派博傳思國際中心

標題: Titlebook: British Film Music; Musical Traditions i Paul Mazey Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S [打印本頁]

作者: 板條箱    時間: 2025-3-21 17:13
書目名稱British Film Music影響因子(影響力)




書目名稱British Film Music影響因子(影響力)學科排名




書目名稱British Film Music網(wǎng)絡公開度




書目名稱British Film Music網(wǎng)絡公開度學科排名




書目名稱British Film Music被引頻次




書目名稱British Film Music被引頻次學科排名




書目名稱British Film Music年度引用




書目名稱British Film Music年度引用學科排名




書目名稱British Film Music讀者反饋




書目名稱British Film Music讀者反饋學科排名





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Conclusion, of British musical traditions, documentary influences, and notions of restraint that mark the scores, and the films themselves, with a British inflection. The parallels, Mazey finds, between the mission of the English Musical Renaissance and the later movement to elevate the standard of British fil
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Review of Estimators for Regression Models,uthenticity to the images it accompanies. The chapter concludes by illustrating how folk song’s authenticating quality operates even in comic films that parody the documentary movement, such as . (Alexander Mackendrick, 1949).
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https://doi.org/10.1007/978-3-030-56312-7m music reveal a shared impulse and allow us to view the desire to raise the quality of music in the British film industry as a late-flowering branch of the musical renaissance that had earlier revitalised British art music.
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Marginal Analysis of Longitudinal Data,ncludes by investigating representations that resist this rural myth and instead depict their landscapes either as bleak places or as examples of overwhelming natural environments that imperil those who seek to tame them.
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Pastoral Music: Representations of Landscape,ncludes by investigating representations that resist this rural myth and instead depict their landscapes either as bleak places or as examples of overwhelming natural environments that imperil those who seek to tame them.
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Aesthetic Conventions: Distinctiveness and Diversity,with the historical mission that resulted in the English Musical Renaissance. The chapter concludes with multiple examples of the restrained use of music in British cinema that illustrate the poetic and expressive potential that was possible within the British system.
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Folk Song: National and Regional Music,uthenticity to the images it accompanies. The chapter concludes by illustrating how folk song’s authenticating quality operates even in comic films that parody the documentary movement, such as . (Alexander Mackendrick, 1949).
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Book 2020he celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film cu
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My Dog and My Self: J. R. Ackerley, styles of music that are culturally significant in the history of British music. Mazey contends that the British industry draws upon its national musical heritage and this influences the aesthetic practices and approach to film scoring that develop in the British industry. The chapter explains the
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Marginal modeling with latent variables, nature. The chapter opens with a brief outline of the key differences between British and Hollywood film music before focusing more closely on the British industry. It introduces the music directors and composers working in the British industry, and explores how their musical education aligns them
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Marginal Analysis of Longitudinal Data,ssance, and considers how films that combine pastoral music with landscape imagery accentuate the natural environment and harvest its symbolic connotations. Drawing on the work of Powell, Pressburger and others, he demonstrates how these audiovisual combinations promote a rural myth of the British c
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https://doi.org/10.1007/978-3-030-48904-5rk of composers such as Ralph Vaughan Williams and Brian Easdale. This chapter analyses how choral sonorities are employed on film soundtracks and the particular spiritual effect they create. It takes account of the Christian associations of choral music and goes on to consider the broader mystical
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, and the Huon Mechanics’ Institute Library,bands, the march in British art music and its subsequent use, notably in British war films. The chapter contains detailed analyses of classic films including . (J. Lee Thompson, 1958) and . (Michael Anderson, 1955). It considers how the march is deployed on a film soundtrack and how it can inflect a
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978-3-030-33552-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Book 1983s were wrought. Countless changes have taken place within them, so that, now, only those enzymes exist that play specific roles in the functions of the living cells of today. Those in the nervous system possess a mUltiple role: in the creation, maintenance, and ultimate breakdown of the component ce
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Wasserausbreitung in der Schaufel, elektiv angewandte chirurgische Ma?nahmen k?nnen sich sowohl vorteilhaft für den Patienten erweisen als auch im hohen Grade Notma?nahmen unn?tig machen, die doch oft genug für den Chirurgen selbst l?stig und unangenehm sind.
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