標(biāo)題: Titlebook: Cave Art, Perception and Knowledge; Mats Rosengren Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 art.Franc [打印本頁(yè)] 作者: chondrocyte 時(shí)間: 2025-3-21 17:37
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作者: 簡(jiǎn)潔 時(shí)間: 2025-3-21 21:01 作者: 冒失 時(shí)間: 2025-3-22 04:21 作者: abnegate 時(shí)間: 2025-3-22 04:43
Schaltungssimulation mit dem PC,ation of such a tortuous thinking. This book is about bringing thinking and philosophy back into the caves again. It is about what the mind can find in the caves, as well as what the caves can bring to mind.作者: 驕傲 時(shí)間: 2025-3-22 09:04
,OP-Anwendungen in Stromversorgungsger?ten,constantly reinvented) for a period so long that it is hardly conceivable for us: How could it have been sustained? Why did it not change more than it did? Why this relative constancy of motifs? And, of course: Why paint anything as deep under a mountain as is humanly possible?作者: 制造 時(shí)間: 2025-3-22 14:43
,Vertiefungsübungen zu OP-Schaltungen,ion, wherein bodies have come to matter more and more, in every kind of sense. Perhaps this will create a spin, making the cracks in the walls wider; opening into yet unexplored galleries of our human cave.作者: 制造 時(shí)間: 2025-3-22 18:28
Book 2012Using the example of prehistoric paintings discovered in the late 19th century in Spain and France Cave Art, Perception and Knowledge inquires into epistemic questions related to images, depicting and perception that this rich material has given rise to. The book traces the outline of the doxa of cave art studies.作者: 小步舞 時(shí)間: 2025-3-23 00:43 作者: nettle 時(shí)間: 2025-3-23 02:14 作者: Immobilize 時(shí)間: 2025-3-23 09:09 作者: 能得到 時(shí)間: 2025-3-23 13:04
Schaltungssimulation mit dem PC, Fleck’s epistemology, Empedocles’s theory of perception and Peter G?rdenfors’s cognitive science — in developing a doxology for our times. More specifically I would like to show how these resources may provide a possible explanation of the scientists’ non-seeing of the images in the caves.作者: Iatrogenic 時(shí)間: 2025-3-23 16:15
,Vertiefungsübungen zu OP-Schaltungen,wo topics of this book. I fear I have so far not really contributed in a positive way to the field of cave-art study. But I hope to do so, very modestly and only on the conceptual level, in what follows.作者: Heart-Attack 時(shí)間: 2025-3-23 19:32 作者: 愛(ài)好 時(shí)間: 2025-3-23 23:19
Cave Opening,Let us briefly look at a decisive moment in the construction of the Western notions of image and depiction: Plato’s cave as it is described in Book VII of . It is introduced as part of a long analogy, destined by Socrates to explain the human condition.作者: Discrete 時(shí)間: 2025-3-24 02:56
Doxa,s means that he chose human imperfection, unsure belief and constant change instead of Platonic immobility and certainty. His most famous dictum, the so-called . fragment, is perhaps the most poignant expression of this position:作者: packet 時(shí)間: 2025-3-24 06:45
Doxa, Fleck’s epistemology, Empedocles’s theory of perception and Peter G?rdenfors’s cognitive science — in developing a doxology for our times. More specifically I would like to show how these resources may provide a possible explanation of the scientists’ non-seeing of the images in the caves.作者: COLIC 時(shí)間: 2025-3-24 12:50 作者: nocturia 時(shí)間: 2025-3-24 16:50
es into epistemic questions related to images, depicting and perception that this rich material has given rise to. The book traces the outline of the doxa of cave art studies.978-1-349-44473-1978-1-137-27197-6作者: 增強(qiáng) 時(shí)間: 2025-3-24 22:18
Schaltungssimulation mit dem PC,n Book VII of ., as a metaphor for the human situation. Ever since, the chief objective of man appears to have been to get out of his troglodytic settings; to free his mind of the shadows, the smoke and the images coming out of the deep recesses of the earth. Metaphysics as we know it is all but unt作者: 桉樹(shù) 時(shí)間: 2025-3-25 02:24 作者: Visual-Field 時(shí)間: 2025-3-25 03:45 作者: Meditative 時(shí)間: 2025-3-25 10:15 作者: finale 時(shí)間: 2025-3-25 15:04
OP-Grundschaltungen mit Gegenkopplung,efforts at making sense of the material at hand. — efforts ranging from the most simple explanations (the making of cave art was just a pastime in between other activities) to the most elaborate (cave art as a complicated multilayered ‘language’). This history is intimately connected to changes, str作者: 預(yù)測(cè) 時(shí)間: 2025-3-25 19:12
,Vertiefungsübungen zu OP-Schaltungen,wo topics of this book. I fear I have so far not really contributed in a positive way to the field of cave-art study. But I hope to do so, very modestly and only on the conceptual level, in what follows.作者: 取回 時(shí)間: 2025-3-25 21:34 作者: 打算 時(shí)間: 2025-3-26 01:44
http://image.papertrans.cn/c/image/222669.jpg作者: accessory 時(shí)間: 2025-3-26 04:30 作者: Initiative 時(shí)間: 2025-3-26 08:42 作者: Spinal-Fusion 時(shí)間: 2025-3-26 13:10 作者: Introduction 時(shí)間: 2025-3-26 19:12
Outside,n Book VII of ., as a metaphor for the human situation. Ever since, the chief objective of man appears to have been to get out of his troglodytic settings; to free his mind of the shadows, the smoke and the images coming out of the deep recesses of the earth. Metaphysics as we know it is all but unt作者: MAPLE 時(shí)間: 2025-3-26 23:32 作者: 種族被根除 時(shí)間: 2025-3-27 04:31 作者: packet 時(shí)間: 2025-3-27 07:09
Doxa, Fleck’s epistemology, Empedocles’s theory of perception and Peter G?rdenfors’s cognitive science — in developing a doxology for our times. More specifically I would like to show how these resources may provide a possible explanation of the scientists’ non-seeing of the images in the caves.作者: Pigeon 時(shí)間: 2025-3-27 10:37 作者: 使熄滅 時(shí)間: 2025-3-27 17:16 作者: 皮薩 時(shí)間: 2025-3-27 21:43 作者: 即席演說(shuō) 時(shí)間: 2025-3-28 01:46
Lydia Bleasdaleht um eine schlichte Vertrauenskrise der Demokratie handelt, sondern um das Schrumpfen nicht regenerierbarer Ressourcen, die den Bestand und das Funktionieren liberaler Demokratien überhaupt erst erm?glichen, darauf hat bereits vor 30 Jahren Ernst-Wolfgang B?ckenf?rde aufmerksam gemacht: ?Der freihe作者: mechanical 時(shí)間: 2025-3-28 04:38 作者: 物質(zhì) 時(shí)間: 2025-3-28 07:17 作者: Veneer 時(shí)間: 2025-3-28 12:45 作者: 古老 時(shí)間: 2025-3-28 16:07
