標(biāo)題: Titlebook: Chaucer‘s Pardoner and Gender Theory; Bodies of Discourse Robert S. Sturges Book 2000 Palgrave Macmillan, a division of Nature America Inc. [打印本頁] 作者: PED 時(shí)間: 2025-3-21 17:20
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作者: 侵害 時(shí)間: 2025-3-21 22:52
The Pardoner’s Genders: Linguistic and Otherc reference to three related components of gender identity: the sexed body, socially constructed gender presentation, and erotic practice. While at least some late- twentieth-century readers distinguish among these three components, medieval sources sometimes do not, often assuming instead that what作者: anthropologist 時(shí)間: 2025-3-22 01:41 作者: 愛花花兒憤怒 時(shí)間: 2025-3-22 05:31
The Pardoner’s Different Erotic Practicesoup, to use an often-repeated critical formula. At least until quite recently, this moral status has been regularly, though not universally, associated not only with the Pardoner’s unorthodox body, but also with an unorthodox sexuality. The Pardoner’s physical description in the . allows him an effe作者: 單調(diào)性 時(shí)間: 2025-3-22 10:11
The Pardoner Unveiledagainst a vaguely modern urban background; one figure has its (his? her?) hand around the other’s shoulder. The most striking aspect of the drawing is that both heads are heavily veiled in white cloths like pillowcases, whose folds, loosely clinging to their features, both reveal that there are invi作者: 正式通知 時(shí)間: 2025-3-22 14:16
A Speaking and Singing Subjectto hym a stif burdoun…” (I, 672–73). At the end of the portrait, he’s still singing, though the circumstances are quite different: “Wel koude he rede a lessoun or a storie, / But alderbest he song an offertorie; / For wel he wiste, whan that song was songe, / He moste preche and wel affile his tonge作者: 正式通知 時(shí)間: 2025-3-22 19:22
The Dismemberment of the Pardoner), one I touched on only briefly earlier: the fragmented or dismembered body, which is of considerable interest to both the Pardoner and the Prioress.An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry 作者: Blanch 時(shí)間: 2025-3-22 21:43 作者: helper-T-cells 時(shí)間: 2025-3-23 03:54 作者: 語源學(xué) 時(shí)間: 2025-3-23 08:00
Palgrave Macmillan, a division of Nature America Inc. 2000作者: 乞討 時(shí)間: 2025-3-23 12:16
Chaucer‘s Pardoner and Gender Theory978-1-349-61877-4Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: aphasia 時(shí)間: 2025-3-23 16:07 作者: 軟膏 時(shí)間: 2025-3-23 20:51 作者: 貞潔 時(shí)間: 2025-3-23 23:31 作者: 變態(tài) 時(shí)間: 2025-3-24 05:38
https://doi.org/10.1007/978-1-4302-0166-3oup, to use an often-repeated critical formula. At least until quite recently, this moral status has been regularly, though not universally, associated not only with the Pardoner’s unorthodox body, but also with an unorthodox sexuality. The Pardoner’s physical description in the . allows him an effe作者: Integrate 時(shí)間: 2025-3-24 10:01 作者: NEX 時(shí)間: 2025-3-24 13:22
https://doi.org/10.1007/978-1-4302-0166-3to hym a stif burdoun…” (I, 672–73). At the end of the portrait, he’s still singing, though the circumstances are quite different: “Wel koude he rede a lessoun or a storie, / But alderbest he song an offertorie; / For wel he wiste, whan that song was songe, / He moste preche and wel affile his tonge作者: CHIDE 時(shí)間: 2025-3-24 18:17
https://doi.org/10.1007/978-1-4302-0166-3), one I touched on only briefly earlier: the fragmented or dismembered body, which is of considerable interest to both the Pardoner and the Prioress.An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry 作者: 譏笑 時(shí)間: 2025-3-24 21:36 作者: Parabola 時(shí)間: 2025-3-25 01:50
The New Middle Ageshttp://image.papertrans.cn/c/image/224193.jpg作者: Annotate 時(shí)間: 2025-3-25 06:45
https://doi.org/10.1007/978-1-4302-0166-3, discontinuous versions of the Pardoner function in terms of fourteenth-century politics? In what ways might gender be a factor in the political life of late medieval England? How might the economy of court patronage affect and be affected by the politics of gender? And how might all of these quest作者: AWRY 時(shí)間: 2025-3-25 10:56
https://doi.org/10.1007/978-1-4302-0166-3ften Chaucer’s intentions than the cultural Imaginary that conditioned the production of his texts, I will also be calling upon recent gender theorists to shed light on various conjunctions and disjunctions among the three components, relations that reveal anxieties about gender that span the centur作者: 外形 時(shí)間: 2025-3-25 13:18
https://doi.org/10.1007/978-1-4302-0166-3itics who accept it. According to one such critic, for instance, the Pardoner attempts to divert the other pilgrims from the true purpose of their journey, and his “diversionary malfeasance gives thematic significance to his unsavory relationship with the Summoner.”作者: neuron 時(shí)間: 2025-3-25 15:51 作者: AORTA 時(shí)間: 2025-3-25 23:08
https://doi.org/10.1007/978-1-4302-0166-3 tones of his vocal instrument; as he tells the other pilgrims in the course of his own prologue, when fleecing a congregation of unsuspecting villagers, “I peyne me to han an hauteyn speche, / And rynge it out as round as gooth a belle, / For I kan al by rote that I telle” (VI, 330–32); “Myne hande作者: 細(xì)絲 時(shí)間: 2025-3-26 03:00 作者: adumbrate 時(shí)間: 2025-3-26 07:54 作者: Vaginismus 時(shí)間: 2025-3-26 09:43
The Pardoner’s Different Erotic Practicesitics who accept it. According to one such critic, for instance, the Pardoner attempts to divert the other pilgrims from the true purpose of their journey, and his “diversionary malfeasance gives thematic significance to his unsavory relationship with the Summoner.”作者: 裂口 時(shí)間: 2025-3-26 16:07 作者: 颶風(fēng) 時(shí)間: 2025-3-26 17:01 作者: brother 時(shí)間: 2025-3-26 22:45 作者: CLOWN 時(shí)間: 2025-3-27 03:09 作者: FLAIL 時(shí)間: 2025-3-27 08:13 作者: 過渡時(shí)期 時(shí)間: 2025-3-27 11:11
The Pardoner’s (Over-)Sexed Bodyrolyn Dinshaw’s “feminist” hermeneutical models,. Burger uses the work of Jonathan Dollimore to reveal some of the ways in which “the Pardoner’s destabilizing presence can provoke the kind of social and discursive dislocation that Dollimore calls ‘discoherence.’”. Here is Dollimore’s own definition:作者: Hyperalgesia 時(shí)間: 2025-3-27 14:46 作者: NIB 時(shí)間: 2025-3-27 21:28 作者: cocoon 時(shí)間: 2025-3-28 00:39 作者: 流動(dòng)性 時(shí)間: 2025-3-28 04:36
2945-5936 from the perspective of both medieval and twentieth-century theories of sex, gender, and erotic practice. Sturges argues for a discontinuous, fragmentary reading of this character and his tale that is genuinely both premodern and postmodern. Drawing on theorists ranging from St. Augustine and Alain 作者: 要素 時(shí)間: 2025-3-28 06:23
https://doi.org/10.1007/978-1-4302-0166-3An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry and to the feminine—as it was understood in the Middle Ages, an exploration I will undertake in this chapter. (The relevance of the related myth of Dionysus has already been discussed in chapter 1.)作者: nocturnal 時(shí)間: 2025-3-28 10:27 作者: 完全 時(shí)間: 2025-3-28 16:05
