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標(biāo)題: Titlebook: Cartographies of New York and Other Postwar American Cities; Art, Literature and Monica Manolescu Book 2018 The Editor(s) (if applicable) [打印本頁(yè)]

作者: 要旨    時(shí)間: 2025-3-21 20:00
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作者: 修飾    時(shí)間: 2025-3-21 23:27

作者: paleolithic    時(shí)間: 2025-3-22 00:54

作者: NEEDY    時(shí)間: 2025-3-22 06:44

作者: Muscularis    時(shí)間: 2025-3-22 10:40

作者: 性滿足    時(shí)間: 2025-3-22 14:07
Fengqiang Wang,David A. Fishman in cultural theory . This chapter makes the claim that the flaneur is also highly relevant for twentieth- and twenty-first-century locative arts and arts of walking. Starting from Poe ’s short story “The Man of the Crowd” (1840), one of the most influential American texts about the nineteenth
作者: 性滿足    時(shí)間: 2025-3-22 17:52
George M. Yousef,Eleftherios P. Diamandisional spaces and the urban site, embracing ever more unmoored types of artistic mobility. I examine both artistic projects and artist writings, and I emphasize the role played by the “everyday literature” of the American city (traffic sounds, graffiti, conversations in public places). Claes Oldenbur
作者: 鑲嵌細(xì)工    時(shí)間: 2025-3-22 22:12

作者: 極小    時(shí)間: 2025-3-23 02:04
Biomarker Targets and Novel Therapeuticsuburbia, “The Monuments of Passaic” (1967), I argue that instead of thinking about Passaic in opposition to New York, as suggested by critical discussions so far, it is possible to place Smithson’s vision of urban and suburban sites in a larger transatlantic framework which also includes Rome, to wh
作者: Stable-Angina    時(shí)間: 2025-3-23 06:51

作者: Meditate    時(shí)間: 2025-3-23 13:11

作者: PALL    時(shí)間: 2025-3-23 14:26
Robert Wenczel,Andrew Eberhard,Robin Hill and urbanism as well. I define the whole book as a celebration of the art of getting lost, which brings to the fore the pleasures and perils of disorientation inherent in most of the examples discussed. I argue that the mapping strategies presented so far result in a creative loss of bearings. New
作者: vasospasm    時(shí)間: 2025-3-23 20:52
Cartographies of New York and Other Postwar American Cities978-3-319-98663-0Series ISSN 2578-9694 Series E-ISSN 2634-5188
作者: 拱形面包    時(shí)間: 2025-3-24 01:26

作者: Accord    時(shí)間: 2025-3-24 03:10
George M. Yousef,Eleftherios P. DiamandisNew York and New Jersey. The last part of the chapter is devoted to Fluxus and conceptual walking projects: .—. (1962), performed by Dick Higgins and Benjamin Patterson in Times Square, and Yoko Ono’s . (1964).
作者: Euthyroid    時(shí)間: 2025-3-24 09:49

作者: 灰心喪氣    時(shí)間: 2025-3-24 13:46
Biomarker Targets and Novel TherapeuticsThe chapter also addresses the question of Smithson’s stance on the urban condition as it emerges in other essays, especially “Ultramoderne,” “The Crystal Land” and “Frederick Law Olmsted and the Dialectical Landscape.”
作者: FECT    時(shí)間: 2025-3-24 18:01

作者: 邊緣帶來(lái)墨水    時(shí)間: 2025-3-24 22:14
Transitions: Happenings and Beyond,New York and New Jersey. The last part of the chapter is devoted to Fluxus and conceptual walking projects: .—. (1962), performed by Dick Higgins and Benjamin Patterson in Times Square, and Yoko Ono’s . (1964).
作者: Notify    時(shí)間: 2025-3-25 01:17

作者: CAMEO    時(shí)間: 2025-3-25 04:29

作者: SEMI    時(shí)間: 2025-3-25 08:50
,Cartographies and the Texture of Cities: Rebecca Solnit’s ,ersion in a globalized world (Deleuze and Guattari). I also claim that the atlas can have larger uses outside of geography and can be considered a fruitful method of cultural investigation in the spirit of Aby Warburg’s . (1924–1929).
作者: 草率男    時(shí)間: 2025-3-25 13:25

作者: 吞吞吐吐    時(shí)間: 2025-3-25 18:58
Fengqiang Wang,David A. Fishmantionist collaborative performance conducted in Manhattan by two flaneuses, Christina Ray and Lee Walton . The chapter offers a new reading of Poe ’s “The Man of the Crowd ” and a new perspective on the evolution of the flaneur that spans fiction, art and theoretical discourses on urban modernity.
作者: Intact    時(shí)間: 2025-3-25 22:01
P. G. Howlett,C. E. M. Pearce,A. P. Torokhti might provide interesting points of convergence and comparison with Matta-Clark’s playful interest in interstitial and useless urban spaces. I examine in particular the way he revisits the grid and questions its supposed infallibility as a form of spatial organization in urban planning and representation in the pictorial tradition of modernism.
作者: 瑣碎    時(shí)間: 2025-3-26 01:24
Robert Wenczel,Andrew Eberhard,Robin Hilldels in the USA and elsewhere), to the dispersion of narrative and visual possibilities that are constitutive of its fluid nature, resulting from unsettling perspectives on monumentality, real estate value, social regulations, epistemological certainties and political authority.
作者: Cirrhosis    時(shí)間: 2025-3-26 06:51

作者: endoscopy    時(shí)間: 2025-3-26 09:19
,Gordon Matta-Clark’s Urban Slivers and “Word Works”, might provide interesting points of convergence and comparison with Matta-Clark’s playful interest in interstitial and useless urban spaces. I examine in particular the way he revisits the grid and questions its supposed infallibility as a form of spatial organization in urban planning and representation in the pictorial tradition of modernism.
作者: Cardioversion    時(shí)間: 2025-3-26 13:20
,Conclusion: “Write a Book to Get Lost”,dels in the USA and elsewhere), to the dispersion of narrative and visual possibilities that are constitutive of its fluid nature, resulting from unsettling perspectives on monumentality, real estate value, social regulations, epistemological certainties and political authority.
作者: GEM    時(shí)間: 2025-3-26 19:19

作者: antiquated    時(shí)間: 2025-3-26 23:47
Introduction,Solnit, etc.). Several features of the book are highlighted, notably its engagement with the interplay between discourses and site-oriented practices and its attempt to posit maps and mapping as a critical nexus around which some of the major actors of the artistic engagement with urban space in postwar America can be reconfigured and analyzed.
作者: obviate    時(shí)間: 2025-3-27 03:45
E. Namati,M.J. Suter,G. McLennanSolnit, etc.). Several features of the book are highlighted, notably its engagement with the interplay between discourses and site-oriented practices and its attempt to posit maps and mapping as a critical nexus around which some of the major actors of the artistic engagement with urban space in postwar America can be reconfigured and analyzed.
作者: vocation    時(shí)間: 2025-3-27 05:20
Cartographies of New York and Other Postwar American CitiesArt, Literature and
作者: Champion    時(shí)間: 2025-3-27 10:19

作者: 說(shuō)明    時(shí)間: 2025-3-27 15:41
Introduction,hich suggest a focus on artistic strategies of mapping New York and other postwar American cities by a variety of artists and practitioners of space (E. A. Poe’s “The Man of the Crowd” and its contemporary artistic rereadings, Allan Kaprow, Vito Acconci, Robert Smithson, Gordon Matta-Clark, Rebecca
作者: hallow    時(shí)間: 2025-3-27 20:59

作者: 友好關(guān)系    時(shí)間: 2025-3-28 00:21

作者: Cacophonous    時(shí)間: 2025-3-28 03:37

作者: FILTH    時(shí)間: 2025-3-28 10:20

作者: 過(guò)于光澤    時(shí)間: 2025-3-28 10:27

作者: ELUDE    時(shí)間: 2025-3-28 15:40
,Cartographies and the Texture of Cities: Rebecca Solnit’s , the atlas as a genre by reworking various literary, artistic and ideological sources (Calvino’s ., Debord’s defamiliarization of the city, feminist and environmentalist perspectives, Lefebvre’s “production of space”). This example of counter-mapping illustrates the evolution and democratization of




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