標(biāo)題: Titlebook: Black Iconoclasm; Public Symbols, Raci Charles Athanasopoulos Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li [打印本頁] 作者: 馬用 時間: 2025-3-21 18:40
書目名稱Black Iconoclasm影響因子(影響力)
書目名稱Black Iconoclasm影響因子(影響力)學(xué)科排名
書目名稱Black Iconoclasm網(wǎng)絡(luò)公開度
書目名稱Black Iconoclasm網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Black Iconoclasm被引頻次
書目名稱Black Iconoclasm被引頻次學(xué)科排名
書目名稱Black Iconoclasm年度引用
書目名稱Black Iconoclasm年度引用學(xué)科排名
書目名稱Black Iconoclasm讀者反饋
書目名稱Black Iconoclasm讀者反饋學(xué)科排名
作者: troponins 時間: 2025-3-21 21:31 作者: agonist 時間: 2025-3-22 03:10
On Fanonian Slipsation is unique requiring attention to context and contingency balanced with an understanding of the imposed cultural domain of the white mask. Here, Black iconoclasm manifests as a critical practice that can be taken up within the flow of lived experience and culture.作者: paroxysm 時間: 2025-3-22 05:04 作者: 允許 時間: 2025-3-22 09:53
Prologue: Twilight of the Icons,rn Man’s social codes of race, gender, class, and sexuality. Engaging the nexus point of the Black radical tradition and contemporary iconoclasm studies, I ask: How do we discern Black radical thought and activism from the co-options of Western Man? Are we doomed to repeat a cycle of destroying a fe作者: ALIEN 時間: 2025-3-22 15:43
In the Embers of Black Critique: Dismantling the Icon of Black Lives MatterM) evolution into the Black Lives Matter Global Network (BLMGN) by focusing on emerging critiques from the BLM10, Mass Action for Black Liberation (MABL), and BLM Grassroots. While many have offered wholesale rejections of BLM and/or uncritical celebrations which iconize BLMGN and its co-founders, a作者: transient-pain 時間: 2025-3-22 17:21 作者: infantile 時間: 2025-3-22 23:04
On Fanonian Slipsemonstrating the operation of racial icons on the level of the interpersonal, political, and internal. The chapter also moves beyond Fanon by further engaging Hortense Spillers’ call for a new “psychoanalytic culture criticism” and digging into Fanon’s owns slippages in relation to his theorizing of作者: saphenous-vein 時間: 2025-3-23 02:46
Iconoclastic Readings: Anti/Blackness in Post/Ferguson American Cinemag genre of post/Ferguson American cinema: . (2020), . (2021), and the two-film . (2018, 2022) universe. The inter(con)textual connections between these films highlight how they each contain residues of racial icons and Black radical excess in how they imagine Black liberation. In doing so, I show ho作者: insipid 時間: 2025-3-23 07:20 作者: FAST 時間: 2025-3-23 10:35
Epilogue: Twilight of the Icons, gaps, and fractures in the conceptual foundations of Western Man. These fractures are never pure; that they will not be recaptured by power is never guaranteed. In most cases, invention both produces radical possibilities for refusal at the same time it craves the reactive epistemological closure 作者: 暫時休息 時間: 2025-3-23 15:48 作者: fixed-joint 時間: 2025-3-23 19:20
Methane Conversion by Oxidative ProcessesM) evolution into the Black Lives Matter Global Network (BLMGN) by focusing on emerging critiques from the BLM10, Mass Action for Black Liberation (MABL), and BLM Grassroots. While many have offered wholesale rejections of BLM and/or uncritical celebrations which iconize BLMGN and its co-founders, a作者: 喧鬧 時間: 2025-3-24 00:54 作者: Demulcent 時間: 2025-3-24 02:32
Zbigniew Kalenik,Eduardo E. Wolfemonstrating the operation of racial icons on the level of the interpersonal, political, and internal. The chapter also moves beyond Fanon by further engaging Hortense Spillers’ call for a new “psychoanalytic culture criticism” and digging into Fanon’s owns slippages in relation to his theorizing of作者: harbinger 時間: 2025-3-24 07:20 作者: 陳腐的人 時間: 2025-3-24 13:19
https://doi.org/10.1007/978-1-84882-872-8e way of engaging the relationship between icons and iconoclasm. This chapter reads the multiple iconographic residues and Black radical excess which manifest surrounding a Black Lives Matter (BLM)-graffiti-wall-turned-mural in downtown Pittsburgh, Pennsylvania. Thinking this BLM mural as a poetics 作者: Lament 時間: 2025-3-24 18:43 作者: Amnesty 時間: 2025-3-24 20:26
https://doi.org/10.1007/978-3-031-66924-8Black Studies; Race; Black Lives Matter; Fanon; Glissant; Nietzsche; Visual Culture作者: 暫時中止 時間: 2025-3-25 02:49
978-3-031-66926-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: conference 時間: 2025-3-25 04:21 作者: sulcus 時間: 2025-3-25 10:12 作者: addition 時間: 2025-3-25 12:54
Prologue: Twilight of the Icons,entation yields practices and theories which fracture narratives that reduce Black liberation to reproducible sequences. Thus, Black iconoclasm is a mode of conceptual abolition which unsettles the supposed dialectical cycle of icons and iconoclasm. Reframing iconoclasm in this way opens avenues for作者: 阻礙 時間: 2025-3-25 16:22
In the Embers of Black Critique: Dismantling the Icon of Black Lives Mattercuses on the fractures around the shared BLM moniker to wrestle with the multiple trajectories—iconoclastic and iconographic—enabled by the Ferguson Uprising. The co-option of certain political trajectories surrounding the BLM moniker cannot be reduced to a neat cycle given that Black people continu作者: 船員 時間: 2025-3-25 20:35 作者: motivate 時間: 2025-3-26 02:50 作者: opprobrious 時間: 2025-3-26 05:19 作者: 向外才掩飾 時間: 2025-3-26 08:34 作者: FOR 時間: 2025-3-26 14:47 作者: abject 時間: 2025-3-26 17:13 作者: instructive 時間: 2025-3-26 23:32 作者: 消極詞匯 時間: 2025-3-27 03:18 作者: finale 時間: 2025-3-27 08:10
https://doi.org/10.1007/978-1-84882-872-8tual foundations. Oftentimes, it does both. This does not mean that we are helplessly caught in an endless cycle of iconoclasm leading to new icons. On the contrary, it necessitates a deciphering practice which can discern iconographic residues from Black radical excess.作者: 集聚成團(tuán) 時間: 2025-3-27 12:35
https://doi.org/10.1007/978-1-84882-872-8conoclasm which we can point to as neatly escaping the residues of racial icons. Such an analytical threshold of purity does Black radical thought and activism a disservice. It is about thinking multiple acts of Black iconoclasm and paying attention to how each has their own tempo and momentums just作者: 發(fā)展 時間: 2025-3-27 17:08
https://doi.org/10.1007/978-1-84882-872-8ck iconoclasm reflects a liminal orientation toward ritual transgression and discernment which performatively manifests differently according to context. This means thinking Black radical disruption as an active process that cannot be reduced to singular acts of negation or moments of realization th作者: MORPH 時間: 2025-3-27 20:08 作者: Bumptious 時間: 2025-3-28 01:54
9樓作者: 舔食 時間: 2025-3-28 05:38
9樓作者: creditor 時間: 2025-3-28 06:57
9樓作者: 同步左右 時間: 2025-3-28 10:33
10樓作者: 乞討 時間: 2025-3-28 15:31
10樓作者: 和藹 時間: 2025-3-28 21:42
10樓作者: 清楚說話 時間: 2025-3-28 23:38
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