標(biāo)題: Titlebook: Bright Modernity; Color, Commerce, and Regina Lee Blaszczyk,Uwe Spiekermann Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 [打印本頁] 作者: endocarditis 時間: 2025-3-21 19:37
書目名稱Bright Modernity影響因子(影響力)
書目名稱Bright Modernity影響因子(影響力)學(xué)科排名
書目名稱Bright Modernity網(wǎng)絡(luò)公開度
書目名稱Bright Modernity網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Bright Modernity被引頻次
書目名稱Bright Modernity被引頻次學(xué)科排名
書目名稱Bright Modernity年度引用
書目名稱Bright Modernity年度引用學(xué)科排名
書目名稱Bright Modernity讀者反饋
書目名稱Bright Modernity讀者反饋學(xué)科排名
作者: 極力證明 時間: 2025-3-21 21:37
Bright Modernity: Color, Commerce, and Consumer Culture,e chapter concludes by considering the darker side of “bright modernity,” namely, the contribution of new chemically produced colors to environmental pollution and food poisoning in the second half of the nineteenth century.作者: 感激小女 時間: 2025-3-22 03:13
Learning to See with Milton Bradleyratives of the emerging world of consumerism. Gaskill argues that Bradley’s example shows how the introduction of color as a topic of childhood education was inseparable from the proliferation of mass-produced colored goods at the end of the nineteenth century.作者: Initial 時間: 2025-3-22 05:19
New Words and Fanciful Names: Dyes, Color, and Fashion in the Mid-Nineteenth Centurycreasing availability of branded dye products for domestic and commercial markets in the mid-nineteenth century. Nicklas argues that both the language of fashionable color and the variety of new dye products linked male colorists and female fashion consumers.作者: 樣式 時間: 2025-3-22 11:40 作者: COKE 時間: 2025-3-22 15:46 作者: patella 時間: 2025-3-22 18:07 作者: handle 時間: 2025-3-22 23:03 作者: 神化怪物 時間: 2025-3-23 05:08
Modeurop: Using Color to Unify the European Shoe and Leather Industrydecades. It created a base for decision-making and information-sharing that was reliable and influential. Modeurop proved that color was not only a concern of individual companies. It could also become a strong tool within an industry, if it was handled by a well-organized group.作者: Pander 時間: 2025-3-23 06:53 作者: 分離 時間: 2025-3-23 12:15
Chantal Olckers,Eileen Koekemoer enjoyed success in the first stage, the larger and more marketing-orientated German companies were better equipped to succeed in the second stage and nearly monopolize the busines for good in the third stage.作者: MOT 時間: 2025-3-23 14:08
Managing Human Resources in Africairculation of color theories and actual paints and dyes since the sixteenth century, on one hand, and the “color revolution” in marketing and fashion of the early-to-mid twentieth century, on the other hand, paved the way for today’s gendered “affective economy” of pink.作者: SEED 時間: 2025-3-23 18:17
Managing Humanitarian Logisticsists such as Peirce and Rood when they went shopping for colors–maneuverings designed to insure that the colors they studied were objects of science, whereas the items they purchased were objects of commerce.作者: 必死 時間: 2025-3-24 01:39
Coloring the World: Marketing German Dyestuffs in the Late Nineteenth and Early Twentieth Centuries enjoyed success in the first stage, the larger and more marketing-orientated German companies were better equipped to succeed in the second stage and nearly monopolize the busines for good in the third stage.作者: MENT 時間: 2025-3-24 04:29 作者: evanescent 時間: 2025-3-24 09:04 作者: flammable 時間: 2025-3-24 11:21
2945-6010 holars of cultural history, design, fashion, and history of .Color is a visible technology that invisibly connects so many puzzling aspects of modern Western consumer societies—research and development, making and selling, predicting fashion trends, and more. Building on Regina Lee Blaszczyk’s go-to作者: expeditious 時間: 2025-3-24 16:49 作者: 過濾 時間: 2025-3-24 22:34
Ingrid L. Potgieter,Nadia Ferreirae chapter concludes by considering the darker side of “bright modernity,” namely, the contribution of new chemically produced colors to environmental pollution and food poisoning in the second half of the nineteenth century.作者: enormous 時間: 2025-3-25 01:29 作者: 他日關(guān)稅重重 時間: 2025-3-25 07:24
Sophie Ekume Etomes,Epah George Fonkengcreasing availability of branded dye products for domestic and commercial markets in the mid-nineteenth century. Nicklas argues that both the language of fashionable color and the variety of new dye products linked male colorists and female fashion consumers.作者: 松軟 時間: 2025-3-25 11:25 作者: 無節(jié)奏 時間: 2025-3-25 13:44
B.S. Sahay,Sumeet Gupta,Vinod Chandra Menoners emphasized. This chapter explores the nexus of color, gender, domesticity, and technology in the marketing of light applications—especially new color bulbs—to consumers, in particular women, in the mid-twentieth century.作者: GRATE 時間: 2025-3-25 19:31
Subtlety, Subterfuge, and Silenceand also published a wide range of art in color from around the world, from prehistoric cave paintings to Renaissance frescoes and African art. Through its investments in color technology, . not only became a leader in color printing but also placed the United States at the center of the global art world.作者: 奇思怪想 時間: 2025-3-25 22:30 作者: Facet-Joints 時間: 2025-3-26 02:55
https://doi.org/10.1007/978-1-4302-0271-4decades. It created a base for decision-making and information-sharing that was reliable and influential. Modeurop proved that color was not only a concern of individual companies. It could also become a strong tool within an industry, if it was handled by a well-organized group.作者: Veneer 時間: 2025-3-26 05:32 作者: Budget 時間: 2025-3-26 08:51
2945-6010 al and business innovations in print and on the silver screen, the interrelationship between gender and color, and color forecasting in the fashion industry..978-3-319-84481-7978-3-319-50745-3Series ISSN 2945-6010 Series E-ISSN 2945-6029 作者: ineluctable 時間: 2025-3-26 15:02 作者: Arthritis 時間: 2025-3-26 20:41
Coloring the World: Marketing German Dyestuffs in the Late Nineteenth and Early Twentieth Centuriess succeeded in the high-end segment of fashionable silk dyeing. Second, scaling up production, bringing down manufacturing costs, and producing an ever-wider range of dyes enabled the dye industry to penetrate the mass market of ordinary cotton dyeing beginning in the early 1870s. By the 1890s, this作者: JECT 時間: 2025-3-26 22:05 作者: Interstellar 時間: 2025-3-27 02:05
“Real Men Wear Pink”? A Gender History of Colorinning of an extensive color-coded gendering process. Since the early 2000s, girl advocates have openly criticized pink’s seductive pull on little girls. More recently, boys who wear pink have become subject to discussion. Tracing the metonymic relationship between color and femininity in the Wester作者: 迫擊炮 時間: 2025-3-27 07:39 作者: 擦試不掉 時間: 2025-3-27 09:45
Let’s Go Color Shopping with Charles Sanders Peirce: Color Scientists as Consumers of Colorhis essay examines the relationship between colored goods and color science through an examination of the color work of philosopher Charles Sanders Peirce and his sometimes friend, physicist Ogden Rood. While scientists needed colored goods in order to study the nature of color, they frequently balk作者: Apogee 時間: 2025-3-27 14:41
Movies Meet the Rainbownched in Hollywood. By 1930, the industry had embraced sound, the first important disruptive technology of the studio era, and was on the brink of repeating the process for color. Although techniques for adding color to movies were nearly as old as motion pictures themselves, Technicolor emerged tri作者: Blemish 時間: 2025-3-27 18:26
Glamour Pink: The Marketing of Residential Electric Lighting in the Age of Color, 1920s–1950s everything, and everything better, bigger, brighter, and more colorful. With women in command of much of the household purchasing, American industry tailored key products and messages to the female consumer. Among these products was electric lighting, whose enriching, beautifying potential advertis作者: Onerous 時間: 2025-3-28 00:08
in Color: , Magazine and the Color Reproduction of Works of Artography. This chapter looks at .’s collaboration with the Chicago printing firm R. R. Donnelley & Sons and explores the impetus behind the magazine’s investment in color printing, especially in the color reproduction of works of art. . played a key role in the promotion of American art and culture, 作者: EXULT 時間: 2025-3-28 02:40
The Color Schemers: American Color Practice in Britain, 1920s–1960sl, established in 1931, was modeled after the Textile Color Card Association of the United States, and right after the war British industry emulated the American practice of color conditioning factories and other work spaces as a mechanism for increasing efficiency. In the 1950s and 1960s, however, 作者: 無思維能力 時間: 2025-3-28 07:48
Modeurop: Using Color to Unify the European Shoe and Leather Industryopean shoe industry for some 40 years, beginning in 1959. Inspired by the collaboration already existing among the Nordic countries, Modeurop represented the area of color forecasting. It managed to coordinate the development of leather colors on the European market (both West and East) for several 作者: DENT 時間: 2025-3-28 12:24
Who Decides the Color of the Season? How a Trade Show Called Première Vision Changed Fashion Culturethe single greatest arbiter of color trends for fashion and allied industries. Tracing its growth from an ad hoc assemblage of 15 weavers in 1973 through its 2005 incorporation as Première Vision Pluriel, a powerful producer of trade fairs on four continents, Gavenas demonstrates how this insiders-o作者: cardiovascular 時間: 2025-3-28 15:51
https://doi.org/10.1007/978-3-319-50745-3history of color design; transatlantic history; marketing and design history; history of business and c作者: 虛弱的神經(jīng) 時間: 2025-3-28 19:29 作者: 面包屑 時間: 2025-3-29 02:35 作者: 寬容 時間: 2025-3-29 04:34
Chantal Olckers,Eileen Koekemoers succeeded in the high-end segment of fashionable silk dyeing. Second, scaling up production, bringing down manufacturing costs, and producing an ever-wider range of dyes enabled the dye industry to penetrate the mass market of ordinary cotton dyeing beginning in the early 1870s. By the 1890s, this作者: forthy 時間: 2025-3-29 10:57
Ingrid L. Potgieter,Nadia Ferreiraey. It begins by establishing the industrial problems that prompted Bradley to compose a system of color instruction. Then, through an analysis of the exercises and principles that defined Bradley’s method, the chapter connects the ways of seeing fostered in Bradley’s educational program to the impe作者: 壕溝 時間: 2025-3-29 12:11
Managing Human Resources in Africainning of an extensive color-coded gendering process. Since the early 2000s, girl advocates have openly criticized pink’s seductive pull on little girls. More recently, boys who wear pink have become subject to discussion. Tracing the metonymic relationship between color and femininity in the Wester作者: AMITY 時間: 2025-3-29 17:04 作者: 不朽中國 時間: 2025-3-29 20:22
Managing Humanitarian Logisticshis essay examines the relationship between colored goods and color science through an examination of the color work of philosopher Charles Sanders Peirce and his sometimes friend, physicist Ogden Rood. While scientists needed colored goods in order to study the nature of color, they frequently balk作者: 血友病 時間: 2025-3-30 01:47
Darshan Suresh Rathi,Ali M. S. Zalzalanched in Hollywood. By 1930, the industry had embraced sound, the first important disruptive technology of the studio era, and was on the brink of repeating the process for color. Although techniques for adding color to movies were nearly as old as motion pictures themselves, Technicolor emerged tri作者: 搏斗 時間: 2025-3-30 05:37
B.S. Sahay,Sumeet Gupta,Vinod Chandra Menon everything, and everything better, bigger, brighter, and more colorful. With women in command of much of the household purchasing, American industry tailored key products and messages to the female consumer. Among these products was electric lighting, whose enriching, beautifying potential advertis
