標(biāo)題: Titlebook: Canadian Science Fiction, Fantasy, and Horror; Bridging the Solitud Amy J. Ransom,Dominick Grace Book 2019 The Editor(s) (if applicable) an [打印本頁(yè)] 作者: 麻煩 時(shí)間: 2025-3-21 18:12
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作者: negligence 時(shí)間: 2025-3-21 23:14
Neuropathologie des Drogenmissbrauchsy nation-state, as well as Wilson’s transnational approach to his protagonist’s developing sense of identity within and without his “Affinity.” It contextualizes its arguments in the current US and Canadian political climates.作者: 安心地散步 時(shí)間: 2025-3-22 02:26 作者: 小官 時(shí)間: 2025-3-22 05:58
The Affinity for Utopia: Erecting Walls and Building Bridges in Robert Charles Wilson’s y nation-state, as well as Wilson’s transnational approach to his protagonist’s developing sense of identity within and without his “Affinity.” It contextualizes its arguments in the current US and Canadian political climates.作者: 災(zāi)難 時(shí)間: 2025-3-22 11:38
Book 2019y, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement..作者: fatuity 時(shí)間: 2025-3-22 15:33
Multiple Sklerose und verwandte Syndromentemporary world is increasingly one in which the global rather than the national context is central to an understanding of self and place; the fantastic (especially sf, but other genres, as well) is ready-made for exploring in non-literal terms the complex and problematic nature of intercultural engagement.作者: fatuity 時(shí)間: 2025-3-22 18:19
Zytologie des Liquor cerebrospinalisence’s . (1889), Jules-Paul Tardivel’s . (1895), and Ubald Paquin’s . (1925), reveal that authors in both cultures portray future Canadas or Québecs that are increasingly independent from Britain, arguing for sovereignty while benefiting from political principles handed down by that Empire.作者: Conducive 時(shí)間: 2025-3-23 00:18
https://doi.org/10.1007/978-3-642-59371-0at a time when they tended to be secondary at best; she also includes conventional “feminine” concerns such as love, maternity, and domestic work. Finally, she challenges the division between mainstream and genre literature, seeing the gap between “science fiction” and “l(fā)iterature” as artificial.作者: 圖畫文字 時(shí)間: 2025-3-23 05:05
Viral Encephalitis and Its Pathology,he glory of endangered communities threatened by engulfment in “global culture.” Similarly, in . (2014), Mandel presents a troupe of itinerant actors who roam the Great Lakes region to perform Shakespeare and music, thus acting to preserve a culture threatened with loss.作者: 口味 時(shí)間: 2025-3-23 06:27 作者: motivate 時(shí)間: 2025-3-23 11:48
Lymphoma and the Nervous System,ime. . (2010) explores forced assimilation and resistance through sf. Both films are concerned with transforming popular images and familiar tropes from Gothic, fantasy, horror, and science fiction, which widens the scope of storytelling and subverts the idea of a homogeneous Indigenous culture.作者: Lacerate 時(shí)間: 2025-3-23 15:38 作者: 安心地散步 時(shí)間: 2025-3-23 18:08
https://doi.org/10.1007/978-1-59745-219-9e tropes of sf generally, and the legacy of feminist sf in particular, to raise the question of what it means to be human and why, historically, the attribution of humanity has been so unevenly allocated, thus addressing a central question of global sf today.作者: 歡樂東方 時(shí)間: 2025-3-24 02:11 作者: 娘娘腔 時(shí)間: 2025-3-24 04:10
Book 2019 to the Canadian experience. This volume examines Canadian and Québécois literature of the fantastic across its genres—such as science fiction, fantasy, horror, indigenous futurism, and others—and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple 作者: Organonitrile 時(shí)間: 2025-3-24 07:15 作者: 獨(dú)行者 時(shí)間: 2025-3-24 11:55 作者: CON 時(shí)間: 2025-3-24 15:10 作者: ATOPY 時(shí)間: 2025-3-24 19:20
The Art of Not Dying: , by Emily St. John Mandel and , by Catherine Mavrikakishe glory of endangered communities threatened by engulfment in “global culture.” Similarly, in . (2014), Mandel presents a troupe of itinerant actors who roam the Great Lakes region to perform Shakespeare and music, thus acting to preserve a culture threatened with loss.作者: EXPEL 時(shí)間: 2025-3-25 02:42
When Are We Ever at Home? Exile and Nostalgia in the Work of Guy Gavriel Kaythat is always being imagined even as it is always being lost. He does so in novels that reimagine world history in alternate versions of ancient and medieval Europe and Asia, estranging the familiar, rendering it .: both home and not home at once.作者: 真實(shí)的你 時(shí)間: 2025-3-25 05:45
Indigenous Futurist Film: Speculation and Resistance in Jeff Barnaby’s , and ime. . (2010) explores forced assimilation and resistance through sf. Both films are concerned with transforming popular images and familiar tropes from Gothic, fantasy, horror, and science fiction, which widens the scope of storytelling and subverts the idea of a homogeneous Indigenous culture.作者: interference 時(shí)間: 2025-3-25 08:16 作者: MAOIS 時(shí)間: 2025-3-25 13:33
Cruising Canadian SF’s Queer Futurity: Hiromi Goto’s , and Larissa Lai’s e tropes of sf generally, and the legacy of feminist sf in particular, to raise the question of what it means to be human and why, historically, the attribution of humanity has been so unevenly allocated, thus addressing a central question of global sf today.作者: right-atrium 時(shí)間: 2025-3-25 17:52
Crossing the (Trans)Gender Bridge: Exploring Intersex and Trans Bodies in Canadian Speculative Fictichoices—to bridge communities, be it cis and trans, intersex, other queer, or geopolitical identities. The chapter argues that cisgendered appropriations of trans, intersex, and other identities is a problematic instance of (mis)representation.作者: 微生物 時(shí)間: 2025-3-25 21:26
2569-8826 r works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement..978-3-030-15687-9978-3-030-15685-5Series ISSN 2569-8826 Series E-ISSN 2569-8834 作者: 蝕刻術(shù) 時(shí)間: 2025-3-26 02:20
Lymphoma and the Nervous System,nts in each text are inextricably linked to the Anishinaabe concept of .—returning to ourselves—and that their intermingling of past and present suggests ways of finding balance in an unbalanced world.作者: 笨拙的我 時(shí)間: 2025-3-26 07:07
Reconciliation, Resistance, and ,: Re-imagining Canadian Residential Schools in Indigenous Speculatints in each text are inextricably linked to the Anishinaabe concept of .—returning to ourselves—and that their intermingling of past and present suggests ways of finding balance in an unbalanced world.作者: Ondines-curse 時(shí)間: 2025-3-26 11:35 作者: GLEAN 時(shí)間: 2025-3-26 15:52
https://doi.org/10.1007/978-3-031-56658-5he biological and the technological, the physical and the virtual, the literal and the figurative. Divisions are artificially imposed, and Watts ruptures the biocentric fallacy that life will be forever confined to elements arising from organic chemistry: life, the text stresses, is nothing more than an expression of code.作者: 座右銘 時(shí)間: 2025-3-26 18:04 作者: 晚間 時(shí)間: 2025-3-27 01:00
A , of Replication: Peter Watts’s Glitching Textual Source Codeshe biological and the technological, the physical and the virtual, the literal and the figurative. Divisions are artificially imposed, and Watts ruptures the biocentric fallacy that life will be forever confined to elements arising from organic chemistry: life, the text stresses, is nothing more than an expression of code.作者: 支架 時(shí)間: 2025-3-27 05:09
The Missing Link: Bridging the Species Divide in Margaret Atwood’s eciesism on a planetary level. In the . trilogy (2003–2013), Atwood expands the notion of multiculturalism to that of multispeciesism, arguing for the construction of bridges between species in order to create a form of multispecies justice and suggesting multiple interdependencies.作者: Collision 時(shí)間: 2025-3-27 05:35 作者: 寬度 時(shí)間: 2025-3-27 11:57
Studies in Global Science Fictionhttp://image.papertrans.cn/c/image/221026.jpg作者: 可觸知 時(shí)間: 2025-3-27 15:47 作者: visual-cortex 時(shí)間: 2025-3-27 21:41
Multiple Sklerose und verwandte SyndromeThe essays in this volume examine Francophone and Anglophone Canadian literature of the fantastic, across its genres—sf, fantasy, horror, Indigenous futurism, and others—through the lens of the bridge metaphor, interrogating their representations of colonialism, nationalism, race, and gender. The co作者: 亂砍 時(shí)間: 2025-3-28 01:31
Zytologie des Liquor cerebrospinalisand fantasy of the two linguistic groups differs, yet there are similarities in how they present the Empire’s role. Generally, the Empire is seen as a protector for Anglophone writers and an oppressor for Francophones, but texts such as Ralph Centennius’s “The Dominion in 1983” (1883), W. H. C. Lawr作者: lymphoma 時(shí)間: 2025-3-28 04:04
https://doi.org/10.1007/978-3-642-59371-0boundaries or barriers between ideas. First, Merril bridges the gaps between science and pseudoscience. Second, Merril breaks down the notion of nation or nationality, especially in her treatment of human/alien encounters. Third, Merril challenges gender divisions, often featuring female characters 作者: CRACK 時(shí)間: 2025-3-28 10:11 作者: 怎樣才咆哮 時(shí)間: 2025-3-28 13:57
Neuropathologie des Drogenmissbrauchseless exploits a key novum that extrapolates technological advances and their impact on the sociopolitical present: the emergence of “Affinities,” social groups organized around genetic markers that provide their members with an almost-immediate intimacy and sense of connection with otherwise perfec作者: Allergic 時(shí)間: 2025-3-28 14:35
Viral Encephalitis and Its Pathology,turing devastated worlds, in which most of the bridges allowing people to reach out to each other have collapsed. But, they also focus on a handful of characters using memory and art to build new bridges. In . (2016), Mavrikakis’s hero is a world-famous singer who creates museums and mausoleums to t作者: TAIN 時(shí)間: 2025-3-28 20:29
Sudden Unexplained Death in Adults,r Kay, the history of nation building and identity building has been one of conquest and colonization, of departure and displacement, of homesteading and of rehoming. Kay creates myths of nationhood and nationalism, seeing the exile and expatriate figures who mark them as icons of an idea of nation 作者: 背書 時(shí)間: 2025-3-29 00:26
Lymphoma and the Nervous System,ol trauma, not only to unpack the immediate and intergenerational trauma of residential schools, but also to situate the schools within ongoing colonial processes, and to suggest specifically Indigenous modes of regeneration. It shows how Gerry William’s . (1994), the first Indigenous science fictio作者: 加強(qiáng)防衛(wèi) 時(shí)間: 2025-3-29 03:42 作者: hemophilia 時(shí)間: 2025-3-29 10:20
Demyelinating and Dysmyelinating Diseases,hin the development of science fiction in Québec and Margaret Atwood’s problematic relationship with the genre, Mosser identifies the work of both writers as “meta-utopian.” Vonarburg’s novel, originally published in French in 1992, presents two major narratives, both of which reflect a need for the作者: 不給啤 時(shí)間: 2025-3-29 14:26
https://doi.org/10.1007/978-1-59745-219-9nvested in sf as a genre. Their respective novels, . (2001) and . (2002), rework Japanese and Chinese mythology in an explicitly Asian-Canadian manner, using speculative fiction to experiment with what it means to be produced as a gendered, racialized, and sexualized human being. Goto and Lai use th作者: ORE 時(shí)間: 2025-3-29 18:05
Written Self-Assessment Questions,d intersex people become the bridge, both in literary works and speculative fiction, as a way to anchor the transgender body to physical geography and national identity. These authors use the image of the bridge—more or less successfully, depending on their own gender orientation and their literary 作者: 怎樣才咆哮 時(shí)間: 2025-3-29 23:44
https://doi.org/10.1007/978-3-031-56658-5deed, posthuman world challenges human dominance, as prehistoric and technologically based lifeforms compete with humans, blurring the lines between the biological and the technological, the physical and the virtual, the literal and the figurative. Divisions are artificially imposed, and Watts ruptu作者: grenade 時(shí)間: 2025-3-30 03:00
Answers to Self-Assessment Questions,e as reworking the binarism of the “two founding nations” to move beyond both the two solitudes and the mosaic metaphor, extending survival to interspeciesism on a planetary level. In the . trilogy (2003–2013), Atwood expands the notion of multiculturalism to that of multispeciesism, arguing for the作者: 神圣在玷污 時(shí)間: 2025-3-30 04:21
https://doi.org/10.1007/978-3-030-15685-5Canadian science fiction; Canadian speculative fiction; Canadian horror literature; Canadian fantasy li作者: 構(gòu)成 時(shí)間: 2025-3-30 09:31 作者: GRIN 時(shí)間: 2025-3-30 15:51 作者: TOM 時(shí)間: 2025-3-30 18:32
