標(biāo)題: Titlebook: Chinese Independent Animation; Renegotiating Identi Wenhai Zhou Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁(yè)] 作者: 預(yù)兆前 時(shí)間: 2025-3-21 17:54
書(shū)目名稱(chēng)Chinese Independent Animation影響因子(影響力)
作者: 女上癮 時(shí)間: 2025-3-21 23:32
A Note on Welfare Propositions in Economics,file nationally and, in some cases, internationally. Given the current climate of international relations and recent developments in the political sphere, it is likely that these responses are likely to retain the same characteristics—it will nonetheless be of deep interest to see in time how each of these approaches fares.作者: aplomb 時(shí)間: 2025-3-22 04:05 作者: Sputum 時(shí)間: 2025-3-22 05:26
Henry Mintzberg,James A. Waterss over the last 20?years. The introduction is rounded out by a discussion of key terms, such as ‘post-socialism’ and ‘independent animation’, and foreshadows how methodologically an ‘ecological’ model of social and creative practice is necessitated with regard to the contemporary Chinese context.作者: 把手 時(shí)間: 2025-3-22 12:03
https://doi.org/10.1007/978-1-349-20317-8beit constantly subject to subtle political constraints. The expressive hybridity and discursive characteristics apparent in independent animation give cause to rethink this distinctive art form in the context of Chinese visual culture and to distinguish from other ‘independent’ art forms as described in relation to cinema or literature.作者: mendacity 時(shí)間: 2025-3-22 15:03
Introduction,s over the last 20?years. The introduction is rounded out by a discussion of key terms, such as ‘post-socialism’ and ‘independent animation’, and foreshadows how methodologically an ‘ecological’ model of social and creative practice is necessitated with regard to the contemporary Chinese context.作者: mendacity 時(shí)間: 2025-3-22 19:50 作者: PRO 時(shí)間: 2025-3-22 23:09
Book 2020ceived as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with attention paid to the conventional media circle of production, distribution and consumption. The ‘independent’ sector has been largely ignored however, un作者: 狂亂 時(shí)間: 2025-3-23 01:50
Introduction,ation in the People’s Republic of China and reviews relevant scholarship to date, particularly that of Wu (.. Thesis, City University of Hong Kong, 2006), Voci (.. Taylor & Francis, 2010) and Macdonald (.. Taylor & Francis, 2015). It also outlines how the independent animation sector, a relatively u作者: Flawless 時(shí)間: 2025-3-23 08:39 作者: Bravura 時(shí)間: 2025-3-23 10:37 作者: EXTOL 時(shí)間: 2025-3-23 17:31 作者: Intuitive 時(shí)間: 2025-3-23 18:30
Lei Lei: The Global Practitioner of Independent Animation,d aesthetic styles and highly personal commentaries on post-socialist China. The expansion of social media platforms to promote and stimulate self-expression in animation art also inspired Lei Lei to discover an alternative path that enables his work to travel beyond China. Unlike Pi San who has bee作者: 脫落 時(shí)間: 2025-3-24 01:31
The Future Prospect of the Chinese Independent Animation Ecology, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via作者: SKIFF 時(shí)間: 2025-3-24 02:45 作者: 貞潔 時(shí)間: 2025-3-24 08:55
Henry Mintzberg,James A. Watersation in the People’s Republic of China and reviews relevant scholarship to date, particularly that of Wu (.. Thesis, City University of Hong Kong, 2006), Voci (.. Taylor & Francis, 2010) and Macdonald (.. Taylor & Francis, 2015). It also outlines how the independent animation sector, a relatively u作者: Paraplegia 時(shí)間: 2025-3-24 13:55
https://doi.org/10.1007/978-1-349-20317-8s on the transition from the . legacy towards a more individualised mode of animation production, a transition that entails discussion of the importance of Flash as a relatively flexible and easily accessible platform for animators working privately in their domestic spaces. This also implied a move作者: 掙扎 時(shí)間: 2025-3-24 17:29
Defining Corporate Strengths and Weaknesses’s well-known characterisation of animation as a ‘light’ mode of artistic expression. Even so, the characteristic ‘lightness’ associated with China’s animation subtly altered the direction of . animation in certain distinctive ways, to redefine the possibilities of a ‘post-socialist’ Chineseness. Th作者: 圍裙 時(shí)間: 2025-3-24 22:04 作者: Morose 時(shí)間: 2025-3-25 01:30 作者: 共和國(guó) 時(shí)間: 2025-3-25 03:23
On the Economic Theory of Socialism: Part I, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via作者: ear-canal 時(shí)間: 2025-3-25 10:12
A Note on Welfare Propositions in Economics,en discussed. What distinguishes the situation in China is the relative absence of the aesthetic ‘carte blanche’ that tends to be associated with ‘independent’ art in either the English-speaking world, Japan or Europe. The obligation to have a strategy to survive within a broader matrix of socio-cul作者: 無(wú)政府主義者 時(shí)間: 2025-3-25 12:39
Wenhai ZhouExamines the significance of Chinese independent animation that reflecting the current sociocultural changes.Considers independent animation as a social mirror reveals artistic individuality and cultu作者: quiet-sleep 時(shí)間: 2025-3-25 18:23 作者: Harbor 時(shí)間: 2025-3-25 20:13
Chinese Independent Animation978-3-030-40697-4Series ISSN 2523-8086 Series E-ISSN 2523-8094 作者: modish 時(shí)間: 2025-3-26 02:23
https://doi.org/10.1007/978-3-030-40697-4Chinese Independent Animation; Independent Ecology; Post-Socialist Reality; Ideology; Chinese Modernity作者: HUMID 時(shí)間: 2025-3-26 06:06 作者: 亂砍 時(shí)間: 2025-3-26 09:01 作者: enchant 時(shí)間: 2025-3-26 15:14
,Understanding the Ecology of Independent Chinese Animation Within the Context of China’s Post-Socia in the first instance, find a more widespread audience and, in the second, find a forum for mutual recognition and support. In this connection it is necessary to consider the Chinese Independent Animation Film Forum (the first unofficial, non-profit forum) as a platform that attracts more independe作者: institute 時(shí)間: 2025-3-26 20:32 作者: MOCK 時(shí)間: 2025-3-27 00:06
Lei Lei: The Global Practitioner of Independent Animation,tween collective ideology and a more individualised outlook. From his early . (2007) to the more recent exhibition of his work, Lei Lei has displayed a gradual shift from being politically edgy to being more widely acknowledged in contemporary art. He is a ‘smart’ independent artist who not only kno作者: Chandelier 時(shí)間: 2025-3-27 02:54 作者: 腐敗 時(shí)間: 2025-3-27 06:21 作者: amygdala 時(shí)間: 2025-3-27 10:59 作者: 閃光東本 時(shí)間: 2025-3-27 15:30
On the Economic Theory of Socialism: Part I,tween collective ideology and a more individualised outlook. From his early . (2007) to the more recent exhibition of his work, Lei Lei has displayed a gradual shift from being politically edgy to being more widely acknowledged in contemporary art. He is a ‘smart’ independent artist who not only kno作者: Medicaid 時(shí)間: 2025-3-27 18:53 作者: achlorhydria 時(shí)間: 2025-3-28 00:27
2523-8086 w this multifaceted cultural form reveals ambiguities that parallel contradictions in art and society. In so doing, independent animation provides a convenient ‘mirror’ for examining how recent social upheavals978-3-030-40699-8978-3-030-40697-4Series ISSN 2523-8086 Series E-ISSN 2523-8094 作者: 抗體 時(shí)間: 2025-3-28 02:29 作者: 喊叫 時(shí)間: 2025-3-28 06:59
Book 2019the fundamental concepts of neuroscience in simple language, without overwhelming non-biologists with excessive biological jargon. In addition, the book presents a novel computational perspective on the brain for biologists, without resorting to complex mathematical equations..It addresses a compreh
