標(biāo)題: Titlebook: Charm in Literature from Classical to Modernism; Charmed Life Richard Beckman Book 2019 The Editor(s) (if applicable) and The Author(s), un [打印本頁(yè)] 作者: 表范圍 時(shí)間: 2025-3-21 16:34
書目名稱Charm in Literature from Classical to Modernism影響因子(影響力)
書目名稱Charm in Literature from Classical to Modernism影響因子(影響力)學(xué)科排名
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書目名稱Charm in Literature from Classical to Modernism網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書目名稱Charm in Literature from Classical to Modernism被引頻次學(xué)科排名
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書目名稱Charm in Literature from Classical to Modernism年度引用學(xué)科排名
書目名稱Charm in Literature from Classical to Modernism讀者反饋
書目名稱Charm in Literature from Classical to Modernism讀者反饋學(xué)科排名
作者: Ophthalmoscope 時(shí)間: 2025-3-21 20:55
Charm in Chaucer,In ., charm keeps lowly company, as in the notorious “Miller’s Tale” where Absolon, lusting after (charmed by) the carpenter’s wife, Alison, thinking that he will at last get to kiss her, approaches her window. With the approval of her paramour, Nicholas, she presents her rear end for him to encounter.The night is dark:.His passion is desiccated.作者: 越自我 時(shí)間: 2025-3-22 01:24
Pope, Belinda’s charms are travestied. She labors to be beautiful; even her smiles are rehearsed. Pope’s disapproval is made indirectly and with a light touch, saying only that the relentless pursuit of charm goes against nature.作者: sundowning 時(shí)間: 2025-3-22 04:54
Richard BeckmanInformed by psychology, history, aestheticism, and affect theory.Definitive study showcasing the nuanced use of charm in literature including abrasive charm, uncanny charm, and more.Provides a wide-ra作者: ineptitude 時(shí)間: 2025-3-22 10:05 作者: Interferons 時(shí)間: 2025-3-22 13:48 作者: Interferons 時(shí)間: 2025-3-22 17:52
https://doi.org/10.1007/978-3-030-25345-5charm; affect theory; Homer; Shakespeare; Milton; Romantic poetry; Gaskell; Joyce作者: Statins 時(shí)間: 2025-3-22 23:53 作者: Myosin 時(shí)間: 2025-3-23 03:09
Avoiding Overfitting of Decision Trees,rance over millennia, its sense, pejorative or favorable, deployed to suggest a quality either delightful or entrapping. Its significance in classics old and recent is remarked on classics?from Homer?to Joyce. It is a vital word in literature and journalism, with its sense and its standing mercurial作者: 因無(wú)茶而冷淡 時(shí)間: 2025-3-23 07:22 作者: 低能兒 時(shí)間: 2025-3-23 13:21
Using Decision Trees for Classification,ng is attractive, beware..In his epic apologue,?The Faerie Queene, charm as such is merely deceit, whether in a fetching woman or a sensuous religion, an instrument of Roman Catholicism and its sensuous theatricality, outward images that would only distract the inner quest for that holiness which al作者: 成績(jī)上升 時(shí)間: 2025-3-23 15:35 作者: MEAN 時(shí)間: 2025-3-23 19:18
Avoiding Overfitting of Decision Trees, “pleasing quality.” Until then charm carried the negative sense of spell-casting. Even Congreve’s well-known “Music has charms to soothe a savage breast” (1697) retains the sense of magic and spell-casting. Not so in Milton, who could take charm either way, and it is both malign and benign in .. Bu作者: 搖曳的微光 時(shí)間: 2025-3-23 23:29
Undergraduate Topics in Computer Science Belinda’s charms are travestied. She labors to be beautiful; even her smiles are rehearsed. Pope’s disapproval is made indirectly and with a light touch, saying only that the relentless pursuit of charm goes against nature.作者: bifurcate 時(shí)間: 2025-3-24 03:24 作者: Left-Atrium 時(shí)間: 2025-3-24 08:11
Using Decision Trees for Classification,disdains. Its charms are factitious. Charm is found in everyday persons and places. Coleridge finds charm in the supernatural and the hallucinatory. His ancient mariner, with his tale of a quasi-supernatural voyage, both charms the wedding guests, while he is himself charming. Blake, Shelley, and By作者: murmur 時(shí)間: 2025-3-24 13:39 作者: 金盤是高原 時(shí)間: 2025-3-24 18:36 作者: 歪曲道理 時(shí)間: 2025-3-24 22:46
Inducing Modular Rules for Classification,nd disenchantment, running through . from Marcel’s early imagining that the high society dominated by the Guermentes must be transportingly charming to his full awareness of how ordinary and even mediocre its people are. This awareness dominates the later books; at the same time, Marcel cannot resis作者: tariff 時(shí)間: 2025-3-25 03:09
Using Decision Trees for Classification,re spurious or nightmares. Charm is does not delight: the cleverness of Lenehan, a minor character, falls flat. In Joyce’s chapter coded ., Joyce offers as proxies for the Sirens two underbred barmaids. They are false, even as Sirens. Myth is exposed as an inflated form of the commonplace. The spell作者: 技術(shù) 時(shí)間: 2025-3-25 04:54
https://doi.org/10.1007/978-1-84628-766-4eceitful, why then meet it with naive submission to society’s rules, “the moral order”? The line between natural charm and manipulative charm is wavering. Charm is a kind of deceit, yet it can open the mind. In ., charm is slippery but defensible. In ., awareness of charm (in particular, the magneti作者: 開(kāi)頭 時(shí)間: 2025-3-25 08:29
Preface,rance over millennia, its sense, pejorative or favorable, deployed to suggest a quality either delightful or entrapping. Its significance in classics old and recent is remarked on classics?from Homer?to Joyce. It is a vital word in literature and journalism, with its sense and its standing mercurial作者: debris 時(shí)間: 2025-3-25 12:38
The Sirens in Homer,ppears in most English renderings of their bewitching song: we encounter “clear voiced song,” “honeysweet sound,” “voice of the wondrous Sirens,” and “haunting song.” In Pope’s version of 1726, the Sirens are “sweet charmers,” and in his translation, the word charm in one sense or another occurs 56 作者: Climate 時(shí)間: 2025-3-25 19:40
Spenser Versus Charm,ng is attractive, beware..In his epic apologue,?The Faerie Queene, charm as such is merely deceit, whether in a fetching woman or a sensuous religion, an instrument of Roman Catholicism and its sensuous theatricality, outward images that would only distract the inner quest for that holiness which al作者: Limited 時(shí)間: 2025-3-25 23:51
Shakespeare and Charm,es our heart. It is outside, yet we appreciate it, make it our own. We are charmed by Rosalind pretending to be someone other than herself while she plays the role of the person she is. The ambiguity of which self is speaking, the real or the pretend, is itself a part of Rosalind’s charm. This doubl作者: prodrome 時(shí)間: 2025-3-26 00:18 作者: 極大痛苦 時(shí)間: 2025-3-26 06:21 作者: 鎮(zhèn)壓 時(shí)間: 2025-3-26 10:12 作者: 極深 時(shí)間: 2025-3-26 13:52 作者: Robust 時(shí)間: 2025-3-26 19:05
Gaskell, Thackeray, and Joyce,o her and not subject to judgment since she cannot help having it, yet the effects that it has and the mischief it causes are shown to be morally reprehensible—effects that Thackeray might have found comical. James Joyce has nothing good to say about charm; it’s actually factitious and rather annoyi作者: 愛(ài)社交 時(shí)間: 2025-3-27 00:45 作者: 諂媚于人 時(shí)間: 2025-3-27 01:39
Proust,nd disenchantment, running through . from Marcel’s early imagining that the high society dominated by the Guermentes must be transportingly charming to his full awareness of how ordinary and even mediocre its people are. This awareness dominates the later books; at the same time, Marcel cannot resis作者: 一瞥 時(shí)間: 2025-3-27 08:48
Charm and Cleverness in Joyce,re spurious or nightmares. Charm is does not delight: the cleverness of Lenehan, a minor character, falls flat. In Joyce’s chapter coded ., Joyce offers as proxies for the Sirens two underbred barmaids. They are false, even as Sirens. Myth is exposed as an inflated form of the commonplace. The spell作者: ACE-inhibitor 時(shí)間: 2025-3-27 11:09 作者: intertwine 時(shí)間: 2025-3-27 14:12 作者: 熱心 時(shí)間: 2025-3-27 19:41
Avoiding Overfitting of Decision Trees,ast” (1697) retains the sense of magic and spell-casting. Not so in Milton, who could take charm either way, and it is both malign and benign in .. But early in his career in . (1634), Milton used it approvingly:作者: 揉雜 時(shí)間: 2025-3-28 01:59 作者: 瘋狂 時(shí)間: 2025-3-28 02:08 作者: 甜瓜 時(shí)間: 2025-3-28 09:33
Milton and Dryden,ast” (1697) retains the sense of magic and spell-casting. Not so in Milton, who could take charm either way, and it is both malign and benign in .. But early in his career in . (1634), Milton used it approvingly:作者: carotid-bruit 時(shí)間: 2025-3-28 13:29
Blake, Wordsworth, Coleridge, Shelley, Byron,is ancient mariner, with his tale of a quasi-supernatural voyage, both charms the wedding guests, while he is himself charming. Blake, Shelley, and Byron as well have idiosyncratic views on what charm is.作者: 喪失 時(shí)間: 2025-3-28 16:40
Charm and Cleverness in Joyce,rs as proxies for the Sirens two underbred barmaids. They are false, even as Sirens. Myth is exposed as an inflated form of the commonplace. The spell of the Sirens and music itself were only fantasies. Kafka had proposed that briefly in .. Joyce does it at length. Nevertheless, his burlesques are delightful.作者: GLUT 時(shí)間: 2025-3-28 19:21 作者: Cytokines 時(shí)間: 2025-3-28 23:22 作者: Delirium 時(shí)間: 2025-3-29 03:38
Avoiding Overfitting of Decision Trees,. Charm is paradoxical: the breaking of its spell can be amusing, as here or as in Voltaire’s ., or moving, as in the dissolution of Kate Croy and Merton Densher’s love for each other in . or . comical and melancholy as in Marcel’s doomed fascination with Albertine in Proust.作者: PLE 時(shí)間: 2025-3-29 07:41 作者: collagenase 時(shí)間: 2025-3-29 13:26 作者: incarcerate 時(shí)間: 2025-3-29 16:29 作者: addict 時(shí)間: 2025-3-29 22:18
Inducing Modular Rules for Classification,horitarian and orthodox habits of mind did occur; charm was promoted from bewitchment to elegance. Reason and subjective response now counted. While reason had its limitations, “I know what I like” could not be gainsaid.作者: infarct 時(shí)間: 2025-3-30 00:20
Undergraduate Topics in Computer Scienceng. In a sense, it does not really exist since it is always transparently vulgar or commercial. Joyce has his Bloom reducing the charm of music to a numbers game, enjoyable up to a point, but at the same time foolish. Where Gaskell is ambiguous, Joyce is ambivalent.作者: CYN 時(shí)間: 2025-3-30 06:40
