標(biāo)題: Titlebook: Celebrating Katherine Mansfield; A Centenary Volume o Gerri Kimber (Associate Lecturer),Janet Wilson (Pr Book 2011 Palgrave Macmillan, a di [打印本頁] 作者: 非決定性 時(shí)間: 2025-3-21 19:08
書目名稱Celebrating Katherine Mansfield影響因子(影響力)
作者: keloid 時(shí)間: 2025-3-21 23:25 作者: 儀式 時(shí)間: 2025-3-22 03:45 作者: Occupation 時(shí)間: 2025-3-22 07:37 作者: PRE 時(shí)間: 2025-3-22 12:05
Mansfield as Colonial Modernist: Difference Withins dominant methodological and critical co-ordinates generally, and in some ways quite remarkably, remain transatlantic, even in the twenty-first century. The cross-cultural and international exchanges that took place between writers and artists, and the various cross-border journeys they undertook, 作者: seroma 時(shí)間: 2025-3-22 15:23 作者: seroma 時(shí)間: 2025-3-22 18:14 作者: 懶惰民族 時(shí)間: 2025-3-23 00:23 作者: Confirm 時(shí)間: 2025-3-23 05:23 作者: Myofibrils 時(shí)間: 2025-3-23 06:11
A Trickle of Voice: Katherine Mansfield and the Modernist Moment of Beingwar:.The ‘undiscovered country’ here primarily refers to the pristine, radiant world of New Zealand; yet we cannot miss the echo of the ‘undiscovered country from whose bourn no traveller returns’ (., III, i, 79–80), a literary topos for the Lacanian register of the Real as distinct from the Symboli作者: 牙齒 時(shí)間: 2025-3-23 11:52 作者: linear 時(shí)間: 2025-3-23 17:04 作者: infantile 時(shí)間: 2025-3-23 19:13
‘Where is Katherine?’: Longing and (Un)belonging in the Works of Katherine Mansfield and artfulness.. Remappings which aim to situate modernism more fully within its socio-cultural matrix reconsider its transnationalism, such as the transformative cultural impact which occurred at the end of empire, due to the migration of colonial writers to England, many from non-elite communitie作者: colloquial 時(shí)間: 2025-3-23 23:01
Mansfield and Dickens: ‘I am not Reading Dickens ,’n Mansfield, we know that D. H. Lawrence saw her as a miniaturist, creating a ‘savage carving’ of ‘odd small people’ who ‘have a sort of funniness that is quite unconscious and subtle’.. Most of Dickens’s books were written, and published in serial parts, over 19 months; they were bursting with comp作者: 散開 時(shí)間: 2025-3-24 02:43 作者: Metastasis 時(shí)間: 2025-3-24 09:23
Book 2011A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.作者: 管理員 時(shí)間: 2025-3-24 11:48 作者: 短程旅游 時(shí)間: 2025-3-24 16:17
978-1-349-32565-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: 不愛防注射 時(shí)間: 2025-3-24 21:58 作者: Reservation 時(shí)間: 2025-3-25 00:25 作者: Corral 時(shí)間: 2025-3-25 06:44
https://doi.org/10.1007/978-3-8350-9572-4organized by Ian Conrich and the editors, which focused on the centenary of the arrival of Katherine Mansfield in London in July 1908 and the start of her professional career as a writer. It brings together new auto/biographical and critical-theoretical approaches to her life and art, in ways that c作者: 排名真古怪 時(shí)間: 2025-3-25 09:04 作者: 減弱不好 時(shí)間: 2025-3-25 13:17
https://doi.org/10.1007/978-3-8350-9572-4 men of Britain. At the end of October 1915, Prime Minister Herbert Asquith reported to Parliament that there had been nearly half-a-million casualties.. Among the dead and missing officers listed on 26 October of that year appeared the following:.Leslie Heron Beauchamp was, of course, Katherine Man作者: 一個(gè)姐姐 時(shí)間: 2025-3-25 19:48
https://doi.org/10.1007/978-3-8350-9572-4ndividual freedom. Murry later wrote about his disinclination ‘to urge any claim’ on her. He declared that he ‘a(chǎn)lways was, and always would be, man enough to ask nothing of a woman but what of her own motion she could not help giving’.. This concept of personal freedom had first been tested in 1915,作者: 陳腐思想 時(shí)間: 2025-3-25 22:32
Information - Organisation - Produktions dominant methodological and critical co-ordinates generally, and in some ways quite remarkably, remain transatlantic, even in the twenty-first century. The cross-cultural and international exchanges that took place between writers and artists, and the various cross-border journeys they undertook, 作者: Consensus 時(shí)間: 2025-3-26 00:40 作者: FLIT 時(shí)間: 2025-3-26 07:37
https://doi.org/10.1007/978-3-8350-9572-4, we know that nineteenth-century literature provided a wellspring of material which became transfigured in her modernist idiom. In this essay I propose that Mansfield’s allusions to music are particularly informed by her nineteenth-century reading and listening, and that this played a crucial role 作者: flourish 時(shí)間: 2025-3-26 10:24
https://doi.org/10.1007/978-3-8350-9572-4s form an intricate motif of binary relationships and codes to which the reader may or may not be attuned — creating a subtle form of communication that exists beyond the surface of the narrative. Modernist scholar Mary Ann Caws suggests that ‘a(chǎn) framed object […] may itself become the developing or 作者: figure 時(shí)間: 2025-3-26 15:34
Strategische Unternehmungsführungngside Freud’s 1919 essay ‘The Uncanny’.. The uncanny is, by definition, resistant to definition, lying somewhere between a concept and a feeling, confounding attempts to distinguish between imagination and reality, self and other, the familiar and the strange. Its significance can be stretched so w作者: 華而不實(shí) 時(shí)間: 2025-3-26 20:26 作者: Manifest 時(shí)間: 2025-3-27 00:25
https://doi.org/10.1007/978-3-8350-9584-7his pastoral world. I roam through the Forest of Arden & sit on the spiced Indian sands laughing with Titania.’. Everyone will recognize her allusion to .: ‘And in the spiced Indian air, by night, / Full often hath she gossip’d by my side’ (II, i, 124–5). Mansfield’s pastoral world is an enchanted w作者: Chronological 時(shí)間: 2025-3-27 02:21 作者: Abbreviate 時(shí)間: 2025-3-27 07:08 作者: 物質(zhì) 時(shí)間: 2025-3-27 10:19
Transaktionskostentheoretische Grundlagen,n Mansfield, we know that D. H. Lawrence saw her as a miniaturist, creating a ‘savage carving’ of ‘odd small people’ who ‘have a sort of funniness that is quite unconscious and subtle’.. Most of Dickens’s books were written, and published in serial parts, over 19 months; they were bursting with comp作者: 我不重要 時(shí)間: 2025-3-27 16:49
https://doi.org/10.1007/978-3-8350-9624-0rescience of this journal entry, written when Katherine Mansfield was about halfway through this ‘life’ as she had imagined it, before she became ill and before, on point of death, she did return to Wellington in a sense, through her stories ‘Prelude’ and ‘At the Bay’.. It looks forward, too, to the作者: critic 時(shí)間: 2025-3-27 18:47 作者: 立即 時(shí)間: 2025-3-27 23:22
s volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.978-1-349-32565-8978-0-230-30722-3作者: Latency 時(shí)間: 2025-3-28 03:17
https://doi.org/10.1007/978-3-8350-9572-4nfocused and longing to be alone. She too seemed to need an outlet for her emotions and an epistolary flirtation with Bertrand Russell — who had been Ottoline’s lover — appears to have briefly served that purpose.作者: 大氣層 時(shí)間: 2025-3-28 09:32 作者: OVERT 時(shí)間: 2025-3-28 10:55
‘A Furious Bliss’: Katherine Mansfield and John Middleton Murry 1916–1918nfocused and longing to be alone. She too seemed to need an outlet for her emotions and an epistolary flirtation with Bertrand Russell — who had been Ottoline’s lover — appears to have briefly served that purpose.作者: 低三下四之人 時(shí)間: 2025-3-28 17:30 作者: 遺忘 時(shí)間: 2025-3-28 19:49 作者: floaters 時(shí)間: 2025-3-29 01:56 作者: 感情脆弱 時(shí)間: 2025-3-29 06:41 作者: prick-test 時(shí)間: 2025-3-29 08:24 作者: 油膏 時(shí)間: 2025-3-29 11:32
A Trickle of Voice: Katherine Mansfield and the Modernist Moment of Beingc reality we live in.. It is in this realm beyond ‘the dazzling brim of the world’ that lies Mansfield’s little ., the irretrievable object to whom her writing is addressed: now she means to write a long elegy to him in a new poetic medium, a kind of ‘special prose’,. which is ‘a(chǎn) hidden country still’ to her.作者: 可能性 時(shí)間: 2025-3-29 17:21 作者: Yourself 時(shí)間: 2025-3-29 20:30
s volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.978-1-349-32565-8978-0-230-30722-3作者: IRATE 時(shí)間: 2025-3-29 23:56
https://doi.org/10.1007/978-3-8350-9572-4ansfield as an artist constantly concerned with and defined by problems of dislocation, estrangement and displacement, both in her fiction and life and, for the critic, by her somewhat ambiguous reputation as a modernist. It also builds on past criticism, to suggest that as modernism itself is being作者: COMMA 時(shí)間: 2025-3-30 05:32 作者: Allure 時(shí)間: 2025-3-30 09:07 作者: Maximizer 時(shí)間: 2025-3-30 14:27 作者: conservative 時(shí)間: 2025-3-30 18:47
Strategische Unternehmungsführungught up in the very processes he seeks to comprehend’.. Yet, despite its elusive character, it is possible to historicize and contextualize the cultural preoccupation with the uncanny which marked the years immediately following the First World War. Freud alludes to this context at several points in作者: Angiogenesis 時(shí)間: 2025-3-30 21:16
https://doi.org/10.1007/978-3-8350-9584-7’s work .; that is, her stories and poems set up a link, or even a communion, between the self and the world. The real things — trees and flowers, but also the lamp in ‘The Doll’s House’ — that she uses as images of being, are not emptied of life as linguistic signs or even concepts, but are shown a作者: 確定的事 時(shí)間: 2025-3-31 01:51 作者: 圣人 時(shí)間: 2025-3-31 07:38 作者: Finasteride 時(shí)間: 2025-3-31 10:16 作者: 慢慢沖刷 時(shí)間: 2025-3-31 16:01
