標(biāo)題: Titlebook: British Romantic Art and the Second World War; Stuart Sillars Book 1991 Stuart Sillars 1991 English.English Romanticism.Inuit.Romanticism [打印本頁(yè)] 作者: Detrusor-Muscle 時(shí)間: 2025-3-21 18:24
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作者: voluble 時(shí)間: 2025-3-21 22:11
Book 1991An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.作者: 做作 時(shí)間: 2025-3-22 02:16
https://doi.org/10.1007/978-1-349-09918-4English; English Romanticism; Inuit; Romanticism作者: Gobble 時(shí)間: 2025-3-22 05:49
https://doi.org/10.1007/978-1-4757-5720-0e clarity of Turner’s vortices yet none of their frenzy. A series of roughly ovoid forms linked to stems in the top quarter of the foreground tell us that we are standing beneath a tree; the balance of deep, cool greens and rich, hot ochres not only reveals the landscape before us but presents the s作者: 獨(dú)特性 時(shí)間: 2025-3-22 12:30 作者: pulmonary 時(shí)間: 2025-3-22 15:46 作者: cluster 時(shí)間: 2025-3-22 20:04 作者: contrast-medium 時(shí)間: 2025-3-22 21:38
https://doi.org/10.1007/978-1-4757-5720-0 of ownership and cultivation, Goldsmith deploring the land ‘where wealth accumulates and men decay’,. Gray using the land around Stoke Poges churchyard as a symbol of unrewarded toil in generations of those who have tilled its soil.. The early watercolourists discover in the land something of new i作者: gerontocracy 時(shí)間: 2025-3-23 04:11
https://doi.org/10.1007/978-1-4757-5720-0 sense it is impossible to compare English music of the twentieth century with earlier English Romantic music since, at the time of the great explosion of Romanticism in European music, England still had few composers of stature. Yet in another sense the tradition of English music that developed in 作者: 敵意 時(shí)間: 2025-3-23 08:06
https://doi.org/10.1007/978-1-4757-5720-0e earth is common in the literature and also the life of the First World War: at a time when the soldier spent a great deal of time sheltering below ground it is not surprising that physical proximity should spawn philosophical speculation, and the idea of being better off as an actual part of the e作者: FEIGN 時(shí)間: 2025-3-23 13:40 作者: 脆弱帶來(lái) 時(shí)間: 2025-3-23 17:17
Overview: An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.978-1-349-09920-7978-1-349-09918-4作者: yohimbine 時(shí)間: 2025-3-23 20:00
Market Oriented Product Innovatione first Romantic painters into rather a different light and, as we shall see, has consequent effects on our ideas of how some artists of the thirties and forties saw themselves in relation to the tradition; how the notion of what we might loosely call a Romantic continuity came to develop; and how this actually worked in practice.作者: FILTH 時(shí)間: 2025-3-23 23:39 作者: excursion 時(shí)間: 2025-3-24 03:16 作者: osculate 時(shí)間: 2025-3-24 09:56 作者: 新義 時(shí)間: 2025-3-24 11:41
Romantic Realism,ising copy, that it requires a major effort of dissociation for us even to become aware of it at any conscious level. It is this feature, strong in both painting and literature, which is the conceptual source of a major strand of Romanticism in English art of the Second World War.作者: Ancestor 時(shí)間: 2025-3-24 18:34
The Romantic Continuity,e first Romantic painters into rather a different light and, as we shall see, has consequent effects on our ideas of how some artists of the thirties and forties saw themselves in relation to the tradition; how the notion of what we might loosely call a Romantic continuity came to develop; and how this actually worked in practice.作者: 延期 時(shí)間: 2025-3-24 21:52 作者: 過(guò)于光澤 時(shí)間: 2025-3-25 01:52 作者: Dorsal-Kyphosis 時(shí)間: 2025-3-25 07:09
https://doi.org/10.1007/978-1-4757-5720-0 experience, but also stressed that feature which marks out Romantic aesthetics from all that had gone before: now it is the feelings which are the subjective judge in matters of art, not any apparently objective canons of taste. He continues:作者: 急急忙忙 時(shí)間: 2025-3-25 08:31 作者: 怕失去錢 時(shí)間: 2025-3-25 14:03 作者: 乞討 時(shí)間: 2025-3-25 18:04
The Nurturing Earth,rd as a symbol of unrewarded toil in generations of those who have tilled its soil.. The early watercolourists discover in the land something of new interest in terms which are at first merely topographical. and then move on towards an aristocratic sense of novelty in finding pleasure in newly-fashionable vistas..作者: Tdd526 時(shí)間: 2025-3-25 20:41
https://doi.org/10.1007/978-1-4757-5720-0e land is the medium brushed porcelain-smooth. The painting’s rhythms are at once those of a fragment of experience — ‘where you lean against a bank while the van passes’,. perhaps — and those of an abstract pattern, circling yet static, recessive yet of one surface. It is, in short, a painting whic作者: condescend 時(shí)間: 2025-3-26 00:24
https://doi.org/10.1007/978-1-4757-5720-0h is the common experience of the soldier. Irony is also present in the expression ‘pushing up daisies’ which Owen quotes, an expression recorded by Eric Partridge. as a coinage of the trenches which develops the more passive ‘under the daisies’ of pre-war colloquialism..作者: 最后一個(gè) 時(shí)間: 2025-3-26 07:12 作者: STYX 時(shí)間: 2025-3-26 08:46
Midwinter Spring,h is the common experience of the soldier. Irony is also present in the expression ‘pushing up daisies’ which Owen quotes, an expression recorded by Eric Partridge. as a coinage of the trenches which develops the more passive ‘under the daisies’ of pre-war colloquialism..作者: 值得贊賞 時(shí)間: 2025-3-26 16:25 作者: 燕麥 時(shí)間: 2025-3-26 18:38
The Romantic Continuity,eady acquaintance with the major figures of English art that an intelligent and well-travelled sixteen-year-old can have today. It reminds us that, at the period of the revival of interest in Romanticism, the awareness of the painting of the past was severely limited. This puts the rediscovery of th作者: consent 時(shí)間: 2025-3-26 23:06 作者: Charlatan 時(shí)間: 2025-3-27 02:28
Blitz Sublime, Sublime as a state of feeling higher than beauty, Burke not only foresaw — if not quite invented — the whole idea of Romantic . and the . as ultimate experience, but also stressed that feature which marks out Romantic aesthetics from all that had gone before: now it is the feelings which are the su作者: insipid 時(shí)間: 2025-3-27 06:16 作者: Abutment 時(shí)間: 2025-3-27 10:51
A Child of Our Time, sense it is impossible to compare English music of the twentieth century with earlier English Romantic music since, at the time of the great explosion of Romanticism in European music, England still had few composers of stature. Yet in another sense the tradition of English music that developed in 作者: ablate 時(shí)間: 2025-3-27 17:40 作者: 使害羞 時(shí)間: 2025-3-27 19:15
Roots that Clutch,he reality that surrounded it rather than an idealist retreat from it. The philosophy of Romanticism, as it evolved in the late eighteenth and early nineteenth centuries, has a great deal to do with political and social theory: Rousseau,. after all, evolved the theory of interchange with nature into作者: Lumbar-Spine 時(shí)間: 2025-3-27 23:55
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