標(biāo)題: Titlebook: British Women Writers of World War II; Battlegrounds of the Phyllis Lassner Book 1998 Palgrave Macmillan, a division of Macmillan Publisher [打印本頁(yè)] 作者: Agitated 時(shí)間: 2025-3-21 19:36
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書目名稱British Women Writers of World War II網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱British Women Writers of World War II讀者反饋學(xué)科排名
作者: 拋媚眼 時(shí)間: 2025-3-21 23:16
How to Position a Luxury Product, second world war began with the losses of World War I. Their painful memories were often similar, and not just because so many lost loved ones. It was also because they remembered how their struggles for equality lost ground to the lure of supporting the nation last time it was threatened by world 作者: Accessible 時(shí)間: 2025-3-22 01:21
Marketing Research and Information,g of continuous world war would not suffice, however, to explain her apocalyptic vision of high-tech escalations of terror compulsively repeating the savagery of the past. But as she foresaw it, a Second World War ‘forces us to think about the catastrophes of the past, the destruction of cities, the作者: 解決 時(shí)間: 2025-3-22 05:48
Berend Wierenga,Gerrit van Bruggen instigated more by the social pressures driven by wartime domestic ideology. Many writers only found the emotional stability to write about women’s wartime lives years after, while others felt compelled by the urgency of the moment to put pen to paper, even as paper was becoming a luxury. Noel Stre作者: MUTE 時(shí)間: 2025-3-22 12:25
Berend Wierenga,Gerrit van Bruggenes and its history of ethnic and political rivalries fueled plots of ill-fated love, dynastic intrigue, and feudal conflict. Staging these plots required little imagination, for Europe’s baroque facades and labyrinthine passageways could all too easily be made to symbolize the elaborate manners that作者: 元音 時(shí)間: 2025-3-22 14:19 作者: TIA742 時(shí)間: 2025-3-22 20:33
https://doi.org/10.1057/9780230503786Adolf Hitler; Britain; civil war; Europe; fascism; fiction; women; World War II作者: Servile 時(shí)間: 2025-3-22 23:04
Palgrave Macmillan, a division of Macmillan Publishers Limited 1998作者: 誘使 時(shí)間: 2025-3-23 03:26
http://image.papertrans.cn/b/image/191193.jpg作者: 厭惡 時(shí)間: 2025-3-23 07:22 作者: tic-douloureux 時(shí)間: 2025-3-23 12:41
https://doi.org/10.1007/978-3-030-66916-4Stephen Spender begins his account of the 1930s by declaring it ‘the decade in which young writers became involved in politics’.. Reflecting his own turbulent political involvement, instead of assuming any harmony or consistency, he describes his generation’s divided heart:作者: bile648 時(shí)間: 2025-3-23 15:08 作者: Jacket 時(shí)間: 2025-3-23 21:46 作者: PANT 時(shí)間: 2025-3-23 22:30 作者: institute 時(shí)間: 2025-3-24 04:28
No Place Like Home: The British Home Front,In her 1982 poem entitled ‘Picture From the Blitz’, Lois Clark commemorated the British women who suffered the loss of their homes while holding down the home front:作者: 颶風(fēng) 時(shí)間: 2025-3-24 10:28 作者: REIGN 時(shí)間: 2025-3-24 12:29 作者: 自制 時(shí)間: 2025-3-24 17:03 作者: HEPA-filter 時(shí)間: 2025-3-24 22:44 作者: 和平主義 時(shí)間: 2025-3-25 02:22 作者: 畢業(yè)典禮 時(shí)間: 2025-3-25 03:37 作者: Biomarker 時(shí)間: 2025-3-25 08:40
,Dystopic Visions of Hitler’s Victory: ‘The Future is Our Business’, rise to the foundational and romantic myths which supported supremacist ideologies and politics. Although many other dystopias of the period drew upon the rise of Hitler and warned of international crisis, unlike Jameson’s analysis of power politics, their focus on weapon technology would draw read作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-25 13:14
,‘Perpetual Civil War’: Domestic Fictions of Britain’s Fate,n narratives. One of the most successful examples is dramatized in the work and life of Betty Miller (1910–65), who was still struggling to become a serious writer when the war broke out. Having to uproot herself and her two children each time her psychiatrist husband was moved to a different army h作者: 財(cái)產(chǎn) 時(shí)間: 2025-3-25 16:14 作者: 合并 時(shí)間: 2025-3-25 20:49 作者: 阻擋 時(shí)間: 2025-3-26 01:17
How to Position a Luxury Product,o weave memory into different patterns for world peace. So Vera Brittain crafted her 1933 odyssey of feminism and pacifism, ., out of her diaries of World War I’s inexplicable waste. Storm Jameson wove her despair at her young brother’s senseless death into many later narratives, each of them arguin作者: 安裝 時(shí)間: 2025-3-26 06:36 作者: parsimony 時(shí)間: 2025-3-26 11:34 作者: 放氣 時(shí)間: 2025-3-26 13:42 作者: Goblet-Cells 時(shí)間: 2025-3-26 18:03 作者: 格子架 時(shí)間: 2025-3-26 21:09
en writers as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness‘ of World War II. Lassner questions prevailing approaches to women‘s war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotis作者: 維持 時(shí)間: 2025-3-27 02:57
roaches to women‘s war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty and heroism and victimization.978-0-230-50378-6作者: PANG 時(shí)間: 2025-3-27 06:44
Book 1998 as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness‘ of World War II. Lassner questions prevailing approaches to women‘s war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty作者: 藝術(shù) 時(shí)間: 2025-3-27 10:25
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