標題: Titlebook: Browning and the Modern Tradition; Betty S. Flowers Textbook 1976Latest edition Betty S. Flowers 1976 Britain.history of literature.litera [打印本頁] 作者: 我要黑暗 時間: 2025-3-21 17:27
書目名稱Browning and the Modern Tradition影響因子(影響力)
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作者: 減震 時間: 2025-3-21 23:57
The Approach to the Subject,emur at altogether’,. he was pointing to a problem which he faced throughout his writing career — that of a public expecting something from his poetry which he refused to give, and through this expectation, being blind to that which was peculiarly his own to give. Through his introductions and throu作者: Chronic 時間: 2025-3-22 02:34
The Use of Common Speech,closely involved was no exception to this generalisation. In fact, one of the most immediately noticeable differences between twentieth-century poetry and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou lo作者: Preamble 時間: 2025-3-22 06:00 作者: Insensate 時間: 2025-3-22 11:26 作者: 你不公正 時間: 2025-3-22 14:42
John Bellamy Foster,Robert W. McChesneyTraditionally, the borderline between poetry and prose was very clear: poetry was ‘verse’, and prose was not. In modem literature, however, this distinction has become blurred. A passage in a novel may exhibit patterns of rhythm, alliteration and other characteristics usually associated with verse:作者: 防御 時間: 2025-3-22 19:47
The Dramatic Method,On those rare occasions when Browning discussed the nature of his own poetry, he usually referred to it as being essentially dramatic. ‘Robert Browning, you writer of plays’ he said of himself nearly a decade after the publication of his last play:作者: 商談 時間: 2025-3-22 21:42
The Musical Analogy,Pound and the Imagists insisted that the poem is an object in the same sense that a painting or a sculpture are objects. Yet, in addition to this comparison, there was another made by Pound, Eliot, W. C. Williams and other modern poets: the analogy of poetry with music. Pound made these two analogies explicit when he said:作者: MULTI 時間: 2025-3-23 04:13 作者: apropos 時間: 2025-3-23 08:59
King Henry VI: Glory of Innocence,teenth century to what is called ‘modem poetry’, the movement centring around Ezra Pound in the years 1908 to 1920 was by nature more of a revolution than a continuing of the nineteenth-century tradition.. Imagism was the most clearly defined movement connected with the poetic revolution of the time作者: 虛構的東西 時間: 2025-3-23 09:52 作者: 確定的事 時間: 2025-3-23 14:45
,The Libertine Abject: The ‘Postures’ of ,closely involved was no exception to this generalisation. In fact, one of the most immediately noticeable differences between twentieth-century poetry and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou lo作者: 安裝 時間: 2025-3-23 20:13
https://doi.org/10.1007/978-1-349-02893-1Britain; history of literature; literature; nineteenth century; poetics; poetry; tradition; British and Iri作者: Host142 時間: 2025-3-23 23:49 作者: 小教堂 時間: 2025-3-24 03:48
http://image.papertrans.cn/b/image/191329.jpg作者: 難聽的聲音 時間: 2025-3-24 07:49
The Poem as Object,, but it would be misleading to categorise all the poets experimenting with new forms as Imagist poets or to use Pound’s Imagist doctrines as more than convenient simplifications for aspects of what was most remarkable in modem poetry..作者: 懶惰人民 時間: 2025-3-24 13:01
,The Libertine Abject: The ‘Postures’ of , and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou look back on what hath been’ (., LXIV) — Eliot’s poetry might have seemed more like prose:作者: Frisky 時間: 2025-3-24 17:51
The Use of Common Speech, and most poetry of the nineteenth century is the modern emphasis on common diction. For readers accustomed to the diction of Tennyson — ‘Dost thou look back on what hath been’ (., LXIV) — Eliot’s poetry might have seemed more like prose:作者: ALIEN 時間: 2025-3-24 19:57
https://doi.org/10.1057/9780230376991as possible. ‘I am anxious’, he said in introducing ., ‘that the reader should not, at the very outset — mistaking my performance for one of a class with which it has nothing in common — judge it by principles on which it was never moulded, and subject it to a standard to which it was never meant to conform.’作者: diskitis 時間: 2025-3-25 00:53
The Approach to the Subject,as possible. ‘I am anxious’, he said in introducing ., ‘that the reader should not, at the very outset — mistaking my performance for one of a class with which it has nothing in common — judge it by principles on which it was never moulded, and subject it to a standard to which it was never meant to conform.’作者: 異常 時間: 2025-3-25 05:40 作者: 準則 時間: 2025-3-25 11:31
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