排名




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書目名稱Choreographing Agonism網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Choreographing Agonism被引頻次




書目名稱Choreographing Agonism被引頻次學(xué)科排名




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書目名稱Choreographing Agonism年度引用學(xué)科排名




書目名稱Choreographing Agonism讀者反饋




書目名稱Choreographing Agonism讀者反饋學(xué)科排名





作者: 俗艷    時間: 2025-3-21 23:46
https://doi.org/10.1007/978-3-658-20982-7introduce the reader to the main notions that I develop throughout the book: the construction of the people, the choreography of articulation, the force of tension, dramatic encounter, the interplay of affects and opinion formation and identification.
作者: Influx    時間: 2025-3-22 01:01
Rechtliche Stellung von App-Storesetween differential models of democracy, I outline the characteristics of the imagined communities that emanate from them, one inhabited by the self-governed multitude and another by the constructed people.
作者: Pepsin    時間: 2025-3-22 06:49

作者: keloid    時間: 2025-3-22 08:46
MedR Schriftenreihe Medizinrechtn post-representation and representation and emphasising strategies of engagement for political change, I address a number of central political questions: how to organise across differences, for instance, and how to articulate a struggle for the recognition of the diversity of democratic demands and ethical concerns?
作者: forestry    時間: 2025-3-22 14:41

作者: forestry    時間: 2025-3-22 17:13

作者: DAFT    時間: 2025-3-22 22:53

作者: Esalate    時間: 2025-3-23 02:27

作者: 新鮮    時間: 2025-3-23 06:06
Constructing the People,etween differential models of democracy, I outline the characteristics of the imagined communities that emanate from them, one inhabited by the self-governed multitude and another by the constructed people.
作者: 包庇    時間: 2025-3-23 10:33
The Choreography of Articulation,e when leaders are appointed to defend the peoples’ demands within institutions (the Spanish . 2014). The choreography of articulation opens up the possibility for movement-parties seen as alternative forms of political organisation tied to both institutions and social activism.
作者: 嘮叨    時間: 2025-3-23 15:13

作者: fiction    時間: 2025-3-23 21:16
Discourse Theory and Artistic Performances,icularly on . (2014), a performance by Arkadi Zaides, a Belarus-born, Israeli choreographer based in France. With these examples in mind, I introduce key notions of tension, drama, affect, opinion formation, and (dis)identification, which I will develop in subsequent chapters.
作者: locus-ceruleus    時間: 2025-3-24 00:39
Affects and Opinion Formation, of investing affects in artistic performances gives rise to opinion formation. By extension, I show how uneven opinions mobilise innovative affects and affective states. Introducing the interplay between affects and opinion formations, this chapter extends the purview of the operation of (dis)identification.
作者: 旋轉(zhuǎn)一周    時間: 2025-3-24 05:09
Identifications, Using the example of ., a performance by the Germany-based ‘collective’, Rimini Protokoll, I will demonstrate how artistic performances enact identification while imagining an alternative form of community.
作者: 博愛家    時間: 2025-3-24 09:36

作者: 不滿分子    時間: 2025-3-24 13:02
democracy.Expands the politico-philosophical debate on theo.In. Choreographing Agonism., author Goran Petrovi? Lotina offers new insight into the connections between politics and performance. Exploring the political and?philosophical roots of a number of recent leftist civil movements, Petrovi? Lot
作者: refine    時間: 2025-3-24 17:30

作者: Additive    時間: 2025-3-24 21:00
Zum Stellenwert von Frauenpolitikal Mouffe. My goal is to show that the (performing) body is always inscribed in a set of languages, practices, and institutions, and hence symbolically represented. As such, the body provides a dramatic encounter with the audience, mobilising the spectator’s senses to envisage different realities and to contest a dominant politics.
作者: 裂隙    時間: 2025-3-25 02:35
Drama: An Encounter Between the Performance and the Audience,al Mouffe. My goal is to show that the (performing) body is always inscribed in a set of languages, practices, and institutions, and hence symbolically represented. As such, the body provides a dramatic encounter with the audience, mobilising the spectator’s senses to envisage different realities and to contest a dominant politics.
作者: 乞討    時間: 2025-3-25 06:22
Tension: A Guiding Force in Performance, Philosophy, and Politics,een presence and absence of objects, between attempts at grounding the totality of an object and the repeated failure of this endeavour, introduces tension as a guiding force. I suggest that the force of tension enables movement beyond philosophical dualism, politics in terms of harmony, and artistic practices in terms of abstractions.
作者: Ascribe    時間: 2025-3-25 07:30
https://doi.org/10.1007/978-3-663-01188-0een presence and absence of objects, between attempts at grounding the totality of an object and the repeated failure of this endeavour, introduces tension as a guiding force. I suggest that the force of tension enables movement beyond philosophical dualism, politics in terms of harmony, and artistic practices in terms of abstractions.
作者: 沖擊力    時間: 2025-3-25 12:48
Goran Petrovi?-LotinaOffers new insight on the connections between politics and performance.Argues for a re-imagining of artistic performance as an instrument of democracy.Expands the politico-philosophical debate on theo
作者: 鞏固    時間: 2025-3-25 15:58
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作者: 無法取消    時間: 2025-3-25 23:13
https://doi.org/10.1007/978-3-030-79446-0Performance studies; Performance philosophy; Political philosophy; Cultural studies; Choreography; Dance;
作者: FECT    時間: 2025-3-26 03:09
978-3-030-79448-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: micturition    時間: 2025-3-26 06:33

作者: 沐浴    時間: 2025-3-26 11:32
Rechtliche Stellung von App-Storesal background against which artistic practices come into being. Against the backdrop of the neoliberal political framework of first-world capitalism, this chapter focuses on the crisis of neoliberalism and the rise of populism in Western Europe. To observe the increasing demand for popular sovereign
作者: Transfusion    時間: 2025-3-26 14:23

作者: Constant    時間: 2025-3-26 16:53

作者: Gustatory    時間: 2025-3-26 20:59
https://doi.org/10.1007/978-3-663-01188-0 They suggest that all reality is constructed in linguistic and extralinguistic terms: through languages, practices, and institutions. And, because it coincides with the theory of hegemony, every discursive configuration signifies a totality which entails symbolisation regulated by a dominant politi
作者: Brain-Imaging    時間: 2025-3-27 02:18
https://doi.org/10.1007/978-3-663-01188-0n leads to the introduction of tension as a guiding force in the creation of artistic performances. To develop my argument, I begin by observing performances by the Brussels-based, Norwegian choreographer and performer, Mette Edvardsen. In her trilogy, . (2011), . (2014), and . (2015), the play betw
作者: deactivate    時間: 2025-3-27 05:20

作者: refine    時間: 2025-3-27 10:44
Zum Stellenwert von Frauenpolitikaudience. To envisage the interplay of affects and opinion formation, I begin with a critique of the philosophical theory of Gilles Deleuze and Félix Guattari which suggests a view of affects in autonomous, incorporeal, and immediate terms. Recalling philosopher Jacques Derrida’s theory of affect an
作者: 樹木中    時間: 2025-3-27 17:04
Hans Kr?mer,Manfred Schüler,Dieter Weisffects and opinions. This approach provides a framework for the operation of identification among many dissimilar identities. Identification presupposes the articulation of many differential positions co-existing in tension in a form of collectivity of shared ethical and political values. To envisag
作者: Nomogram    時間: 2025-3-27 21:04

作者: 配偶    時間: 2025-3-27 22:42
Constructing the People,al background against which artistic practices come into being. Against the backdrop of the neoliberal political framework of first-world capitalism, this chapter focuses on the crisis of neoliberalism and the rise of populism in Western Europe. To observe the increasing demand for popular sovereign
作者: Oratory    時間: 2025-3-28 05:44

作者: murmur    時間: 2025-3-28 09:28

作者: 思想上升    時間: 2025-3-28 11:34
Discourse Theory and Artistic Performances, They suggest that all reality is constructed in linguistic and extralinguistic terms: through languages, practices, and institutions. And, because it coincides with the theory of hegemony, every discursive configuration signifies a totality which entails symbolisation regulated by a dominant politi
作者: 偏離    時間: 2025-3-28 15:39

作者: 絕食    時間: 2025-3-28 22:03





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