標(biāo)題: Titlebook: British Fiction in the 1930s; The Dispiriting Deca James Gindin Book 1992 Palgrave Macmillan, a division of Macmillan Publishers Limited 19 [打印本頁] 作者: deduce 時(shí)間: 2025-3-21 19:27
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書目名稱British Fiction in the 1930s讀者反饋學(xué)科排名
作者: 完成 時(shí)間: 2025-3-21 20:19 作者: 放逐某人 時(shí)間: 2025-3-22 03:51
,Die Prüfung der Margarinerohstoffe,ly Imagist in his poetry, he had been associated for nearly twenty years with modernism and its need to formulate a complete and linguistically violent break with the past. His jazzy, derisive language is visible throughout ., even in passages that simply describe the 1890 courtship of the parents of the war victim:作者: FLAX 時(shí)間: 2025-3-22 05:01 作者: Collected 時(shí)間: 2025-3-22 10:42
Book 1992emmas, a culture that seems betrayed by the promise of its past and the paralysis of its present. The fiction considers transforming solutions, individual and sexual rebellions as well as the fears and attractions of social and political change.作者: MIRTH 時(shí)間: 2025-3-22 14:57 作者: judiciousness 時(shí)間: 2025-3-22 19:41
The Problem of Emancipation (1934)the attraction of intellectuals to communism and fascism, wars in China, Africa and Spain, and the apparent sterile stasis of the British government were all reflected in literature and journalism of panic, fracture and despair, in the decade’s language of social and international concern.作者: 以煙熏消毒 時(shí)間: 2025-3-22 21:36
,Die Prüfung der Margarinerohstoffe, Baer. Walking the streets in his heavy suits and starched shirts in the hot weather, and reading whatever news from Europe he could, Priestley became despondent. As his recent biographer, Vincent Brome, records his impressions, they bear no resemblance to those of the writers of . magazine:作者: 全部逛商店 時(shí)間: 2025-3-23 03:16
https://doi.org/10.1057/978-1-137-59603-1ty in the midst of the warm, frightening spring and summer of 1940, a ‘sanguine’ moment that ‘like Churchill, fit both optimistic and bloody at the same time’. Another excellent novel, . (1968), is set in the same time-frame, and, on a slightly less searching level, . (1952), set in 1929–32, deals w作者: Hyperlipidemia 時(shí)間: 2025-3-23 06:48 作者: Narrative 時(shí)間: 2025-3-23 09:47 作者: 偽造者 時(shí)間: 2025-3-23 17:46
https://doi.org/10.1007/978-4-431-54484-5s seen as unlikely to influence the contemporary social world. Henry Green’s fiction, in contrast, is silent about the values of the contemporary world, and his comically rendered depictions depend little on an historical version of experience that can substantiate theories of decline. They suggest 作者: Foregery 時(shí)間: 2025-3-23 19:11 作者: 難理解 時(shí)間: 2025-3-24 00:37
ECD for Adult Liver Transplantationpparently never wavered in his ambition to write fiction, he did not publicly articulate his world until after he was forced back to England by the Second World War. In his life, as in his fiction, the thirties, in fact the whole period between the wars, seems on the surface to have been one long ev作者: fender 時(shí)間: 2025-3-24 04:46
Masahiko Taniguchi,Hiroyuki Furukawaey, accurately or not, saw as a modernistic tendency to separate art from life, or artist from audience. The range and diversity of this literary representation of experience might best be seen through the language and concerns of three women influential during the 1930s: Rose Macaulay, Rebecca West作者: 殖民地 時(shí)間: 2025-3-24 07:58
The Ambiguities of Commitmentthe attraction of intellectuals to communism and fascism, wars in China, Africa and Spain, and the apparent sterile stasis of the British government were all reflected in literature and journalism of panic, fracture and despair, in the decade’s language of social and international concern.作者: 祖?zhèn)?nbsp; 時(shí)間: 2025-3-24 11:48 作者: fatuity 時(shí)間: 2025-3-24 17:15
Moments of Intense Social Visualisation: Winifred Holtby, Lewis Grassic Gibbon, Patrick Hamiltonty in the midst of the warm, frightening spring and summer of 1940, a ‘sanguine’ moment that ‘like Churchill, fit both optimistic and bloody at the same time’. Another excellent novel, . (1968), is set in the same time-frame, and, on a slightly less searching level, . (1952), set in 1929–32, deals w作者: overshadow 時(shí)間: 2025-3-24 19:52
Rosamond Lehmann’s Social and Historical Landscapesience directly in fiction which we sometimes too loosely associate with the modernism of a generation earlier than the thirties, is responsible for some of the decade’s best fiction, its most cogent and involving metaphors that combine individual and historical experience, as seen in novels like tho作者: ONYM 時(shí)間: 2025-3-25 01:09 作者: 植物茂盛 時(shí)間: 2025-3-25 05:25 作者: keloid 時(shí)間: 2025-3-25 09:51
Nicholas Blake’s ‘Stake in the Social System’the turn from the twenties to the thirties, one of the most influential and innovative writers of detective fiction was Anthony Berkeley, who, under his own name and the pseudonym of Anthony Berkeley Cox, published several locked room mysteries. In 1931, under another pseudonym, Francis Iles, Berkel作者: 2否定 時(shí)間: 2025-3-25 13:02 作者: constellation 時(shí)間: 2025-3-25 19:33
Essays, Chronicles and Fiction: Alternatives to Despairey, accurately or not, saw as a modernistic tendency to separate art from life, or artist from audience. The range and diversity of this literary representation of experience might best be seen through the language and concerns of three women influential during the 1930s: Rose Macaulay, Rebecca West作者: subacute 時(shí)間: 2025-3-25 21:01 作者: 生命 時(shí)間: 2025-3-26 02:48
https://doi.org/10.1007/978-1-349-22171-4climate; culture; Edward Gibbon; fiction; individual; landscape; landscapes; metaphor; present; visualization作者: bypass 時(shí)間: 2025-3-26 05:55
Palgrave Macmillan, a division of Macmillan Publishers Limited 1992作者: Ringworm 時(shí)間: 2025-3-26 11:00
The Problem of Emancipation (1934)se of immediacy. In part an inheritance from an earlier literary modernism that wanted to deny, question or reconstruct its connections with the past, and in part a response to an external world that seemed to be breaking down, literature for most audiences conveyed an obligation to deal with the im作者: 證實(shí) 時(shí)間: 2025-3-26 12:48 作者: 小丑 時(shí)間: 2025-3-26 16:59 作者: 小樣他閑聊 時(shí)間: 2025-3-26 23:04 作者: ORE 時(shí)間: 2025-3-27 04:25
History of Marginal Donors in the Worldf the external world. Although individual voices and perspectives shape the worlds communicated, as they do in all fiction, the sense of social history recalled exists outside the fiction, which functions as commentary. The chapters that follow focus on fiction the genesis of which seems more litera作者: 增強(qiáng) 時(shí)間: 2025-3-27 07:40
Management of Extended Criteria Donorsdated convention in her argument for a new fictional focus on the interiority of human character. She charged that Bennett ‘is trying to hypnotise us into the belief that, because he has made a house, there must be a person living there’. Although she acknowledged the skill of Bennett, Wells and Gal作者: 平常 時(shí)間: 2025-3-27 11:45
https://doi.org/10.1007/978-4-431-54484-5metallic construction of artifice and posture, a series of sharp edges without coherence or love. Consciously characterising what the authors regard as a wasteland, they create a valueless contemporary world and deepen the comedy with a frenetic, futile search for value and stability. Values echo fr作者: 割公牛膨脹 時(shí)間: 2025-3-27 14:24
Management of Extended Criteria Donorsion how it might be cured or restored, reached a large public. The use of the form to represent social value is at least as old as the fiction of Wilkie Collins (as in .) and some of Conan Doyle’s work, like ., advocates a conservative restoration of the traditional country house against new social 作者: LIKEN 時(shí)間: 2025-3-27 21:20 作者: POINT 時(shí)間: 2025-3-28 01:08
Masahiko Taniguchi,Hiroyuki Furukawaarrow the significance of reference to the literary and social climate. The essay and that form of fiction sometimes close to the essay, the chronicle, emphasise the tangible, direct, socially referential language that novelists sought to bring into fiction. Some writers of the period go further in 作者: 不可比擬 時(shí)間: 2025-3-28 04:44 作者: 陶器 時(shí)間: 2025-3-28 09:31
Richard Aldington’s Excoriation of the Pastafter what seemed a necessary decade for recuperation, in the mocking fury and anger of its language. Other works described equally the physical misery, shared loss and pointless waste of the trenches; other works, too, inscribed the self-slaughter of a generation in terms of historical cause. Aldin作者: 事情 時(shí)間: 2025-3-28 12:18
The Fabric of J. B. Priestley’s Indigenous Social Voicesfiction of A. J. Cronin appeared, J. B. Priestley (1894–1984) was in New York on his second visit to America. At the height of his popularity in England—. was his first successful novel in 1929 and had been followed by . (1930) and the travel ramble of . (1934); his plays also achieved a wide Englis作者: hegemony 時(shí)間: 2025-3-28 16:03 作者: acrophobia 時(shí)間: 2025-3-28 19:35 作者: 可觸知 時(shí)間: 2025-3-29 02:17
Houses and Cultural Betrayal in Elizabeth Bowen’s Fictiondated convention in her argument for a new fictional focus on the interiority of human character. She charged that Bennett ‘is trying to hypnotise us into the belief that, because he has made a house, there must be a person living there’. Although she acknowledged the skill of Bennett, Wells and Gal作者: BAN 時(shí)間: 2025-3-29 03:03
Henry Green’s Particular Visionary Gerundsmetallic construction of artifice and posture, a series of sharp edges without coherence or love. Consciously characterising what the authors regard as a wasteland, they create a valueless contemporary world and deepen the comedy with a frenetic, futile search for value and stability. Values echo fr作者: 蕨類 時(shí)間: 2025-3-29 07:28
