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標題: Titlebook: British Romanticism, Climate Change, and the Anthropocene; Writing Tambora David Higgins Book 2017 The Editor(s) (if applicable) and The Au [打印本頁]

作者: Autonomous 時間: 2025-3-21 17:23
書目名稱British Romanticism, Climate Change, and the Anthropocene影響因子(影響力)

書目名稱British Romanticism, Climate Change, and the Anthropocene影響因子(影響力)學(xué)科排名

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書目名稱British Romanticism, Climate Change, and the Anthropocene網(wǎng)絡(luò)公開度學(xué)科排名

書目名稱British Romanticism, Climate Change, and the Anthropocene被引頻次

書目名稱British Romanticism, Climate Change, and the Anthropocene被引頻次學(xué)科排名

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書目名稱British Romanticism, Climate Change, and the Anthropocene年度引用學(xué)科排名

書目名稱British Romanticism, Climate Change, and the Anthropocene讀者反饋

書目名稱British Romanticism, Climate Change, and the Anthropocene讀者反饋學(xué)科排名

作者: 極少 時間: 2025-3-21 20:33

作者: 閃光你我 時間: 2025-3-22 00:53

作者: 流眼淚 時間: 2025-3-22 07:44

作者: Hyperopia 時間: 2025-3-22 11:45
nderstand Romantic nature writing as largely apolitical and .This book is the first major ecocritical study of the relationship between British Romanticism and climate change. It analyses a wide range of texts – by authors including Lord Byron, William Cobbett, Sir Stamford Raffles, Mary Shelley, an

作者: 較早 時間: 2025-3-22 14:48

作者: 使饑餓 時間: 2025-3-22 18:02

作者: neutralize 時間: 2025-3-22 22:32
https://doi.org/10.1057/9780230379459ns and nonhuman nature, and the possibility of human extinction. Key texts discussed include Byron’s ., ., and ‘Darkness’, Mary Shelley’s ., and Percy Bysshe Shelley’s ‘Mont Blanc’, as well as letters and journals.

作者: Anthropoid 時間: 2025-3-23 02:23
(Re)interpreting Chinese Enterprise Reformes a platform for some final considerations about the difficulty of assigning agency in relation to present-day climate change, and the ways in which the Anthropocene both aggrandises and humiliates humanity.

作者: 占線 時間: 2025-3-23 09:34

作者: Regurgitation 時間: 2025-3-23 10:18

作者: 珊瑚 時間: 2025-3-23 17:45

作者: Enliven 時間: 2025-3-23 18:33

作者: 說笑 時間: 2025-3-23 22:36

作者: Recessive 時間: 2025-3-24 04:14
Introduction,ne. . innovatively addresses the question of how global catastrophe is rhetorically produced. The subsequent discussion details three areas of research which the book draws on and to which it also contributes: disaster studies; new materialism and speculative realism; and the cultural history of cli

作者: 流利圓滑 時間: 2025-3-24 10:17
Textuality, Empire, and the Catastrophic Assemblage: Sir Stamford Raffles and the Tambora Eruption, Raffles. Scholars have treated this text as a straightforward account of the eruption and its effects, but it is in fact a complex heteroglossic and collaborative production in which different perspectives and knowledges intertwine and compete. ‘Tambora’, the chapter argues, is usefully understood

作者: 大洪水 時間: 2025-3-24 14:42
Geohistory, Epistemology, and Extinction: Byron and the Shelleys in 1816,ambora, but the bad weather that it largely caused was an important influence on their creativity, in combination with their interest in contemporary natural philosophy and their experience of the sublime landscapes around Geneva. This chapter brings together their 1816 writings to reveal the richne

作者: GEN 時間: 2025-3-24 15:05
,The ‘Year Without a Summer’ and the Politics of Climate Change,hat makes an environmental catastrophe. It shows how reformers like William Cobbett sought to argue that poverty and famine, rather than part of the order of nature, were politically produced. However, through a reading of the . republication of Coleridge’s poem ‘Fire, Famine, and Slaughter’, it als

作者: neurologist 時間: 2025-3-24 22:44
https://doi.org/10.1007/978-3-319-67894-8Anthropocene; Global Warming; Nineteenth century; Poetry; Environment; British Romanticism; Climate Change

作者: 危險 時間: 2025-3-24 23:41
978-3-319-88505-6The Editor(s) (if applicable) and The Author(s) 2017

作者: 參考書目 時間: 2025-3-25 06:34

作者: 永久 時間: 2025-3-25 10:31
(Re)interpreting Chinese Enterprise Reform Raffles. Scholars have treated this text as a straightforward account of the eruption and its effects, but it is in fact a complex heteroglossic and collaborative production in which different perspectives and knowledges intertwine and compete. ‘Tambora’, the chapter argues, is usefully understood

作者: 犬儒主義者 時間: 2025-3-25 15:42