派博傳思國際中心

標題: Titlebook: Boys, Bass and Bother; Popular Dance and Id Jo Hall Book 20181st edition The Editor(s) (if applicable) and The Author(s) 2018 culture.ident [打印本頁]

作者: Ejaculation    時間: 2025-3-21 18:04
書目名稱Boys, Bass and Bother影響因子(影響力)




書目名稱Boys, Bass and Bother影響因子(影響力)學(xué)科排名




書目名稱Boys, Bass and Bother網(wǎng)絡(luò)公開度




書目名稱Boys, Bass and Bother網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Boys, Bass and Bother被引頻次




書目名稱Boys, Bass and Bother被引頻次學(xué)科排名




書目名稱Boys, Bass and Bother年度引用




書目名稱Boys, Bass and Bother年度引用學(xué)科排名




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書目名稱Boys, Bass and Bother讀者反饋學(xué)科排名





作者: Seminar    時間: 2025-3-21 23:56
Clinical Manifestations of Filariasishlighting the significant influence of poststructuralism and intertextuality. I discuss the development of these theories in relation to postmodernism, and concerns over globalisation and increased mediation. I also examine the development of new materialism and affect theory, which grew out of conc
作者: APEX    時間: 2025-3-22 00:23
Acute Filarial Lymphangitis (AFL) lower- and working class-ness are portrayed through an increasingly globalized popular media. I discuss how mediatized images of identity can be seen to be so persuasive in their claims of representation that they act as a main point of reference for the development of knowledge about (sub)cultural
作者: Absenteeism    時間: 2025-3-22 05:17
Pathology of Lymphatic Filariasis data in Chaps. . and .. This exploration locates the musical and clubbing culture at an intersection of musical and cultural influences that can be characterised using Gilroy’s (. [1993]) concept of the Black Atlantic; drum ‘n’ bass is not specifically African, American, Caribbean, or British, but
作者: cipher    時間: 2025-3-22 11:10

作者: faculty    時間: 2025-3-22 15:28

作者: BRAND    時間: 2025-3-22 20:16
G. Paganelli,C. De Cicco,M. Chinolnce that is relevant for the contemporary cultural context. I use Bakhtin’s (. [Austin: University of Texas, 1981]) related concepts of double-voiced discourse and heteroglossia to suggest a move away from restrictive notions of cultural ownership through a productive understanding of difference. Th
作者: 煞費苦心    時間: 2025-3-22 23:24
https://doi.org/10.1057/978-1-137-37511-7culture; identity; performance; drum‘n‘bass; clubbing culture; popular dance; electronic music; affective t
作者: 消耗    時間: 2025-3-23 02:50
The Editor(s) (if applicable) and The Author(s) 2018
作者: 老人病學(xué)    時間: 2025-3-23 06:12
Jo HallExplores dancing as a mode of identity performance in the British drum ‘n‘ bass club culture.Shows that the dancing body blends prior meaning with new significance.Challenges the various labels and di
作者: Formidable    時間: 2025-3-23 11:49
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作者: Saline    時間: 2025-3-23 15:44
Peter M. Schlag,Umberto Veronesialities that can be linked to specific identity-based imagery. I reveal how clubbers simultaneously denounce and embody popular representations of gendered, lower or working-class identities, and suggest that these clubbers engage in a process of revaluation.
作者: 放大    時間: 2025-3-23 20:17
The Concept of the Sentinel Lymph Node representations of identity from the popular screen in the dance practices within drum ‘n’ bass cub culture leads me to use theories of affect to understand the processes of transmission that are at work in the construction of UK drum ‘n’ bass identities.
作者: agonist    時間: 2025-3-24 01:08

作者: 捏造    時間: 2025-3-24 02:54

作者: Malaise    時間: 2025-3-24 06:38

作者: 輕快走過    時間: 2025-3-24 12:47
Original Nuttah,alities that can be linked to specific identity-based imagery. I reveal how clubbers simultaneously denounce and embody popular representations of gendered, lower or working-class identities, and suggest that these clubbers engage in a process of revaluation.
作者: dissent    時間: 2025-3-24 17:56

作者: 意見一致    時間: 2025-3-24 19:15
Book 20181st editiondiment. Using a socially orientated understanding of intertextuality, the popular dancing body is shown to be heterocorporeal: containing traces of prior meaning and logic yet replete with new meaning and significance.?
作者: 定點    時間: 2025-3-24 23:10

作者: expeditious    時間: 2025-3-25 05:29

作者: 絕緣    時間: 2025-3-25 09:53

作者: 創(chuàng)造性    時間: 2025-3-25 12:11
Acute Filarial Lymphangitis (AFL) to be so persuasive in their claims of representation that they act as a main point of reference for the development of knowledge about (sub)cultural groups. This knowledge is then used in the construction of sub/club cultural identities in a performative process of revaluation.
作者: 警告    時間: 2025-3-25 19:46
Pathology of Lymphatic Filariasisharacterised using Gilroy’s (. [1993]) concept of the Black Atlantic; drum ‘n’ bass is not specifically African, American, Caribbean, or British, but all of these at once. The methodology employed for ethnographic research in UK drum ‘n’ bass club culture is also discussed in this chapter.
作者: BRIDE    時間: 2025-3-25 23:59
Mapping the Multifarious,ficulty in mapping the rapid proliferation and mixing of styles of dance music that occurred during the 1990s. As part of this opening chapter, I use poststructuralist genre theory to suggest an intertextual understanding of the relationship between dance music club cultures.
作者: BUCK    時間: 2025-3-26 01:52
Complex Identities,, and concerns over globalisation and increased mediation. I also examine the development of new materialism and affect theory, which grew out of concerns raised over the dominance of textual interpretation in poststructuralism, particularly in relation to studies that focus on the material, fleshy or moving body.
作者: 種族被根除    時間: 2025-3-26 07:39

作者: 來就得意    時間: 2025-3-26 12:15
Inner City Life,haracterised using Gilroy’s (. [1993]) concept of the Black Atlantic; drum ‘n’ bass is not specifically African, American, Caribbean, or British, but all of these at once. The methodology employed for ethnographic research in UK drum ‘n’ bass club culture is also discussed in this chapter.
作者: Blanch    時間: 2025-3-26 16:15

作者: FLORA    時間: 2025-3-26 20:32
Complex Identities,hlighting the significant influence of poststructuralism and intertextuality. I discuss the development of these theories in relation to postmodernism, and concerns over globalisation and increased mediation. I also examine the development of new materialism and affect theory, which grew out of conc
作者: 允許    時間: 2025-3-26 23:30

作者: 天氣    時間: 2025-3-27 04:50
Inner City Life, data in Chaps. . and .. This exploration locates the musical and clubbing culture at an intersection of musical and cultural influences that can be characterised using Gilroy’s (. [1993]) concept of the Black Atlantic; drum ‘n’ bass is not specifically African, American, Caribbean, or British, but
作者: 雪崩    時間: 2025-3-27 05:58

作者: gene-therapy    時間: 2025-3-27 12:13
Super Sharp Shooter,rum ‘n’ bass club culture. An analysis of the dance movement in relation to the writings of dance scholar Gottschild (. [Westport: Praeger Publishers, 1996]) is used to highlight the problematic nature of narratives of appropriation in the context of globalised popular culture. The identification of
作者: 配置    時間: 2025-3-27 13:57

作者: 向外才掩飾    時間: 2025-3-27 19:34

作者: filial    時間: 2025-3-27 23:22
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作者: Medicaid    時間: 2025-3-28 06:08
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作者: allude    時間: 2025-3-28 09:07
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作者: Inflammation    時間: 2025-3-28 13:45
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