標(biāo)題: Titlebook: British Poetry from the 1950s to the 1990s; Politics and Art Gary Day (Senior Lecturer in English and Cultural Book 1997 Palgrave Macmilla [打印本頁] 作者: Glitch 時間: 2025-3-21 19:20
書目名稱British Poetry from the 1950s to the 1990s影響因子(影響力)
書目名稱British Poetry from the 1950s to the 1990s影響因子(影響力)學(xué)科排名
書目名稱British Poetry from the 1950s to the 1990s網(wǎng)絡(luò)公開度
書目名稱British Poetry from the 1950s to the 1990s網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱British Poetry from the 1950s to the 1990s被引頻次
書目名稱British Poetry from the 1950s to the 1990s被引頻次學(xué)科排名
書目名稱British Poetry from the 1950s to the 1990s年度引用
書目名稱British Poetry from the 1950s to the 1990s年度引用學(xué)科排名
書目名稱British Poetry from the 1950s to the 1990s讀者反饋
書目名稱British Poetry from the 1950s to the 1990s讀者反饋學(xué)科排名
作者: 嘮叨 時間: 2025-3-21 21:12 作者: 完成才會征服 時間: 2025-3-22 02:52 作者: single 時間: 2025-3-22 06:44 作者: 極小 時間: 2025-3-22 11:08 作者: 強化 時間: 2025-3-22 14:14 作者: optic-nerve 時間: 2025-3-22 19:08
,‘Never Such Innocence Again’: The Poetry of Philip Larkin,t]he impulse for producing a poem is never negative; the most negative poem in the world is a very positive thing to have done.’. Larkin enters into more detail about the writing of poetry in his essay ‘The Pleasure Principle’ where he says that it consists of three stages:作者: Horizon 時間: 2025-3-23 00:17
Die Techniken des Marken-Design,s would have provoked a similar response. This is related to a more extensive and significant attempt on the part of both to integrate vernacular working-class speech into poetry — not only into poetry but, explicitly and self-consciously, into verse-forms that by custom belong to the educated classes.作者: 不可思議 時間: 2025-3-23 05:08 作者: spondylosis 時間: 2025-3-23 07:01
Poetic Subjects: Tony Harrison and Peter Reading,s would have provoked a similar response. This is related to a more extensive and significant attempt on the part of both to integrate vernacular working-class speech into poetry — not only into poetry but, explicitly and self-consciously, into verse-forms that by custom belong to the educated classes.作者: 仇恨 時間: 2025-3-23 13:33 作者: parasite 時間: 2025-3-23 16:38
Book 1997e changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they作者: gait-cycle 時間: 2025-3-23 21:06
Book 1997reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.作者: ventilate 時間: 2025-3-23 22:38 作者: anniversary 時間: 2025-3-24 05:49 作者: 極微小 時間: 2025-3-24 08:36
https://doi.org/10.1007/978-3-8349-8904-8 poetry appears to us to lie in its utter unconsciousness of a listener’ and can therefore be said to be overheard. Where eloquence openly acknowledges its intercourse with the outside world, poetry acts as if it does not exist:作者: 把…比做 時間: 2025-3-24 12:59 作者: antiandrogen 時間: 2025-3-24 17:21
Michael Jary,Dirk Schneider,Andrew Wilemanen sonnets about spaceships, and concrete poems about Shakespeare, he might seem to specialise in unlikely juxtapositions, not least in the witty title of one of his best known collections: . Some readers have been positively disconcerted by the element of play in Morgan’s work, and others by its sheer variety. The poet knows this:作者: 載貨清單 時間: 2025-3-24 20:44 作者: 遺傳學(xué) 時間: 2025-3-24 23:52
http://image.papertrans.cn/b/image/191109.jpg作者: DEAWL 時間: 2025-3-25 05:29 作者: Indecisive 時間: 2025-3-25 07:48 作者: MIRE 時間: 2025-3-25 12:09
,Salvaged from the Ruins: Ken Smith’s Constellations, they know about the later course of history’ in ‘a(chǎn) process of empathy whose origin is the indolence of the heart, ., which despairs of grasping and holding the genuine historical image as it flares up briefly’. Such a historiography, he says, is ‘the root cause of sadness’:作者: Commemorate 時間: 2025-3-25 16:23
Edwin Morgan: Messages and Transformations,en sonnets about spaceships, and concrete poems about Shakespeare, he might seem to specialise in unlikely juxtapositions, not least in the witty title of one of his best known collections: . Some readers have been positively disconcerted by the element of play in Morgan’s work, and others by its sheer variety. The poet knows this:作者: fodlder 時間: 2025-3-25 22:17
,‘Half of My Seeing’: the English Poetry of Iain Crichton Smith, and distinctive indigenous culture which has attracted surprisingly little attention from the custodians of the mainstream, purportedly ‘British’ cultural tradition. He himself has commented wryly on how selective even the current enthusiasm for ‘minorities’ and ‘multi-cultural perspectives’ is:作者: Paleontology 時間: 2025-3-26 00:32
https://doi.org/10.1007/978-1-349-25566-5poetry; postmodernism; Renaissance作者: 虛情假意 時間: 2025-3-26 05:46 作者: BORE 時間: 2025-3-26 11:00
Die Kommunikation des Marken-Design,s threatening to impoverish our understanding of poetry. It has led to an ignorance of tradition and a corresponding blankness in the face of poetry as art. And, if criticism is so desensitised that it cannot recognise or respond to a poem as a poem, then what possible credence can be given to its p作者: 不適當(dāng) 時間: 2025-3-26 15:17
Die Konzeption des Marken-Design,gy . of 1962. Quite apart from its prioritisation of verbal music over positivistic sentiment and its ‘Lindisfarne’. intricacy of patterning, the poem broke away from the consensus that the short lyric was the vehicle of contemporary poetics. . is, like ., a shrunken epic — though one as personalise作者: 純樸 時間: 2025-3-26 20:21
Die Kommunikation des Marken-Design,ow poems about ‘unhappiness, loss [and] a sense of missing out’. can be a pleasure either to read or write but, as Larkin said on another occasion, ‘[t]he impulse for producing a poem is never negative; the most negative poem in the world is a very positive thing to have done.’. Larkin enters into m作者: 官僚統(tǒng)治 時間: 2025-3-27 00:11 作者: 頌揚國家 時間: 2025-3-27 01:18
Anita Zednik,Andreas Strebinger they know about the later course of history’ in ‘a(chǎn) process of empathy whose origin is the indolence of the heart, ., which despairs of grasping and holding the genuine historical image as it flares up briefly’. Such a historiography, he says, is ‘the root cause of sadness’:作者: 磨坊 時間: 2025-3-27 09:12 作者: Feedback 時間: 2025-3-27 11:22
Michael Jary,Dirk Schneider,Andrew WilemanKearney, who writes with the added authority of a working association with Heaney, describes what he takes to be the dominant reading of him.. ‘Heaney’s primary inspiration, we are told, is one of place his quintessentially Irish vocation, the sacramental naming of a homeland. Hence the preoccupatio作者: 補角 時間: 2025-3-27 15:53
Michael Jary,Dirk Schneider,Andrew Wileman feature of contemporary British poetry are those poets outside the dominant social wisdom — not necessarily in overtly political terms, but in the sense of having at their disposal historical or symbolic resources, allegiances and affiliations denied to those who write straight out of the depthless作者: 豪華 時間: 2025-3-27 20:35
Michael Jary,Dirk Schneider,Andrew Wilemanter have of the former. First among these is the concept of Gaelic as an ‘old’ language with an ‘a(chǎn)ncient’ literature, due to a large extent to the continuing effects of the Ossianic controversy which raged in the late eighteenth and early nineteenth centuries. Working from a slim handful of traditio作者: pantomime 時間: 2025-3-27 22:27 作者: 古董 時間: 2025-3-28 03:56
Modeeinzelhandel: Bekleidung und Einrichtung and distinctive indigenous culture which has attracted surprisingly little attention from the custodians of the mainstream, purportedly ‘British’ cultural tradition. He himself has commented wryly on how selective even the current enthusiasm for ‘minorities’ and ‘multi-cultural perspectives’ is:作者: BRAND 時間: 2025-3-28 06:29
Michael Jary,Dirk Schneider,Andrew Wilemanl numbers of .,. in particular, have considered their work in this light, and the nature of their contributions to a sense of Welsh cultural identity remains of critical interest. Nevertheless, both poets have written specifically in English and out of a largely English tradition — in each case with作者: 安慰 時間: 2025-3-28 11:09 作者: 裂縫 時間: 2025-3-28 17:24
https://doi.org/10.1007/978-3-8349-8904-8ngs about his or her life while we politely pretend not to listen. Or, as John Stuart Mill suggested in the nineteenth century, it is the writer who pretends that we cannot hear him or her. His argument went that while eloquence ‘supposes an audience’ and can be said to be heard, ‘the peculiarity of作者: 平項山 時間: 2025-3-28 21:08
Introduction: Poetry, Politics and Tradition,s threatening to impoverish our understanding of poetry. It has led to an ignorance of tradition and a corresponding blankness in the face of poetry as art. And, if criticism is so desensitised that it cannot recognise or respond to a poem as a poem, then what possible credence can be given to its p作者: Generic-Drug 時間: 2025-3-29 00:36
Basil Bunting: Briggflatts,gy . of 1962. Quite apart from its prioritisation of verbal music over positivistic sentiment and its ‘Lindisfarne’. intricacy of patterning, the poem broke away from the consensus that the short lyric was the vehicle of contemporary poetics. . is, like ., a shrunken epic — though one as personalise作者: 去掉 時間: 2025-3-29 03:52
,‘Never Such Innocence Again’: The Poetry of Philip Larkin,ow poems about ‘unhappiness, loss [and] a sense of missing out’. can be a pleasure either to read or write but, as Larkin said on another occasion, ‘[t]he impulse for producing a poem is never negative; the most negative poem in the world is a very positive thing to have done.’. Larkin enters into m作者: Immunization 時間: 2025-3-29 07:30
Poetic Subjects: Tony Harrison and Peter Reading,occupied with and drawn to ‘traditional’ forms, and yet they are both vehemently hostile to poetry as a ‘special preserve’ (Harrison) or ‘Ovaltine’ (Reading). Contemporary social reality, often in ugly manifestations, finds its way into the work of both, and they make deliberately shocking and foreg作者: inhumane 時間: 2025-3-29 13:31
,Salvaged from the Ruins: Ken Smith’s Constellations, they know about the later course of history’ in ‘a(chǎn) process of empathy whose origin is the indolence of the heart, ., which despairs of grasping and holding the genuine historical image as it flares up briefly’. Such a historiography, he says, is ‘the root cause of sadness’:作者: muscle-fibers 時間: 2025-3-29 17:34
Dance of Being: The Poetry of Peter Redgrove,s of modern warfare are made possible by a model of scientific thought which holds as an axiom that the thinker’s subjectivity must be rigorously excluded. He calls this a ‘monstrous cosmic detachment … which is held to describe the ground of our universe, and modern behaviour,’. and points out that作者: white-matter 時間: 2025-3-29 23:33
Seamus Heaney: From Revivalism to Postmodernism,Kearney, who writes with the added authority of a working association with Heaney, describes what he takes to be the dominant reading of him.. ‘Heaney’s primary inspiration, we are told, is one of place his quintessentially Irish vocation, the sacramental naming of a homeland. Hence the preoccupatio作者: novelty 時間: 2025-3-30 03:40
,‘Some Sweet Disorder’ — the Poetry of Subversion: Paul Muldoon, Tom Paulin and Medbh McGuckian, feature of contemporary British poetry are those poets outside the dominant social wisdom — not necessarily in overtly political terms, but in the sense of having at their disposal historical or symbolic resources, allegiances and affiliations denied to those who write straight out of the depthless作者: crutch 時間: 2025-3-30 07:14 作者: Heretical 時間: 2025-3-30 11:30
Edwin Morgan: Messages and Transformations,en sonnets about spaceships, and concrete poems about Shakespeare, he might seem to specialise in unlikely juxtapositions, not least in the witty title of one of his best known collections: . Some readers have been positively disconcerted by the element of play in Morgan’s work, and others by its sh作者: 同時發(fā)生 時間: 2025-3-30 16:26 作者: Slit-Lamp 時間: 2025-3-30 16:31
Vernon Watkins and R. S. Thomas,l numbers of .,. in particular, have considered their work in this light, and the nature of their contributions to a sense of Welsh cultural identity remains of critical interest. Nevertheless, both poets have written specifically in English and out of a largely English tradition — in each case with作者: 惰性女人 時間: 2025-3-31 00:34
,Anthologies of Women’s Poetry: Canon-Breakers; Canon-Makers,anthologies of poetry by women certainly indicate the growth of literary and commercial interests in women’s poetry over the last fifteen years. These anthologies also chronicle the discourses concerning women’s relationship to the traditions of British poetry. The majority of anthologies and of fem作者: PRE 時間: 2025-3-31 03:13
