派博傳思國際中心

標題: Titlebook: Charlie Chaplin’s Little Tramp in America, 1947–77; Lisa Stein Haven Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Charli [打印本頁]

作者: gratuity    時間: 2025-3-21 19:24
書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77影響因子(影響力)




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77影響因子(影響力)學(xué)科排名




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77網(wǎng)絡(luò)公開度




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77被引頻次




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77被引頻次學(xué)科排名




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77年度引用




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77年度引用學(xué)科排名




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77讀者反饋




書目名稱Charlie Chaplin’s Little Tramp in America, 1947–77讀者反饋學(xué)科排名





作者: 同時發(fā)生    時間: 2025-3-21 21:14
Huijie Huang,Lihua Huang,Yongkai Zhaocollectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year i
作者: monogamy    時間: 2025-3-22 02:34

作者: Estimable    時間: 2025-3-22 06:02

作者: 雪白    時間: 2025-3-22 11:48

作者: parasite    時間: 2025-3-22 14:40
Lisa Stein HavenProvides the first extended analysis and narrative of Chaplin‘s move from maligned to celebrated figure in America.Based upon impressive research ranging from primary documents in various archives, or
作者: parasite    時間: 2025-3-22 19:04

作者: MUTE    時間: 2025-3-22 23:52
Huijie Huang,Lihua Huang,Yongkai Zhaolf more and more on political philosophies, such as communism, outside its comfort zone and realm of understanding. It was amidst this tense environment that Charlie Chaplin and his often na?ve-seeming political pronouncements—a behavior he enjoyed and came to seek out more and more after his 1931–1
作者: antidepressant    時間: 2025-3-23 02:35
A. Zabbo,R. A. Straffon,J. E. Montiehe individual responsible for turning the tide, or at least, providing Chaplin’s restoration phenomenon a much-needed boost, mostly through his essay in the September 3, 1949 issue of . magazine entitled “Comedy’s Greatest Era.” Peter D. Martin and poet Lawrence Ferlinghetti were partners in the Cit
作者: 證實    時間: 2025-3-23 09:34
https://doi.org/10.1007/978-94-010-0554-8haplin the man’s political problems and subsequently attached themselves to the Little Tramp as a sort of symbol of the Beat philosophy and lifestyle. Some, Allen Ginsberg, Lawrence Ferlinghetti, and Bob Kaufman in particular, identified with many of the general attributes of the character, having e
作者: Grandstand    時間: 2025-3-23 12:16
Paolo P. Pescarmona,Thomas Maschmeyeraries. Along with the aforementioned Bohemian and Beat artists, these groups of people played their parts in keeping Chaplin alive in America, for it was through his films and filmmaking that his reputation here slowly began to be restored. By the early 1960s, the talk in American filmgoing circles
作者: NATAL    時間: 2025-3-23 15:50
https://doi.org/10.1007/978-0-387-79240-8 documentary films. This chapter surveys the Chaplin books for the period, from Parker Tyler’s quirky . (1947) and Theodore Huff’s very popular . (1951) to Chaplin’s own . (1964), coupling descriptions of these books with their reviews and the way they were received by both Chaplin enthusiasts and t
作者: Archipelago    時間: 2025-3-23 18:07
Bruce Fegley Jr.,Laura Schaeferd wonders in terms of keeping Chaplin’s name and work alive in America. As a subsidiary to this discussion, then, is an investigation of the vehicle through which these parties communicated—the film fan magazine. Later in the chapter, the investigation of Chaplin merchandising, in the form of clothi
作者: intimate    時間: 2025-3-23 22:44
https://doi.org/10.1007/978-3-319-40478-3Charlie Chaplin; Beat Movement; Chaplin and America; Celebrity and Stardom; Audience Reception
作者: Ambulatory    時間: 2025-3-24 06:06

作者: SPURN    時間: 2025-3-24 10:36
Book 2016ly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film...
作者: 任命    時間: 2025-3-24 11:51

作者: 偶然    時間: 2025-3-24 15:10

作者: 流動才波動    時間: 2025-3-24 20:08

作者: Allowance    時間: 2025-3-25 00:13

作者: 言外之意    時間: 2025-3-25 06:05
The Beat Chaplinists,period, noting works in which Chaplin or his persona appears, while privileging neither the work nor the author, in order to present a clearer picture of the role the counterculture played in Chaplin’s post-exile resurgence in America.
作者: 十字架    時間: 2025-3-25 08:20
Seeing Charlie: Legal and Illegal Chaplin Screenings,was again about Chaplin’s film mastery and not so much his politics. The efforts of film enthusiasts, many of whom were rank-and-file working-class Americans, moved mountains in terms of the steady reinvigoration of Chaplin as a founding father of the Hollywood film industry and of the concept of comedy as art.
作者: Expostulate    時間: 2025-3-25 12:50
Narrativizing Charlie in Print and Film,he common reader, in order to gauge their effect on Chaplin’s resurgence. Films such as . (1976) and . (1967) are also analyzed in terms of their content and the reception of that content by the average filmgoer of the time.
作者: 消音器    時間: 2025-3-25 18:27
Selling Charlie,ng, jewelry, posters and other items, demonstrates that it had a real renaissance during this period, second only to 1915, the year of “Chaplinitis,” with items being worn by children but also fashion-minded adults.
作者: 向下    時間: 2025-3-25 20:30
Book 2016 disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977.? By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study
作者: miniature    時間: 2025-3-26 02:10
Paolo P. Pescarmona,Thomas Maschmeyerwas again about Chaplin’s film mastery and not so much his politics. The efforts of film enthusiasts, many of whom were rank-and-file working-class Americans, moved mountains in terms of the steady reinvigoration of Chaplin as a founding father of the Hollywood film industry and of the concept of comedy as art.
作者: compel    時間: 2025-3-26 06:37

作者: 疾馳    時間: 2025-3-26 09:52
Bruce Fegley Jr.,Laura Schaeferng, jewelry, posters and other items, demonstrates that it had a real renaissance during this period, second only to 1915, the year of “Chaplinitis,” with items being worn by children but also fashion-minded adults.
作者: 特征    時間: 2025-3-26 14:37
Introduction: The Death of the Little Tramp and Chaplin in the Aftermath,lf more and more on political philosophies, such as communism, outside its comfort zone and realm of understanding. It was amidst this tense environment that Charlie Chaplin and his often na?ve-seeming political pronouncements—a behavior he enjoyed and came to seek out more and more after his 1931–1
作者: POLYP    時間: 2025-3-26 20:04

作者: LATER    時間: 2025-3-26 23:02

作者: febrile    時間: 2025-3-27 02:34
Seeing Charlie: Legal and Illegal Chaplin Screenings,aries. Along with the aforementioned Bohemian and Beat artists, these groups of people played their parts in keeping Chaplin alive in America, for it was through his films and filmmaking that his reputation here slowly began to be restored. By the early 1960s, the talk in American filmgoing circles
作者: brassy    時間: 2025-3-27 07:27
Narrativizing Charlie in Print and Film, documentary films. This chapter surveys the Chaplin books for the period, from Parker Tyler’s quirky . (1947) and Theodore Huff’s very popular . (1951) to Chaplin’s own . (1964), coupling descriptions of these books with their reviews and the way they were received by both Chaplin enthusiasts and t
作者: Indelible    時間: 2025-3-27 11:52
Selling Charlie,d wonders in terms of keeping Chaplin’s name and work alive in America. As a subsidiary to this discussion, then, is an investigation of the vehicle through which these parties communicated—the film fan magazine. Later in the chapter, the investigation of Chaplin merchandising, in the form of clothi
作者: 遍及    時間: 2025-3-27 16:11
9樓
作者: Dedication    時間: 2025-3-27 20:02
10樓
作者: 欺騙世家    時間: 2025-3-27 23:34
10樓
作者: Assignment    時間: 2025-3-28 04:44
10樓
作者: 烤架    時間: 2025-3-28 10:19
10樓




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